Review

Harrow The Ninth’s Narration Made For A Harrowing Read

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There will be spoilers for Gideon The Ninth and Harrow The Ninth in this review, starting in the third full-sized paragraph. There will also be some minor hints at spoilers in the second full-size paragraph, so tread with caution.

Well, I finished Harrow The Ninth. You’re probably reading this a day after I wrote about my initial impressions of the second book in the Locked Tomb series by Tamsyn Muir, but it has been two days since I wrote that. I was too busy on Friday to write a blog post during my breaks at work and then far too tired to write anything once I finished. So, since I was burned out, exhausted, mentally drained, depressed, and incapable of determining if anything would actually be fun, I decided to toss aside my reservations (and cautions) about reading Harrow the Ninth in my current mental state and dove in. Eight hours later, it was half past three in the morning and I’d finished the book. I didn’t exactly disassociate my way through the book, but I basically did. Time left no impression on me and not in the way that happens when I get sucked into a book most of the time. This was a new one for me. It wasn’t a negative experience or anything like that–I actually wound up liking Harrow the Ninth more than I thought I would–but I definitely wasn’t really in control of myself. I didn’t really feel like I could pull myself out of this weird mental state. Normally, I forget that I’m reading at all and don’t even think to stop. This time, I just couldn’t stop. It was like I lacked the agency to stop, which kinda fits with the whole “mild disassociation” thing I had going on.

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Harrow The Ninth Is Tripping Me Up

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After many long weeks of putting it off, mostly to savor the anticipation but also because I started a book series, a TV series, and working my way through Dimension20, all on top of my usual pile of video games, podcasts, and YouTube series, I finally started reading Harrow the Ninth. I’ve had a lot of stuff to read or watch and I didn’t want to start on another book until I’d cleared some of that stuff off my to-do list, but I wound up getting into it because the past two weeks have been rough enough that I needed a NEW escape. Plus, I really enjoyed Gideon the Ninth and hoped that I’d be able to boost my incredibly low mood from the past three weeks by giving myself a bit of a treat. Unfortunately, it wasn’t that simple, since the second-person narration [which ultimately served a very specific purpose] was a bit too much for me to handle going into the book. I think I made it through about five chapters on my first attempt before I felt just too worn out by the book addressing me to continue reading. I can tell the writer, Tamsyn Muir, is trying for some kind of effect, but I’m not sure what it is yet and I’m not sure that it’s working since all I’m getting from it is confusion. I can only hope that it will resolve soon or that I’ll get past how weird it feels to me. Generally speaking, it’s one of those things that, as a reader and a writer, I can see the author is going for something but I can’t tell whether its just not landing for me or if they’re not doing a great job of it.

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Gideon The Ninth Was A Lark

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Aside from one friend recommending a wide array of books, I’ve never really encountered anyone who has talked about why someone should read Gideon The Ninth or its sequels. Tons of people talked about those books, but it was mostly hidden behind spoiler tags, involved little more than invoking the jacket blurb describing it as “lesbian necromancers in space,” or was people parroting quotations back and forth that were lines removed from context that mostly weren’t spoilers. No one really talked about the book in a way that made it seem interesting or appealing to someone who hadn’t read it yet, just talking about various critical plot moments or theories about the upcoming third book instead of really trying to expand the web of people who’ve read it. I will be the first to admit that I probably need to find better sources for books and book-related discussions given how unreliable my casual discussion spheres appear to be, but I also felt like this had become an established series for a lot of people which made it fall into the “of course everyone knows about this and has read it” void. Aside from the one recommendation I’d gotten from a friend (which is ultimately what made me buy the book since I deeply trust her taste in books), it seemed like no one ever felt the need to suggest it to anyone.

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Spider-Man 2 Is The Most Human Superhero Game I’ve Ever Played

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After realizing that I could not be trusted to play a reasonable amount of Baldur’s Gate 3, I made the decision to swap my evening video game time back to Spider-Man 2 rather than carry on staying up way too late every single night. It wasn’t a difficult decision, to be honest. I’ve already beaten BG3 and while there’s a lot of fun to be had in the game, I recognize an unhealthy coping mechanism when I see one and that game is one from its character creator to its epilogue (for me, specifically. And, you know, probably other people as well). So, I returned to Spider-Man 2 and my relatively new save file, complete with a lot less podcast listening time than I prefered and fears about being as underwhelmed by the game as so many other people seemed to be. A lot of people have decried the game as being annoyingly short and while that doesn’t necessarily deter me (I love a game that won’t take 100 hours to beat just as much as I love a good game that takes 100 hours to beat), it had me putting off the game so I could savor it longer. Now that I’m back into it, though, I kinda regret putting it off as much as I have since it’s actually my favorite of the trio (Spider-Man: Remastered, Spider-Man: Miles Morales, and Spider-Man 2).

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BIGTOP BURGER Serves A Hefty Meal Of Absurd Humor, Plot Twists, And Foreshadowing

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One of my favorite YouTube treats is watching the BIGTOP BURGER series by Ian Worthington (aka Worthikids on YouTube). There’s no real schedule for releases, so it’s always a delightful surprise to see one of my YouTube notifications telling me there’s a new video to watch. And while I enjoy all of Worthikids’ animations, the slow-rolling BIGTOP BURGER series is my favorite. This YouTube show features Worthikid’s incredibly stylized art, expressive animation, made-to-order music, and combined visual and spoken humor, making the entire show an incredible feat given that he does everything but the voice acting himself (and he even does some of that himself). While the story might seem incredibly basic, perhaps even looking like a mere formality required to create a platform on which the jokes of Season 1 are built, the recently completed (and even more recently compiled) Season 2 reveals a slowly building narrative that has been foreshadowed from the very beginning. I won’t say much about it right now, because I think you should absolutely take thirty-two minutes out of your day to watch both seasons before coming back here (because there will absolutely be spoilers below this paragraph), but I was completely caught off guard by how well-crafted the narrative is now that we have more of it revealed to us.

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Super Mario RPG Was A Fresh Blast From The Past

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Well, it took a lot longer than I expected, thanks to hosting a holiday and briefly losing all of my free time to Baldur’s gate 3, but I beat Super Mario RPG. It was exactly as I remembered it. Well, broadly speaking anyway. All the challenges were the same. All the secrets I could remember were in the same spots. The boss fights where more or less the same. I struggled with the same action commands I always struggle with and had an easier time with some of the ones that relied on mechanical operation from the less-than-perfect SNES controller. The story was the same, the world felt the same, and I got to enjoy my walk through it the same way I’ve enjoyed every replay of the Super Nintendo original. Super Mario RPG: Legend of the Seven Stars is definitely one of those games that will always seem bigger and more beautiful in my memory from my childhood than it ever will from any of my replays. It was a big deal when it came out, taking Mario from the world of platformers to the world of RPGs while adding in a delightful cast of characters that never showed up again, and it was a big deal to me as one of the few games I got to play by myself. It felt different from everything else I’d ever tried before then and it was my introduction to RPGs as a whole (a style of game I couldn’t play much since most video game RPGs had scantily clad feminine character in them, something that would have gotten me banned from playing the game at least and probably grounded as well).

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This Is About The Scott Pilgrim Graphic Novels And Definitely Not About Burnout

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After last week’s post about the end of National Novel Writing Month and my goals for maintaining my writing habits going forward, I feel kinda bad writing about my continued deep and abiding exhaustion. Being at work has been draining, as it always is, and I’ve found myself frequently feeling spread too thin. Doing too much is kind of my defining character trait at this point, since I can’t really seem to figure out any other way to live my life and do the things I’d like to do. There’s just too much that I need (or desperately want) to do. So, I’m going to talk about the thing I bought myself as a treat for being a Responsible Adult (aka, doing all my DIY and cleaning projects before people showed up for Thanksgiving) and then read during my post-Thanksgiving recovery weekend. I finally decided to buy and read all of the Scott Pilgrim graphic novels. Specifically the large color ones. This has been on my to-read list for at least a decade at this point, but I usually just forgot about them (my reason for not buying them in the past five years) or didn’t have Graphic Novel Money when it came to buying books (you can get more book per buck with a paperback and I spent a lot of years needing to manage my entertainment budget very closely). I mean, I really enjoyed the movie and one of my closest friends loved the graphic novels, so it felt long overdue. Plus, I got a huge Black Friday discount on them despite ordering them over a week before Thanksgiving, so that helped. It also helped that there was a Netflix show that recently released and I figured I ought to read the graphic novels first.

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Reflecting On Bug Hunter’s Discography

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About two months ago, I wrote about a new album by an artist I’d first heard of long ago and then somehow lost track of for years (twice, even, thanks to the weird way the internet works). This past weekend, while I was cleaning in preparation for having guests over, I finally turned away from the new album and worked my way through the band’s entire discography. I played all but one of them on heavy repeat for two whole days. I listened to so many Bug Hunter songs that the band skyrocketed to the top of my “most listened to” on Tidal and I wound up even downloading the albums so I could listen to them on the app while running my errands and without spending my entire month’s budget of cell data. A lot of the songs resonated with me, some of them catching my attention even more than the latest album did (which joined the rotation on my second day of cleaning) because of the vivid imagery. As a result of all this heavy listening and spending so much time doing manual labor that did not require much mental effort, I’ve got a lot of thoughts to share about all of Bug Hunter’s music.

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Spider-Man: Miles Morales Is A Huge Improvement On A Great Game

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Just a quick Spoiler Warning that there will be some details about the plot of Spider-Man: Miles Morales in the latter half of paragraph four, but I really just wanted to get a pet peeve off my chest. Plus, the game’s three years old, so I figured it would be okay, especially since Spider-Man 2 spoils even more than I did in its recap of the events of the first two games.

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Life, Survival, and A Strange New World In Scavengers Reign

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Every so often, I find some new bit of media that feels so unlike everything else I’ve seen that it fills me with wonder. When I was a kid, it was Lord of the Rings and Narnia. The Legend of Zelda. Halo. Nowadays, now that I’ve read more and seen more, it happens less frequently. Since I studied literature and storytelling, it is very easy to draw lines between things, to find the parallels and the threads that bind it all together since even the most original works still draw their ideas from a well of experiences and past media exposure. Once you know how to look, it gets easy to see echoes of the past in the stories of the present. Which isn’t a bad thing, mind you. All storytellers take the things they’ve seen, heard, or experienced and use them as fuel to power their creativity, taking it all and turning it into something new that still reverberates with their past influences. That is true of all stories, no matter what. Sometimes, though, the story being told brings in new things that inspire wonder if only because they’re just so different. Reading the first novel in The Stormlight Archive was one such experience like this. It was a fantasy world filled with creatures and basic worldbuilding conceits that were entirely unlike anything I’d seen before. An entire world that seemed to have developed from crustaceans’ and shelled creatures. Reading my first Discworld book had a similar effect, but for the method of storytelling rather than the worldbuilding. And now I’ve experienced it again, with the show Scavengers Reign.

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