The Struggling Lower-Middle Class Artist As Seen Through Kate Beaton’s Ducks: Two Years In The Oil Sands

Between everything else I’ve had going on (include falling behind on Animorphs books because I’m too tired to stay awake reading most nights), I read a book recommended to me on Cohost called Ducks: Two Years In The Oil Sands by Kate Beaton (of Hark! A Vagrant fame). The user who wrote the post held it up as part of an example of the great talks Beaton gives since she doesn’t just discuss the book at hand. In the talk that user shared, Beaton took the themes of the book as the starting point and talked further, focusing on the way that class impacts the arts and how a person’s conception of a place doesn’t necessarily reflect the place so much as it reflects the person. Even a person’s experience of a place can sometimes reflect them more than the place they’re at because if someone excepts a ruin, they will find a ruin. If they expect a garbage dumb, they’ll find a garbage dump. The Cohost user brought in some examples from their own life, mainly focusing on how they dislike the common depiction of gas station attendants as vapid wastrels with no prospects who are sometimes even depicted as being a waste of space. Those jobs need to be done and a lot of people doing them are more than just their job. There’s a lot more to people than their situation or the brief context in which you see them, for good or for ill, and one of the things that Beaton’s autobiographical graphic novel does is examine that idea through her experience working off her student debt via jobs in the oil sands of Alberta, Canada.

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