Returning To Mistborn At Least A Decade Later

I don’t remember exactly when I did it, but I read the Mistborn trilogy sometime around my move to my current city back in late 2013. I had enough going on then that I don’t remember the exact date, but I do think it was after my move. I didn’t really have the money for things like books before my move and I didn’t know who Brandon Sanderson was until mid-2013 anyway, since I only encountered his name as part of reading through the whole Wheel of Time series to help a friend out with his Master’s thesis. I really enjoyed the end of the series, the parts handled by Sanderson, which felt remarkable given how much I struggled with Robert Jordan’s portions of that series. I had to force myself to read Jordan’s books and genuinely only finished because the first of Sanderson’s was so much more enjoyable and pleasant to read than any of Jordan’s books. I mean, I’ll give Jordan points for creativity and plenty of respect for the world he brewed up–hell, I’ll event admit that most of the interesting plot work started with him–but I just did not enjoy Jordan’s writing for most of the series once he’d finished his original trilogy of books and started expanding them into a limitless and sprawling monstrosity of a fantasy series. Which is probably why Sanderson’s work stood out to me as much as it did. He was just as long-winded and overly detailed as Jordan was, but I enjoyed it. Sanderson seemed to have a knack for picking the right details and putting his words together in a way that lent to a more pleasant reading experience. So, when time and opportunity allowed, I followed the recommendation of my friend (the same one I go to for editing and pretty much all my book recommendations since she has unimpeachable taste and who might have given me the books as a gift–I unfortunately can’t remember, though, since it has been so long and she’s given me so many great books) and started working my way through the Mistborn trilogy.

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Not Another D&D Podcast Is Worth Your Time

Of all the people I’ve ever talked to who got into the various tabletop gaming shows and podcasts created by ex-College Humor people (Such as Dimension 20 and Not Another D&D Podcast), I’m the only one who has followed my particular path. I’m sure there’s other people who have followed the same route given that there’s billions of other humans and millions of other people who fit into the same broad media categories that I do, but I’ve yet to find any despite keeping my eyes peeled. After all, most probably followed the various comedians or College Humor itself as it began to fracture in the collapse of the online advertising marketing (fomented, of course, by Facebook’s outright lies about video views), which makes sense! A lot of the modern Actual Play shows that quickly rose to prominence did so as a result of bringing an existing audience with them (one need not look further than Worlds Beyond Number for recent proof of this). I wasn’t really into the type of humor that College Humor relied on, though, and wasn’t really into internet comedians in general (and I’m still not, to be honest). They’re just not my thing. So I only discovered NADDPod (and through them the rest of the now DropoutTV network) three years ago, when they were about halfway through their second full campaign and I happened to stumble across a song from the finale of their first campaign on my Spotify Discover Weekly playlist.

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Media Club Plus Is The Best Hunter x Hunter Analysis I’ve Ever Heard

I’ve mentioned this multiple times now, over the last year or so, but I started putting an effort into expanding my podcast selection from just Actual Play podcasts to include some of my other interests. The ones I mostly settled on, thanks to them being adjacent to my favorite podcast (Friends at the Table) in some way or another, both wound up being media analysis podcasts. I studied English literature and literary criticism in college and found them both incredibly fun, so it makes sense to me that I’d enjoy podcasts that basically do that same thing but with movies or TV shows. Which is how I landed on listening to A More Civilized Age and the subject of today’s post: Media Club Plus. I technically started Media Club Plus first, since I’ve been listening not only since the day the first episode dropped, but from the day they streamed episode 0 as a proof-of-concept in order to get people to drive up their Patreon subscriptions to the tier that would see them spin off the Media Club Patreon episodes into their own podcast. The selling point of the show was that the main cast would feature a few long-time fans of the anime Hunter x Hunter and one person who had not only watched very little anime at all but had never watched Hunter x Hunter and had only expressed an interest in it after listening to their friends talk about it all the time. The stream was an instant hit and while it took a few months to get the show off the ground, it funded in less than a month after the stream, thanks in part to a large number of people increasing their pledges (myself included) to help push the group toward their goal. Since then, not only have they put out twenty episodes of the main podcast (an episode every other week), but they’ve also published three Patreon specials with one more imminently on the horizon [which released between writing this and it getting posted], covering a selection of Dragon Ball and Jojo’s Bizarre Adventure episodes. It has been a genuine delight to listen to the podcast go from a rough concept on a Twitch stream to the absolutely stellar analysis and insight that I make sure to never miss when it drops every other week, time allowing.

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The Rising Stakes In Star Wars: Rebels Season 2

Last night, a few episodes ahead of where I’m at in the podcast A More Civilized Age, I finished Season 2 of Star Wars: Rebels. At this point, I’ve finally caught up to the latest episode of AMCA and will now need to slow down my watching speed to match the podcast’s pace. Which is incredibly tough given where Season 2 ends and how badly I want to immediately stop writing this blog post so I can watch another few episodes at least. Maybe a whole season. Wouldn’t be the first time I sat down to dip my toe into something and wound up watching the whole season instead. I can’t really afford to do that, in terms of my need for sleep and mental, emotional, and physical rest, so it’s probably a good thing that I have something preventing me from diving into season 3. Even though I really want to just turn the show on and keep watching until I’m out of seasons to watch. Honestly, I’m not sure if I’m going to be able to stay strong and pace myself alongside AMCA like I originally planned to. I haven’t been this invested in a show in ages, not with the same level of emotional investment and burning curiosity, anyway. I mean, I’ve watched plenty of anime over the last couple years by sitting down each week to watch the newest episodes as each of them was released, but I was mostly just enjoying the ride. This time, with Star Wars: Rebels, I’m dying to know what happens next. Waiting is a genuine struggle and that’s saying something because I rarely struggle with impatience.

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Star Wars Rebels Is Exceeding My Expectations

As part of my on-going quest to listen to all of A More Civilized Age, I finally started watching Star Wars Rebels and I gotta say that I’m hooked. I’ve actually been watching episodes of the show to unwind in the evenings rather than just to keep ahead of where I’m at in the podcast. I’ve still got my problems with the show, sure, but it currently sounds a lot more fun to me than more endlessly working through repetitive open-world stuff in Final Fantasy 7: Rebirth. Which isn’t saying much because that stuff is so boring that I fell asleep five minutes into trying to play through the open-world portions of the ninth chapter and haven’t been able to convince myself to go back since then. I know my runway is just about to disappear since AMCA only made it through the first season before they shifted to playing Star Wars: Knights of the Old Republic so they would stay compliant with the various union rules about struck productions, companies, and media from last year. I’ve got the three-part season finale left to watch and I’m probably going to watch it tonight since I’m way too tired to force myself to work through more boring desert-y open world junk in Rebirth. I’d just immediately fall asleep if I tried that and I need to make it until at least ten or eleven tonight before I give up on staying awake.

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Solo: A Star Wars Story Was A Fine Romp

After a few years of avoiding it because I heard it wasn’t very good, I finally saw Solo: A Star Wars Story. To be completely honest, part of me was avoiding it because I didn’t care for the name of the movie and I was worried that seeing Donald Glover in it would impact my feelings about Community. I set all of that aside, though, because good old A More Civilized Age watched it between wrapping up the Post-Season 6 But Pre-Season 7 Clone Wars material and starting Star Wars Rebels and I wanted to be able to follow their massive episode. Plus, it’s not like I’d heard Solo was bad, just that it wasn’t actually good. So I watched and listened to AMCA talk about it and, you know, I think it was actually pretty alright. It might be the fact that I watched it between watching Dune Part 1 and Dune Part 2, so almost anything would seem good in comparison to those two movies, but I did genuinely enjoy my time watching it. It was a fun romp, even if it lasted way longer than it should have and maybe had a little too much going on, so much so that I got an hour in and just kept checking the time remaining after that because I had literally no sense of how far along the movie was, in terms of time or plot. Still, all of those too-many parts were at least a little fun and while there’s definitely some problems with the movie, none of them were bad enough to really take me out of it.

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The Dune Movies Would Be Better If They Were Shorter

I do not normally consider time wasted so long as it didn’t have a negative impact on my life. Sure, doing my taxes isn’t fun and is usually very stressful because I get a clear picture of how much debt I still have, but it’s not a waste of my time. Cleaning my apartment isn’t a waste of my time. Commuting isn’t a waste of my time. Writing detailed notes to myself about things I’ll definitely remember isn’t even a waste of my time. The two Dune movies, though, are definitely a waste of my time. I didn’t dislike them so much that I consider all five and a half hours I’ve spent watching them both a full waste of my time, but it’s difficult to feel like they were anything but that when each of them was at least an hour too long. I think they could have trimmed at least that much out and wound up with a pair of movies that would have been better for it. I mean, there were definitely some enjoyable bits in both of those movies (way more than in the books, my review of which is going to take a while longer to write since I don’t feel particularly motivated to write more about it than I already have even if I feel like it would do me some good to get the thoughts out of my head and written down somewhere) but as I only slightly jokingly told a coworker today, Zendaya can’t carry a movie that big all on her own.

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The Struggling Lower-Middle Class Artist As Seen Through Kate Beaton’s Ducks: Two Years In The Oil Sands

Between everything else I’ve had going on (include falling behind on Animorphs books because I’m too tired to stay awake reading most nights), I read a book recommended to me on Cohost called Ducks: Two Years In The Oil Sands by Kate Beaton (of Hark! A Vagrant fame). The user who wrote the post held it up as part of an example of the great talks Beaton gives since she doesn’t just discuss the book at hand. In the talk that user shared, Beaton took the themes of the book as the starting point and talked further, focusing on the way that class impacts the arts and how a person’s conception of a place doesn’t necessarily reflect the place so much as it reflects the person. Even a person’s experience of a place can sometimes reflect them more than the place they’re at because if someone excepts a ruin, they will find a ruin. If they expect a garbage dumb, they’ll find a garbage dump. The Cohost user brought in some examples from their own life, mainly focusing on how they dislike the common depiction of gas station attendants as vapid wastrels with no prospects who are sometimes even depicted as being a waste of space. Those jobs need to be done and a lot of people doing them are more than just their job. There’s a lot more to people than their situation or the brief context in which you see them, for good or for ill, and one of the things that Beaton’s autobiographical graphic novel does is examine that idea through her experience working off her student debt via jobs in the oil sands of Alberta, Canada.

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I Don’t Dislike Many Books, But I Definitely Don’t Like Dune

Due to a combination of luck, limited new book selection, and having trusted sources for new book recommendations, it has been a long time since I read a book and was left with the impression that it was, as a whole, a swing and a miss. I mean, I wasn’t a huge fan of Harrow The Ninth, but I still enjoyed the book enough that I wouldn’t even call it a foul ball. It just wasn’t the home run I was expecting after reading the first book in the series. Pretty much everything else I’ve read over the last few years was a good choice, even if it gave me complex feelings, and I’m struggling to remember the last time I just did not like a book I’d picked up to read other than the notable exception of when I tried to force myself to read the Game of Thrones Series and literally threw one of the books away from me when I got to the Red Wedding bit because I was sick and tired of the constant “every decent person gets killed because ninety-nine percent of the world’s population are total bastards who will kill you given a chance and even the most pitiful motive.” I’m not a picky reader, by any means, nor do I restrict myself to only what I know I like, but I tend to wait for something to be recommended or look for certain signs in reviews before choosing to invest my time and that means I rarely spend my time on a book that I genuinely dislike.

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Reading The Animorphs For The First Time: Part 2

I wrote previously about how I started reading The Animorphs in the year 2024, but that was over two months ago and we’re many books further into the series. I feel like we should be approaching the halfway point soon, but that’s still almost two full months away. Right now, even though I’m a week ahead (as of writing this, anyway–I’m on schedule as this gets posted since I’ll be taking a week away to focus on reading Dune for a different book club), I feel like we should be much further along considering all of the stuff that has already happened. The Animorphs have time travelled twice, we’ve gotten two (comparatively) massive stories about characters from the past, we’ve learned so much about the universe of this series, and our poor protagonists have been traumatized so many times that they’re turned into hardened veterans in a way that is equal parts fascinating and equal parts horrifying. In a Youth series! I genuinely don’t think I’ve seen a better portrayal of trauma and what it means to be a child soldier in any kind of fiction ever. Sure, I think the series would have benefited from some of the more modern knowledge about how trauma works and why it works that way, but I think this is still handling it all pretty well for a series largely created in the nineties.

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