Review

Getting Lost in a Wake of Vultures

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I’ve mentioned previously that I’m trying to get into the Twitter Writer scene. As a part of that, I’ve started following a bunch of authors and trying to absorb what I can from them. One of my favorite people to follow is Delilah Dawson. I learned about her as a result of my first foray into the new Star Wars extended universe. I was admittedly rather angry that they threw out everything that was written before Disney purchased the franchise, but I’m excited to see where the new stories go now that I’ve had some time to get over what felt like a rather personal attack on some of my favorite memories

Delilah Dawson wrote the Captain Phasma book (titled “Phasma”) and did an amazing job adding to a rather underserved character in the films. Since I enjoyed that book, I followed Delilah on Twitter and have enjoyed the positive, affirming energy she brings to her Twitter account. At one point, she mentioned that the next book in a series she wrote under a pen name was about to have its release date announced. I had already started collecting her other books (mostly in online wish lists so I’d have stuff to look for during my quarterly visits to the local book store), but I hadn’t heard of this series. Turns out, she was writing an entire series under another name and I’d missed it because I never went to her website or her Wikipedia page.

Then I read a description of this series she posted and I knew I had to read it. There was no way I couldn’t. I’ll be the first to admit that I have a tendency to pick up books by mostly male authors featuring mostly male characters, so this book by a female writer about a trans man of color seemed like a really enjoyable way to step away from my typical milieu. As both a reader and writer, there’s always something to be gained when I read anything, but reading stuff outside of my experience shows me more. Not always in a quantifiable “Here’s what I learned today!” kind of way, but in more of a subtle, “change the way I think without always being entirely aware of it” way. Which is really the best way, in my opinion.

Wake of Vultures is an amazing Fantasy novel set in the fantastical Old West. It has saloons, cattle rustlers, cowboys, vampires, monsters out of every tradition, and some amazing characters. There’s romance, personal awakenings, shootouts, and tense moments of near disaster. There were rough scenes that were hard for me to read. Things that made me put down the book for a little bit because I got so sucked in and the pain and desperation I felt in the characters was too real to handle all at once. I read the whole book in a day because I couldn’t stop to do anything else once I’d gotten started.

I sat in my chair in the little library we’ve got, under the same late-night light that helped me through the sympathy pain I felt while reading John Green’s Turtles All the Way Down, and powered through scenes that are outside my personal experience, but whose pain resonated with my own. Feelings of powerlessness, feelings of being trapped in something someone else chose and you had no ability to resist or prevent. I made it through the book just fine, but it was amazing, wonderful, and difficult read. A lot of the best books are difficult and the intensity of the emotions I felt while reading this one convinced me to move the rest of the series to the top of my “to buy” list.

I would really love to dig into specifics, but I feel like so much of the novel and my own interpretations of it was instrumental in forming what I eventually got out of the story. I don’t want to influence your experience beyond encouraging you to have it. The characters are wonderful, the writing is beautiful, the plot is twisty, the foreshadowing is clever, and the world rides that perfect line of being familiar enough to not need much information about it while still being foreign enough to be super interesting. Go read Wake of Vultures by “Lila Bowen” and learn for yourself what amazing story this is.

My Second Favorite Cop Show

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While my friend and I were watching Pysch a couple of weeks ago, we got to talking about our mutual love for comedy, cop shows, and comedic cop shows. While we both obviously rated Psych as our favorite, we were both surprised to learn that our second favorite cop show was Castle. Me, because I want to be Richard Castle (a rich, eccentric millionaire writer with a nice apartment and the fortitude to not only write books but help the police solve crimes every week while pretending he’s doing research) and him because he’s like a broke, slightly funnier, and much less involved in crime solving version of Richard Castle. The distinction is probably the smallest one I’ll ever make, but we argued about it for half an hour, so it is clearly important to both of us.

It was interesting to see that we were basically in agreement on pretty much every point of the show. The only difference was our experiences with it. He watched it as it came out on TV and I purchased the DVDs. I’ve also made it further into the series he has, but that’s mostly because I had the DVDs and could watch on demand. Both of us eventually stopped before the end because the series started falling into that hole that long-running shows sometimes fall into, where more and more incredible things have to happen in order to keep the show new and relevant. He has no plans to continue watching it but I own the DVDs for every season and plan to get around to it at some point. We both enjoyed the earlier seasons more, when it was mostly protagonists flirting, hints at larger plot arcs, and the standard human stuff that goes on in everyday life.

 

The characters are great and Nathan Fillion is excellent in this show. I’ll admit that I’m a little biased because I’m a bit of a fan of his, but I think his style of acting fits the series very well, able to go from light-hearted comedic relief to intensely serious as the situation calls, all before wrapping it up with a touching little moment at the end with Castle’s mother, daughter, or his current love interest. In a single episode. The writing of the individual episodes manages it well, too. Despite the wide variety of emotions at play in a lot of the episodes, there is never a moment were it feels rushed or unduly chaotic. As I said, the writing runs into problems as the show goes on, but they do remarkably well for something that obviously hadn’t planned on running for as long as it did.

The extended cast is a lot of fun. Richard Castle’s mother and daughter provide excellent contrasts, allowing him to be the more serious one at times with his mother and the more playful one with his daughter. The three of them do an excellent job playing off of each other as they interchangeably help each other, give each other advice, and rein each other in. The other characters, mostly people from the police side of the show, help keep the show balanced by providing the main drama for each episode without completely losing touch with the more emotional side of the show.

The other protagonist, Detective Beckett, does an amazing job of calling Castle on his bullshit, keeping the police focused on their jobs rather than on Castle’s antics, and upstaging Castle almost every time he thinks he’s come out ahead. Unlike a lot of cop shows where the outsider protagonist constantly almost shames the police, Beckett proves herself easily Castle’s equal and much more likely his superior when it comes to investigation. There are a lot of times where he mostly just follows her around to flirt, make jokes, and accidentally stumble into a tense situation (or firefight) that she rescues him from. It is a refreshing change of pace when the damsel in distress is the male protagonist. He rescues her a couple of times, but it is mostly him tagging along and leaning on her. Beckett provides most of the plot arcs for the show and Castle’s are often just an accessory to hers. I enjoy the dynamic a little more than Psych’s where Shawn is constantly stealing the spotlight and setting up the story arcs. It feels a lot more realistic in Castle.

Eventually, though, the show loses the thread of its earlier seasons and starts trying to top itself, despite the fact that they more or less resolve the long-running character arcs and stories by season 5. They could have wrapped everything up neatly at that point, but they kept it going and things started to get a little messy. The plots started to get kind of convoluted, the season arcs felt like they were made simply to keep the show going, and the characters started throwing controversy into their personal lives just to give themselves plots for the season.

I feel like I encounter that a lot in TV shows these days. If a show does well for a few seasons, the network decides to milk it for all its worth. Scrubs Season 8 would have been great if they had just basically started the show over, letting all the old characters go except for a few who wanted to stick around and making it the start of something new instead of an attempt to continue something that almost everyone had left. The worst offender in my book is How I Met Your Mother. They had a nice, tight little plot that they wound up extending when they were given more seasons. That was fine, but continuing to extend it forever got very frustrating, since they wound up dancing around potentially ending the show at the end of the current season for a couple (or more) years.

Ultimately, if you’re looking for a fun cop show that’s good for a watch, check out Castle. You’ll enjoy it, have a good time, and chances are good that you’ll like it well enough to watch all of it. I’m just really bad at finishing things if I wind up stopping them. I suggest taking your time and trying to be consistent rather than binging it like I did.

My Favorite Cop Show

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One of the first shows I ever watched on streaming Netflix was Psych. I’d just gotten my own account, since I had gone to college and my parents didn’t approve of me wanting to use their account to watch TV shows from HBO that involved the occasional bit of nudity and tons of murder (Dexter), so I got my own account. Around the same time, I became friends with a fellow English Major who works mostly on comics and she started what would eventually become a pattern of recommending TV shows I’d love by insisting that I watch Psych.

I did and I loved it. The casual humor that each character engages in feels so incredibly human and you can really see the bonds between the characters as they grow and change over the course of the show. The action is fairly low-key, always play third-fiddle to the mystery nature of the show and the comedy that keeps the whole things from getting too serious until the third season. There is danger involved in some of the episodes, but the plucky cheerfulness of the protagonist, Shawn Spencer, keeps it light until he admits that he needs to stop goofing around to focus on a case.

Shawn isn’t your typical detective, to be fair. He pretends to be a psychic detective in order to avoid getting in trouble with the police for always calling in spot-on tips for cases he sees on the news. In reality, he is using an extreme attention to detail, what appears to be a photographic memory, and amazing deductive reasoning skills to solve cases that are troubling even the head detective of the local (Santa Barbara) police force, Carlton Lassiter (which is probably my favorite name ever). Shawn shows up on the scene, makes a few while claims based on what he’s observed, and gets hired to help Lassiter and his partner solve a disappearance.

Shawn, excited for the new opportunity to goof around and get paid for the crazy antics he claims are his psychic powers manifesting, brings in his best friend, Burton Guster, who is a rather ordinary pharmaceutical sales representative. Gus, as he’s called whenever Shawn isn’t introducing him to someone new, is pragmatic, realistic, sensible, and cautious. He is the opposite of Shawn and keeps him grounded whenever he gets too caught up in his antics to focus on what is going on. Despite their clear personality conflicts, you can easily see how close the two friends are because Gus not only puts up with Shawn’s games, but leans into them with an ease that can only result from experience. Gus never misses a beat and is always ready to back up whatever hair-brained scheme Shawn is trying to pull as long it won’t get either of them killed, break too many laws, or result in Gus losing his job.

The two of them eventually open their own psychic detective agency, with Shawn doing most of the detecting and Gus managing the business side of things, even if he only does it reluctantly at first because Shawn forged his signature on a lease for their rental space. Throughout the series, Gus keeps their business running and Shawn grounded, while Shawn gets them cases and keeps their lives from stagnating or ever being boring. They make an excellent pair and the chemistry between the actors is amazing. Unlike most other characters who had to struggle through an awkward introductory phase before you could really feel their comfort around each other, Shawn and Gus felt like best friends from the very beginning, with all of the petty arguments, unconditional support, and touching moments of true friendship you’d expect of people who have been close friends for over two decades.

Unlike a lot of TV shows I’ve watched that were produced during the same period, the characters in Psych never stop feeling like people. Even my second favorite Cop Show, Castle, starts to lose that as the seasons go on and the characters just seem to be able to endlessly go on despite everything that happens. Gus gets pissed at Shawn and his behavior changes for a while. Shawn and Juliet, the detective junior partner to Lassiter, have a complicated relationship as they flirt with each other, that changes based on their development and other relationships. The chief of the police goes from being a grumpy woman attempting to do her best at her job and find a way to turn it from an interim position into a full one to being a warm but still very cross woman who won’t take any shit from her subordinates or contractors. Even Shawn’s dad goes from being an angry father with unreasonably high expectations of his son to being an important part of Shawn’s support network who just wants to make sure his son is doing well.

Now, even though it isn’t available on Netflix anymore, I recommend watching it. Buy the seasons or watch it on Amazon’s streaming service. I recommend buying it if you’ve got the money, since there are some weird audio/video sync issues with the Amazon episodes I’ve been watching that have taken almost an entire season to get used to (or have mostly vanished. It is hard to tell, sometimes). The eight seasons are worth your time and you will be laughing your way through way more episodes than you planned.

 

Climbing the Mountain of my Heart

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First and foremost, I want to thank one of my readers who contacted me, Ryan, for recommending Celeste. I would not have played it without your suggestion because it wasn’t even on my radar before that. I enjoy platformers, but I’m not very good at staying up-to-date on video game news. Trying to follow everything that’s happening is super stressful. Normally, I rely on my friends for that kind of information, but none of them are really into platformers, so thank you so much for recommending a game I have immensely enjoyed.

Like most indie platformers, the game is fairly simple in concept. The game follows a young woman, Madeline, as she attempts to climb Celeste mountain. The controls are basic, based around jumping, an air-dash, and climbing. The levels are often only as big as your screen and the simple move set means it is fairly easy to figure out how to move through them, but the game is still very challenging because the maneuvers require precise timing and execution. Timing your jumps, dashes, and climbs so you wind up being able to combine them all in a quick string that lets you finish by dashing to the final platform at the right moment, to avoid the floating spikes that are moving back and forth, becomes a real challenge. Dying only set you back to the start of the screen or the last mini checkpoint, but it can become the right kind of frustrating when you’ve died a couple dozen times on the one screen.

In addition to the air-dash, there are a number of level-unique gimmicks and a few game-wide ones that get introduced to add variety and further complication to your play. Platforms that fall or crumble a second after you land on them, bouncy clouds, little bubbles that throw you a certain distance in whatever direction you’re pushing, and even little feathers that turn you into a little orb of light dashing through the sky. Moving spikes, weird black round shapes with eyes, and moving platforms that catapult you in the direction they’re moving if you time your jumps well. All of it comes together to create a wonderful and challenging platformer that offers you a ton of variety.

To up the ante, there are various collectibles spread throughout the levels. Strawberries scattered throughout the level, little mini-game screens with “B-side” tapes on them, and crystal hearts in hidden rooms that will encourage you to leave no room or direction unexplored. The strawberries are just collectibles to incentivize exploration, but the B-sides and the crystal hearts add things to your game. Each level has a second, harder version you can unlock by finding the tapes while the last level, Level 8, is stuck behind a wall you can only unlock with four crystal hearts. Like most good collectibles in these kinds of games, you can enjoy the game without needing to gather them, but they add to the game if you take the time to find them all.

Thematically, this game is far more complex. Madeline is climbing the mountain because she feels like she needs to make a change in her life. As you learn throughout the game, Madeline suffers from some pretty bad depression and anxiety, resulting from something bad that happened to her (it is never specified, but the game hints that it may have to do with a past relationship). She has to learn how to deal with the problems that come up as a result of her mental health issues all while trying to cope with the mountain itself, which seems to be doing everything it can to make her journey more difficult. You can even see her slow growth throughout the game in the ways she interacts with and talks about the other people she encounters.

My favorite part, which hit super close to home, is an exchange between Madeline and Theo, a hiker she encounters throughout her climb who she just rescued from the materialization of her inner demons. They’re sitting around a campfire, talking about what happened and why it is happening. Eventually, Theo asks her a question (I’ve trimmed out non-relevant or spoiler-y bits of dialogue):

T: Why not take a vacation instead?
M: I guess I feel like I need to accomplish something.
T: It sounds like you have enough on your plate already.
M: I guess it is kind of extreme. But that’s how I am. I need something to challenge me. And I can’t just do something a little bit. It’s all of me, or nothing.

As someone whose main coping mechanism is “find projects to do” and who has often said that I find it much easier to commit 100% that hold back, I felt a little called-out by the game. Madeline even uses similar language to describe her depression.

I’m currently climbing my own mountain. Trying to update this blog every day for what’ll wind up being at least thirteen months, trying to work enough to pay of my loans quickly, trying to work out regularly, trying to work on my novel five days a week, and trying to maintain my relationships (romantic and platonic) by staying socially active. So far, I rarely ever accomplish all of those things, but I try every day and don’t give myself a hard time if I can only do one or two of those on any given day. I remember learning the lessons that Madeline learns in this game and this was an excellent reminder that I need to be careful or I’m only going to wind up making my life more difficult for myself.

I have to say, this game came at exactly the right time for me. I suggest you pick it up for its super fun platforming and then appreciate it for the wonderful story it tells in a form that doesn’t typically lend itself well to storytelling.

 

 

The Anthropocene Reviewed: Reviewed

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I’m a relatively recent fan of the Vlogbrothers. I’ve been working my way through all of their videos during my workouts because they’re a lot easier to muddle through if I’ve got something else to focus on, and I have to say that I’ve become a huge fan of John Green’s voice. In a lot of his recordings, he sounds so calm and soothing that I find myself feeling more relaxed, no matter what I’m doing while listening to him. I love Hank Green’s videos as much as I love John Green’s, but I don’t enjoy his voice the same way I do John’s. If I want to feel excited about something or to get psyched up about something I’m passionate about, then I’d listen to Hank Green.

As a result, I was very intrigued when John announced that he was starting a solo podcast in which he would review “different facets of the human-centered planet on a five-star scale.” He has called it “The Anthropocene Reviewed” and his first episode was a review of Canadian Geese and Diet Dr Pepper. I’m not going to spoil the review by telling you how many stars he gave each of those things, but I am going to insist that the parts leading up to the numerical rating are the absolute best.

As a huge fan of John Green’s Vlogbrothers videos that were themed as “Thoughts from ________,” I enjoyed these podcasts because they sound just like an extended version of one of the videos. In the first episode, he talks about the history of Canadian Geese, shares some interesting facts, discusses how they’ve participated in the Anthropocene era of the world, and how we Humans have affected them. I learned a lot and I got to do it all while listening to the soothing tones of a wonderful writer. As if that wasn’t enough, he then went on to discuss the soda flavor known as Dr Pepper, which is incredibly interesting to think about. It is a flavor made up of other flavors and there is no naturally occurring equivalent that we can compare it to, so Dr Pepper would not exist without Humans.

The second episode, he discusses Halley’s Comet and Cholera, which are both interesting topics. Halley’s comet appears once every Human lifetime. Some people get to see it twice, if they’re lucky, but never more than that (at least by current life expectancies. Who knows what’ll happen in the next hundred years in terms of Human lifespans…). As a result, its participation in the Anthropocene era is more as a spectator, witnessing the drastic change of the world and Humanity at larger. Cholera, on the other hand, is what happens when people gather large numbers and don’t have access to clean water. Cholera is a side-effect of human expansion and continuously pops up because the people with the resources to end it don’t care about it. John does a much better job addressing the issues that have resulted in an ongoing Cholera epidemic, but I feel like my summary is accurate if a little angrier than John’s analysis. Sorry, but preventable stuff like that pisses me off.

While I haven’t found any kind of regular updating schedule for the podcast yet, I think that it will start to gather steam as more and more people start listening. John and Hank are incredibly busy people who somehow find the time to keep doing incredible new things, so I really can’t fault John for not having a specific schedule right now. He has a lot going on these days, by anyone’s standards. I say I’m a fan of the Green Brothers, but I haven’t even started to plumb the depths of their content outside of their YouTube videos. There’s just so much and I’ve already got so much going on!

Anyway, I suggest checking out John Green’s new podcast. There’s plenty to laugh about, plenty to think about, and you get to listen to Mellifluous tones of the elder Green brother’s voice for almost twenty minutes at a stretch. That’s a win all around.

The Order of the Stick Has Stuck With Me

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One of my favorite webcomics, which happens to also be my favorite D&D webcomic, is Order of the Stick. If you’ve been in the webcomics consumption business or D&D business for a while, you have likely heard of it. It has been going on since September of 2003 and, despite a few setbacks and being the poster child of how too much success can be a bad thing, it has passed 1100 pages. What started as a way to joke about the rules for the new D&D 3.5 release has developed into an epic tale that still manages to find the time to make jokes about the rules.

The first comics are fairly formulaic, by today’s standards. The party is introduced to the readers and jokes are made about obscure rules or the tendency for player characters to fail simple checks, like seeing the monsters immediately behind them. Then Evil Opposites are introduced, a Lich at the end of the Dungeon is encountered, and then the party is released into the wider world to wreak havoc and eventually get railroaded into some new plot or another. They go from light-storytelling at the start so jokes can remain the focus to telling an epic story of personal growth, the consequential struggles of mortals in the matters of gods, and need of individuals to act even when they feel out of their depth. There’s on particular moment, as the webcomic approached and passed its 1000th update that has stuck with me. The combination of the art change and the focus on the growth of one of the characters culminated in a single splash page that still gives me chills.

For a long time, my idea of playing or running Dungeons and Dragons was to create a place for players to sort of just stumble through the world. There was supposed to be a story, but it was secondary to making sure the players got to make their jokes and kill a bunch of stuff. Reading through Order of the Stick showed me there was a lot more that I could do within the world of D&D since the writer/artist, Rich Burlew, manages to tell the entire story without departing from the world. It taught me a lot of how to trim a story to fit within the confines of a D&D campaign, how to ensure my players had agency, and how to even do a bit of railroading without ruining the story. Beyond even that, it taught me so much about how to play within the rule set, how to creatively express myself in a variety of character types, and how to add nuance to the rather black and white D&D morality system without making everything entirely relative or perception-based.

While it managed all of that, the story created a wonderful mixture of sympathetic villains, unsympathetic villains, good guys who get screwed over, and bad guys who get better than they deserve. As soon as you venture outside of the online comics, to the book only publications or the PDFs that were created as a part of the “too much success” Kickstarter (what started out as a cheap drive to fund reprinting a popular book wound up raising millions of dollars and forcing Rich Burlew to take time off of the comics in order to work on meeting the commitments he made during the event, some of which is still ongoing). My favorite story, about my favorite character, is one of those PDFs. How the Paladin Got His Scar is a tale about personal strength, commitment to something larger than yourself, second chances, and choosing to live for something while still being willing to die if it means that everyone else will be safe. I read it at a time I really needed it and I still go back to read it again when I feel like I need to strengthen my commitment to something that feels impossible. Such as updating my blog every day for a year.

People talk about stories or books that made them who they are today and Order of the Stick is one of mine. I would not be as skilled a storyteller as I am without this comic. I would not be the same creative, twisty DM and player without it. I would not be me without it. If you’re looking for something to read and enjoy jokes about D&D and learning about what it means to be a leader or the price of power, check it out at Giantitp.com. Also, yes, the stick figure drawing does improve over time, but it remains stick figures until near the 900 mark, when it improves without losing its original charm.

 

You NEED to Read this Webcomic!

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As anyone who has read my blog for long enough can tell, I am a firm proponent of representing the struggles of mental health in stories and media. I try to do it myself and I’m always looking for other media that does it as well. When someone I follow on twitter re-tweeted another comic author/artist and added a comment that this other author/artist did an amazing job representing mental health in her comic, I felt inclined to check it out. As always happens, I wound up not actually doing that for almost a month. I followed the author/artists on twitter and then promptly forget about the comic I was supposed to start reading. That was a huge mistake and I regret it immensely.

Daughter of the Lilies (link to page 1, so don’t worry about spoilers), by Meg Syverud, is an amazing webcomic about self-doubt, depression, anxiety, and religious themes cleverly hidden in a comic about fighting monsters in an epic fantasy world. The religious themes are cleverly-hidden and the mental-health ones are part of the main themes for each chapter as we follow the story of the protagonist, Thistle, when she looks for work with a local mercenary group. There is some gore and some uncomfortable moments the author/artist handles well (with warnings and obfuscated pages that require you to click to see), but the amazing story and excellent characters make it worth it. The religious themes are not yet fully explored and are more along the lines of a more subtle Narnia than the sort of “in-your-face” version seen in most Christian rock. Honestly, unless you read the blog posts under each page or know a lot about Christianity (well, as much as a general practitioner of a Christian faith would know), you might miss the references entirely.

I sat down to just check it out after seeing a few more recent shares on twitter and subsequently forgot about everything else I was going to do that night. It is so good! I came in at the perfect time. Since the beginning of the comic, the protagonist’s face was hidden. There were hints, but the most popular thing for fans to do was to theorize about what she looked like. The day I started reading was the day her face was finally shown. I was able to read through all of the that the author/artist had spent the last few years creating, enjoying the drama of not understanding her identity, before finally seeing it once I’d caught up. I immediately went to support her on Patreon because I want this comic to update daily and storytelling as wonderful as this deserves as much support as I can give it.

This comic has pretty much everything you could want and does such a good job of creating a world that I might be copying some of the stuff I’ve read here for Dungeons and Dragons campaigns. The mercenary leader actually has paperwork to do, to register the protagonist as an official part of his team and it looks just as confusing as tax forms! The logistics of the world are incredible. It is firmly grounded in the typical fantasy world, but it moved the time forward a couple hundred years, so you have more of a “renaissance” feeling instead of a “peasants farming dirt near a castle” feeling. The orcs can be friendly, the racial designs are great, and everything is so colorful! The clothes are probably one of my favorite visual details since almost everyone wears them and they’re so incredible to look at.

I went to go look up some stuff for more to write about and accidentally re-read the entire comic. Whoops. There’s just too much that’s wonderful about this comic for me to try to chop it down into a review. I suggest you read it for yourself. You’ll understand, then.

Steven Universe is the Best

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Where do I even begin.

I’ve watched the series all the way through four times since this summer. First time through was in “streaming” order, the default order available on Amazon’s video streaming service (you’ve gotta buy the “seasons,” but they’re worth it). The second time was in the correct order, based on continuity. The third time was with my roommates. The fourth time was because I was impatient, unable to calmly wait for new episodes to come out. Every time I watched it, I felt like there was more to unpack. After four times, I can definitely say there’s more to this show than I can comfortably cover in a blog post, so I’m going to apologize up front for what a mess this might be.

I love the music. I first became familiar with Rebecca Sugar (the show’s creator) through her work on Adventure Time and, when I found out she was the person behind the song from the “Stakes” mini-series, “Everything Stays,” I bought all of Steven Universe from amazon and started watching it as soon as I’d stopped crying. Music is such an integral part of this show, that I’m not sure any review or discussion of the show can even half-assedly cover the show without going into it. The theme song is catchy and the scenes appearing on the screen throughout it are heart-warming and colorful. In the very first episode, the protagonist, a young human child (Steven), unabashedly signs the commercial jingle for his favorite ice cream treat. The episode ends with a portion of a bright, yet rather sad song whose entirety we do not get until the second season (or until you went ahead and bought the soundtrack or looked it up on Spotify). The second episode begins and ends the same way, but we discover that Steven’s love of music came from his father who was in a band before he met Steven’s mother.

Throughout the entire series, music comes in at critical junctures, giving us a window into the interior lives of the characters or communicating something they’ve been struggling to verbalize. We see one of the Crystal Gems named Amethyst–an alien race that are nigh-immortal but came to Earth long ago–sing a song with Steven about leaving home because they don’t feel like they belong. We eventually see Garnet sing a song about the strength of working together. Pearl sings several songs, many of them focusing on relaying information or expressing an emotion she’s been hiding for a long time following the passing of Steven’s Mother (who gave up her corporeal form in order to give birth to Steven). Steven sings songs for every possible reason from communication to encouragement to the simple joy of singing with someone. Steven’s dad, Greg (my personal favorite character and someone I aspire to be), sings songs to his son whenever he tells him about the past. Music touches every part of this show and really captures the heart and soul of the characters. Everyone I know who has gotten into this show has subsequently looked up the music on their own. I am not joking when I say I got Spotify just to have access to the album everywhere I wanted to listen to it. I also literally just bought it right before writing this sentence because I realized I couldn’t listen to it in the car because I’m super frugal when it comes to using cellular data. There’s so much amazing music, but I can’t really go into specifics without risking spoilers because it is so tied to each episode. The music alone is reason enough to check the show out.

The characters are so incredibly real and Steven redeems every character from a show you watched growing up whose power was hokey sentimentalism. He is sentimental, kind, incredibly sweet, unbelievably caring, and one of the most emotionally mature characters I’ve ever seen in a TV show, at least at the end. He still messes up, of course, but watching him grow throughout the series is incredibly rewarding and good inspiration for learning to work through your own problems. I won’t share any of the other characters’ growth because watching them change over the course of the series is a huge part of the show. Just as they grow in strength, they develop emotionally. The plot is just as much about emotional growth and learning to deal with your emotional troubles as it is about Steven Universe learning to become a Crystal Gem and what happens between the Crystal Gems and their estranged homeworld.

The supporting characters don’t feel like supporting characters because they’re just as three-dimensional and vibrant as the main characters. They even manage to make a pink lion with no speaking lines a fully fledged character with a detailed emotional life. The world is full and unique to the story. There’s a wonderful number of references to things that match our world despite there being a huge number of things that also separate it from our world. The stories are touching and deal with real conflict, and not just the violent kind. Sure, there are monsters they beat down, but the more difficult conflicts for Steven to handle are people who refuse his help due to their own pride or the people he wants to rescue but cannot. The most heart-wrenching episodes include an episode where the conflict Steven faces is when he has to decide to not save someone in order to take care of himself. Every villain has their reasons and even the worst of them eventually earns a measure of sympathy. You eventually get a sense that there’s something bigger going on, something beyond the characters you’ve seen. That there’s someone else out there who made the decisions that eventually created the bitter hatred and sadness you see playing out in these episodes.

As much as I love the show, I feel I should caution you. Since the show hasn’t finished yet, and the recent episode releases have been rather inconsistent and random, don’t dive right into it if you’re struggling with some unresolved emotional burdens or something big and sad has gone on. While this show can be incredibly cathartic, there are a lot of emotional issues that haven’t been resolved yet and basically leave you feeling sad and somewhat mournful. The tone is melancholic and, despite the fact that many of the sad moments end happily, not all of them have been resolved yet. Still, though, I suggest watching it. Definitely cautiously, and definitely a bit more slowly, but the catharsis and the wonderful feelings you get from watching something amazingly well made are worth it.

There’s so much more I want to say, but I think I’ve said everything that’s important. Watch this show. Take the time to make sure you’re watching it in order (which has been much easier now that you can buy actual DVDs of Season 1 and it is Season 1 that is out of order on all streaming services) and don’t watch more than a few episodes in a sitting. Let the show digest a bit between sittings and you’ll enjoy it even more.

 

Oathbringer is Breaking the Pattern.

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I really enjoy Brandon Sanderson’s writing. I haven’t yet read even half of what he’s written, but I discovered him through his completion of the Wheel of Time series and have been a fan ever since. While my enjoyment of his writing hasn’t quite reached the level of my love for Terry Pratchett or Patrick Rothfuss, I would still rank him among my favorite authors. My love of Pratchett and Rothfuss comes as a result of their craft and their characters while my love of Sanderson’s writing comes from the interesting and different worlds he has created. When I first started reading his Stormlight Archive series, I was instantly hooked on the way his world differed from our own. All of the creatures and the lands were different because of the enormous storms that visited most of the world, so everything either had some kind of rocky shell or carapace to protect it from the storms and weather.

While he doesn’t do as much world-building as he did in the first book, I’m still enjoying his series. The latest, Oathbringer, was just as exciting as the previous two, following a few main characters as they try to deal with the horrible storm that sprang up at the end of the previous book. Despite the early warnings coming from the protagonists’ group, most of the world doesn’t believe them and is thus caught unaware when all the shelters they have built to protect them from the normal storms fail to protect them from a storm coming from the opposite direction. While a lot of the previous novels was a mixture of action, character development, and political intrigue, this novel saves a lot of the action and character development for the end. Instead, most of the novel is a little on the dryer side, covering lots of history, some new perspectives and characters, some character development focused on one person in particular, and tons of politics.

Initially, I was surprised by the amount of people in my various social media feeds commenting that Oathbringer was rather slow and not as fun as the previous two books. After reading the book, I can kind of understand. I don’t agree, but I recognize that this book is a bit of a departure from his usual constant world-building with action to move the scenes along. I think that this book is important proof that Sanderson is going to be able make this potentially ten-book series a success. Plus, he’s managed to do it very well, mixing in plenty of interesting information that, while somewhat predictable in terms of plot and outcomes, does an amazing job of fleshing out people and the world. I really enjoy the sense of history this book has added to the series. It answered so many questions that I’d had since the start of the series and even threw in a couple twists I did not see coming at all. They caught me entirely off-guard and that was wonderful.

While the book’s major plot twist was unexpected, it was also kind of expectedly unexpected. Sanderson intentionally paints the characters into the corner, making it seem like they have no choice but to give in or surrender to the bad guys, because making something happen. Most of the time, it is only unexpected because it adds some new world mechanic or gives us some rule or information we didn’t have previously. There’s always some foreshadowing to pick out in retrospect and he always does a good job of laying the groundwork so whatever happens never feels entirely like a Deus Ex Machina, but there are a few close calls during some of the big moments (and that’s not just restricted to this book). I don’t mind it too much, but it can feel a bit annoying to have all this build up of a dramatic moment happening while you’re just reading along calmly because you know they’re going to magically get out of the tight spot using some brand new power or mechanic that develops right then. The best thing I can say in Sanderson’s defense is that he literally built that mechanic, the spontaneous power-up and new power moments, into this series.

I definitely recommend the book and the series as a whole because they’re honestly just so much fun to read. They move along well, are easy to read, and there’s just so much interesting stuff happening that they’re hard to put down.

 

One Goblin to Rule Them All

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One of my friends has this annoying (but not really) habit of suggesting really great books for me to read. She’s single-handedly responsible for introducing me to some of my favorite recent (published in the last decade or so) books and authors. The Dresden Files, The Kingkiller Chronicles, finally convincing me to read Terry Pratchett, and so many others. A lot of the time, I’ve heard of the books she recommends and never got around to buying them. Interestingly, the books she gives me as gifts are almost always books I’ve never heard of that I wind up loving. My current favorite of these books is “The Goblin Emperor” by Katherine Addison (the pseudonym of Sarah Monette).

The book follows the story of a young member of the ruling family of an Elven empire as he, Maia, is suddenly thrust from obscurity directly into the throne when everyone in line before him was killed in an explosion. Complicating his ascension is the fact that his mother was a Goblin princess who married the Elven emperor as part of a peace agreement with the Goblin King. Maia faced the rejection of his father who fulfilled the terms of his political marriage in only the strictest sense before sending them both into exile in the countryside and then by a cousin who abused him since the politically ambitious cousin was forced to act as the guardian of a politically unimportant half-goblin. You can probably see the beginnings of the themes in the book.

I love intrigue and character novels. Anything that explores people, the ways in which they build relationships, and how people come to understand or wield power can be incredibly interesting if written well. The Goblin Emperor does an amazing job of exploring political intrigue and the burden of power in a very complex world filled with people who, for the most part, just want to do their jobs. Despite the fact that there are no Humans in the story, everyone feels incredibly Human and real. Even the villains grow from caricatures into full characters with both positive and negative qualities as the reader is shown more of them, mirroring Maia’s understanding. Even the tone of the writing changes as Maia becomes more confident and knowledgeable, constantly reflecting his developing sense of the people around him.

While he is growing and just learning to function in the court, Maia has to face off against a few savvy political opponents who are trying to usurp his power in one way or another. The wife of the deceased heir and the lord chancellor both test him, doing small things to grow their personal power, but he manages to keep ahead of them. Most of the time, he figures out the right move to make using practical wisdom born of being a social outcast or by relying on the people around him who simply want to do their jobs as best as they can rather than get tangled up in political upheavals. A lot of the time, it is these less “important” people, who just want to do their best to support the kingdom, who make the difference in Maia’s life. Even as she shows them being subservient and deferential, Addison does them justice as fully “human” people in their own rights.

Despite being a mixture of Goblin and Elven blood, the only person who truly complicates Maia’s life for not being fully Elven is Maia himself. That isn’t to say there isn’t some degree of racism going on, as most of the political opponents he faces would likely not have been so clearly mutinous if he was wholly Elven. Addison shows it most clearly in the social and societal roles held by Goblins in the Elflands. Goblins who are accepted into royal service in the Elflands are often somewhat separated from their culture and heritage, and most of them are poor or doing menial work. They are shown as being rather drab and superfluous by many of the Elves who also encourage Maia to avoid exploring his Goblin heritage beyond what his mother taught him before she died. Eventually, Maia meets members his family from the Goblin kingdom and gets a clearer picture of their culture, along with many promises for more information on his heritage and family in the future. Since it furthers the peaceful coexistence of these two large nations, everyone switches to genuinely supporting Maia’s desire to learn more about Goblin culture and, most importantly, Maia begins to embrace his identity as a Goblin and an Elf more fully.

I don’t want to go into too much more of what goes on in the book because I’m already certain I’ve said too much. There’s so much I love about this book that it’s hard to hold back from gushing about it. If you read it and like it (I think you should and I hope you do), you should message me about it so we can discuss and dissect it.