I meant to go from Podcasts into streaming stuff, but my trip and a late-night reading incident changed my plans. As I was preparing for my trip, I wound up buying a bunch of e-books. I’d wanted to bring some stuff to read, but I absolutely did not want to bring any physical books since my bags were already jam-packed with things I couldn’t do without. I also didn’t want to re-buy any books I already own (since, like podcasts, I’ve been collecting more and more of them without actually reading anything new). My initial plan was to pick up a bunch of comics that I could read on my phone in my downtime, since it’s fairly easy to zoom in on comics when I’m using my phone and I’m already used to reading them as I scroll around a page on my phone thanks to years of reading webcomics. As I was packing, though, I remembered I have a tablet that I bought years ago as a means of having D&D Beyond at my fingertips during Dungeons and Dragons sessions and that I was bringing that anyway, for a thing I’m doing with the group. So, instead of buying a bunch of comics, I queried around for some new books to buy, bought them, and set up my tablet with an e-book app. Thanks to that, I was able to read as much as I wanted during my vacation (which turned out to be not that much since I read all the comics during the flight out/recovery time and then only had a few more occasions where I wasn’t doing something more engaging than reading).
Continue readingScience Fiction
Prepare Yourself for the Epic Journey that is Chuck Wendig’s Wanderers
I’ve rewritten this opening paragraph half a dozen times so far and I’m forced to confront one of the worst things a reviewer can face: There is nothing even remotely close to Chuck Wendig’s Wanderers for me to draw on for comparison or to reference as I describe the strengths and my favorite parts of this book. I’ve cycled through everything from my favorite stories to my favorite bits of metaphor and poetry from various sources to books that fall under the same “disease and rampant evil assholes bring about the end of civilization as we know it” umbrella but none of them works. I get about three sentences in and am forced to admit that, right now, in my experience as a reader, there’s nothing that can compare. Which isn’t to say that it is the best book ever written and this novel transcends literature to be the Perfect Story–that’s far too subjective of a claim for me to make. I’m just saying that any reference I make is going to wind up being such a pale shadow that all I can do is say they had a similar function or action. Like comparing a sunrise to an idea that slowly came to your attention. One is the actual dawn, to which nothing can truly compare, and the other is something that dawned on you simply because describing an idea as something that slowly rose before you is the easiest way to say that you thought something through in a way that gave rise to a new idea. This book was powerful on so many levels that I’m not sure I could really draw good comparisons without breaking it apart so much that there’s hardly anything left.
This Sci-Fi Series is Consuming My Attention
It is no secret that I love John Scalzi’s books. From the first time I found a copy of Old Man’s War to his recent release, The Consuming Fire, I have always thought of him as one of the best Sci-Fi writers, and not just because Old Man’s War shone like the sun in comparison to The Forever War when it comes to books that critique war in a space-centric futuristic setting. He’s one of two writer’s I’ve gotten to sign my laptop, a request reserved for my favorite writers of a genre I want to write in. All that bias acknowledged, I still think you should take it seriously when I say that the Interdependency Series is one of the best science-fiction series I’ve read in recent years.
The first book in the series, The Collapsing Empire, sets a complex, multi-faceted stage. We are introduced to The Interdependency, a series of Human colonies spread through space, connected by something called “The Flow” and ruled by an Emperox who is not only the leader of the government but also the head of the official religion. The Emperox we are introduced to, a younger woman named Cardenia Wu who assumed the throne somewhat unexpectedly after the death of her half-brother. There’s trouble brewing in the system of Human colonies, something vague her dying father only hints at before his death, and she must rise to the challenge of assuming a role she doesn’t really want and convincing the entire Interdependency to take her seriously. Helping her is the son of the scientist who spotted the problem, who is also an accomplished physicist in his own right and who has to escape his home planet and the noble family who wants to grab power during what they think will be a time of great vulnerability for the Interdependency and the Emperox.
All of the characters are incredible. The Emperox is a mixture of a confident, trained leader who has clearly been prepared for their role in society and a woman who never expected to be the head of anything but a few charities. She perfectly rides that line between fitting in with the part she must play in the Interdependency and wanting someone who sees her as a person instead of just as the Emperox. She is sympathetic to the reader, but her character is never dependent on that sympathy. The male scientist, Marce, is a giant nerd who studies The Flow, a series of wormholes that connect our realities to streams of altered space-time that allow ships with properly configured reality bubbles to travel great distances quickly along the flow of said streams, and who is clearly along for the ride when it comes to getting off-planet. He always seems a little bewildered, but never lost. He’s clearly intelligent and it shows as he quickly grasps whatever plans are laid around him, even when he’s clearly out of his element and just trying to keep up with the women who are trying to keep him alive.
Even the antagonists seem Human, showing us not just their plotting but also why they’re trying to grab power when they are. Most of them have a softer side, making it clear they are concerned for the survival of all Humans even if they’re taking this chance to enrich themselves while they try to safeguard Humanity. The only exception is the ring-leader, a woman named Nadashe Nohamapetan, who seems like a cackling villain from the beginning and whose behavior does nothing but reinforce that image of her. I want to believe there’s a chance at redemption for Nadashe coming (I haven’t reading The Consuming Fire yet), but all signs seem to point away from us seeing her as anything but an ambitious woman trying to grab power for herself and her family with little regard for the survival of Humanity.
She’s clearly a political expert, though, given the way she relentlessly positions herself to be in the right place for each step of her plan. Watching the political maneuverings is interesting since the whole system of government is a lot more difficult to influence that it is in more politically focused novels. For instance, in Katherine Addison’s The Goblin Emperor, the government is ruled by whoever has a claim and sits on the throne. In The Interdependency series, not just anyone can become the Emperox. Anyone can try to grab political and economic power, but the absolute rock-solid certainty of the house of Wu being both the head of the government and the head of the church means that power will almost always tip back to the Emperox in the end. Which means the politics in both The Collapsing Empire and The Consuming Fire are a little tame compared to what people generally look for, but the unique setup of the government of the Interdependency is more than enough to make them interesting.
The universe itself is well-developed in exactly the right ways. The specifics of everything aren’t incredibly important and Scalzi tends to brush past them quickly, instead focusing his time and attention on the important details. For instance, there is only one planet in the entire Interdependency on which Humans can live without some kind of habitat. Every other human settlement is either some kind of space station or hive, a bubble of habitability for Humanity to occupying in an otherwise hostile environment. This is important because it means there is only one place all of Humanity can survive for an extended period should something happened to the Interdependency’s linked economies is this planet, End. If the empire actually does collapse as the first book’s title suggests, then it is likely most of Humanity will die out except for those who live on End, a planet called such because it is as far from the center of the Interdependency as it is possible to get. All of the world details we get, from how The Flow works to how the various Human populations behave shows us how connected everything is and how reliant every single Human settlement is on being able to trade with all of the other settlements.
Like all good science-fiction, Scalzi’s books make a few statements about modern Humanity. The way all of the settlements rely on each other for long-term survival closely mirrors the situation we have on Earth, and how our survival as a whole is dependent on us working together in the modern age to fix the problems we’re all facing. The story has yet to show how The Interdependency works together to solve the problem, but I imagine it will fit Humanity’s current process all too well: argue for too long to do anything positive and then find someone to blame for the lack of results. Additionally, the deterioration of The Flow is a decent analogy for the environment and the way The Interdependency as a whole receives Marce’s scientific presentations completely matches the way most governments reacted to the initial findings about Global Warming. Some people take it seriously and a lot of people fear that it is true, but the idea of having to change on that big of a scale is so much more terrifying that people will cover their ears and yell so they can’t hear the truth. As someone who tries to fight that behavior in the real world, it is refreshing to find characters in a book who are trying to do the same thing, albeit in a more fantastic setting.
The entire series is worth reading and The Consuming Fire is even better than I hoped it would be. I would go into it more, but so much of The Collapsing Empire would be entirely spoiled if I did. You should definitely start there and enjoy the various twists and turns of the plot, even if it does pretty much match up with the title. The entire series is a solid chunk of science-fiction and I’m definitely putting this on my list of Christmas gifts for other people so I can spread the love of this series as far as possible. Let me know what you think once you’ve read it!
You Should be Reading “An Absolutely Remarkable Thing”
If you are a Human who uses social media, grew up on the internet, are a part of modern society, have regular access to the internet, or sometimes wonder how the world has become as angry and loud as it currently is, you need to read Hank Green’s “An Absolutely Remarkable Thing.” Ideally, everyone should read it. I doubt it’s the first book of its kind, but I don’t know if any other book like it speaks with as much experience, is written with as much clarity, or delivers as powerful a message as Hank Green’s does. This Science Fiction/Coming-of-Age-For-The-Modern-Twenty-Something novel is the beginning of something big that I can’t really put my finger on, but everyone I know who has read it agrees with me so I’m inclined to believe my gut on this one. You should read this so you don’t fall behind. Also, if you someone miss that feeling of something on the horizon or don’t really get what I’m talking about, you’ll at least have read a good book.
Even though this book doesn’t really fit into any of the modern genres, I still think it’s useful to talk about it in those contexts. This is a science fiction novel because it involves a world much like our own with a few changes, all of which could be explained by technological advances. It also talks about the way technology (in this case, social media) impacts civilization and offers some wonderful, insightful commentary on the lives of Humans and on Humanity as a whole. It is a Coming-of-Age novel because it involves the growth of a character from a more “childlike” mindset to a more “adult” one, even if all it really does is show an adult, albeit one in their early-to-mid-twenties, becoming wiser and more responsible as a result of the challenges they face and overcome. The book, at its core, is both of these things done in the best ways possible. The story focuses on a young woman who suddenly finds herself going viral and what she does as a result of that. She makes mistakes, she learns a more about how the world and Humanity works, and she ultimately makes a statement about the Human Condition.
Even though you can’t really separate it from those genres, it still shouldn’t be lumped into them without an asterisk. Instead of the usual coming-of-age story about a child becoming an adult or leaving behind the carefree days of youth for the responsibilities of adulthood, this story is about the uncertainty modern twenty-somethings face and the way that we struggle to find a place to exist in the world. Above all else, though, it’s a story about the internet and how Hank Green feels about it, as told through a fictional setting making use of hyperbole to make a point. If you don’t know who Hank Green is, he’s the younger half of the Vlog Brothers and the person who has most relentlessly pursued a pro-internet agenda. He’s started dozens of companies, or at least started dozens of big projects, like various educational shows with their own YouTube channels, a side channel for his process and projects as a whole, 2D glasses for people like me (well, people like his wife) who get headaches when we watch 3D movies, at least one charity, multiple conventions, and so much more. He has been a huge part of internet culture for a long time and he has firmly advocated that the internet is a good thing.
If you went to one of his book events or have read the book, you know he doesn’t really believe that anymore. Now, he seems pretty clear that the internet is a tool. Whether it is good or bad depends entirely on how it’s used. He has a lot more to say on the topic, but I don’t trust myself to properly recall the talk he gave at his book event and I will update this review with a video about it if he ever posts one (or if I find one he’s previously posted). To summarize, though, we basically failed to establish rules on the internet and that has allowed a lot of very angry and very loud people to have influence we should have denied them. Unlike physical societies or communities, there aren’t strict mores governing how we treat each other on the internet. Closely tied communities like the Nerdfighters (what the fans of the Green Brothers call themselves) might have some, but the internet at large does not, nor do a lot of internet communities. All of which is an important part of understanding what Hank Green says in his book during the times the protagonist, April May, interacts with her fan communities. Or strangers on the internet. Or the communities that sprung up specifically to oppose her. There’s a lot of really good social commentary that feels particularly relevant after the shitshow that was 2015 and 2016 wound up deciding to carry on through the present. There are entire characters, antagonists mostly, who map to some of the negativity and hate that we’ve seen crop up since then, and it’s all shown to us by someone who knows what it is like to be an internet celebrity, to be able to influence thousands of people with a single tweet. Someone who knows what that power can do to people has reached out and shown us what that power can do to the person who has it and wants to use it for good.
Even without all that, it’s still a really engaging book that addresses the age-old question of “what would it look like if we had an encounter with an alien species?” The story is about a young woman who finds what looks to be a new art installation in New York City when she’s heading home from work late one night, and how her life changes as she becomes the official face of what the world has taken to calling “the Carls,” which are the exact same art installation that appeared in cities all over the world at the exact same moment. There’s romance, heartbreak, violence, and even a bit of heartwarming friendship all mixed into a plot that could carry the book on its own. April May has to figure out what the art installations are and defend her beliefs about them in front of an international. audience before the people who are senselessly promoting fear and hate get ahead of her, or else she’ll lose what she believes in one of the best opportunities she has to be a force for good in the world.
The writing itself is clean, pleasant, and easy to follow. It reflects the way Hank thinks and talks in his YouTube videos. Hank tends to keep his sentences brisk and direct, heading directly toward his meaning like they’re going to lose out if they don’t get there quickly. It works really well for a book like “An Absolutely Remarkable Thing,” a story told as if the narrator were speaking to us or writing an informal blog post. There are a few places where that backfires a bit, ending in some grammatically correct but difficult sentences were the verb tenses combine to make a tangle of words, but there’s literally no way to avoid this in the English language if you’re writing a first-person narrative in the past-tense about events that happened but are still sorta of a part of life when the story is being told and specific things might even still be happening the day the reader picks up the book. I don’t really ascribe to the whole “English rifles through the pockets of other languages for loose grammar” derision a lot of people express (I literally studied the languages that combined to become English and the history of the English language, so I’ve got a view-point that most people don’t have), but I will say that past tense talking about events still ongoing is a pain in the ass to write. These moments that no one can avoid are the only burrs in the story and it wouldn’t have been as powerful any other way. Just keep going if you hit them. The meaning of each sentence is clear enough, they just sound weird in your head or out loud.
While we only see one character in detail, we get enough of a picture of the other characters for them to all feel incredibly real. Even the bossy, sorta nasty PR woman who basically takes on all of April May’s publicity and contacts stuff seems like a real person you’ve met even if she’s only in the story a handful of times. The main antagonist, who sees The Carls as something to be feared and hated rather than as something that could unite Humanity, even gets the same treatment. Despite appearing as a caricature of hate (like a lot of internet personalities), Hank Green manages to make it clear that this person has depth to them, even if all we see if their caricature because the narrator doesn’t spend much time on them. More than any one character, though, Humanity as a whole gets one of the best depictions I’ve ever read. We’re depicted as beings who want to simplify and who often define ourselves not by what we support but by what we fight against. Some of whom will embrace hate or fall prey to fear when we’re up against something we don’t understand instead of taking a chance on hope and love. It’s honestly kind of refreshing to see someone who regularly witnesses the best and worst of humanity as an online media presence show us in a truthful and complex light rather than just one extreme or the other.
You should read this book. Everyone should read this book. I’ve bought three copies and am planning to buy more, just so I can give it away to people. If you really want it but can’t afford it, I will try to buy it for you, finances permitting (I can’t afford to buy one for everyone, though I totally would if I could). Buy it for yourself and then treat yourself to an afternoon of reading. Knock it out in one sitting and then bask a book that is the start of something much bigger than itself. Maybe in a few more years, there’ll be an entire genre for books about finding meaning in the twenty-first century and trying to grow as a twenty-something. I can’t wait to see what comes of this movement and I’m going to do my best to be a part of it.
This Book is Stuck in my Head!
If you’ve already read John Scalzi’s Science Fiction novel, Lock In, or its sequel that just came out, Head On, you know the title is a tasteless joke and I’d like to apologize right now for being unable to resist it. If you haven’t already read either of the aforementioned Scalzi books, then I will apologize after I’ve explained why the joke is tasteless. In the mean time, the most important thing for you to know is that my favorite Science Fiction author has started a new series and the series is excellent.
Lock In and Head On follow FBI agent Chris (No, I don’t just like this series because the protagonist shares my first name. It certainly doesn’t hurt it, though) Shane who isn’t what you or I might call an ordinary person. Agent Shane is what is called a “Haden” in his world. A Haden is someone who contracted a flu-like virus, survived all three stages of the disease (Stage 1 is flu-like, Stage 2 is meningitis-like, and Stage 3 is a coma), but never woke up from their coma. They’re still mentally all-there and capable of sensory input, they just can’t make move and their brains have been altered by the disease (which is why the title is in bad taste). Some of those who wake up from the coma also have their brains altered, but we’ll get into that in a bit.
Agent Shane, like a lot of Hadens, gets around the meat world by using what everyone calls a “Threep,” a nickname based on C-3PO from Star Wars for what is legally called a “Personal Transport Vehicle.” It is basically a high-tech robot body that communicates with the device implanted in his brain so he can experience the world with a minimal amount of lag and all the perks of being able to record everything, access the internet with a thought, and bail out of your body if it gets trashed (as happens more than once). There are certain limitations, of course, such as the inability to eat things and the rather pervasive (if relatively minor) prejudice humanity if famous for, but it allows Agent Shame and many of his fellow Hadens the ability to live a relatively normal life.
To further help the Hadens live a normal life, there are these people called “integrators.” Integrators are the people who progressed all the way through the disease but did not either fall into the coma or did not stay in it. Because of the way the disease altered their brain, they were also able to be fitted with a brain implant device that lets a Haden basically take a certain degree of control over their body. The control is limited, as the integrator remains conscious and aware the entire time, able to reassert control over their should the Haden attempt to do something illegal or harmful to the integrator.
There’s a whole culture that grew up during the decades are the disease first appeared, and they place a central roll in both of Scalzi’s books since the protagonist is a Haden who works for the FBI and his partner is an ex-integrator. The two work out of the Washington D.C. office of the FBI and investigate Haden-related crimes that fall into federal jurisdiction. In the first book, Lock In, the story kicks off with an integrator who is found next to a dead body in a hotel room after a sofa is thrown out of a window. The investigation serves as an excellent showcase of Haden culture and some of the finest subtle world-building I’ve ever read. It introduces readers to many aspects of Haden culture as the two FBI agents try to unravel the true tale of what happened in that hotel room and has a lot of nods to the way the modern, primary world works. I’ll admit I might like it a bit more than I otherwise might because it changes our world’s history a bit to fit better in the future Scalzi created along with showcasing the kind of positive development you’d like to see happen in our species, but it feels like it really could just be a couple of decades down the line from our current time.
The characters are all wonderful, each of them a complex person with layers. There are no caricatures in Scalzi’s novel and that’s worth mentioning because the circumstances of the story make it incredibly easy to justify using them. The books are better for having a full cast of complex, multi-faceted characters, and while there a lot of the same characters across the two books, different ones are highlighted in each book. You can tell Scalzi is building a series out of these books without even taking into account the novella explaining Haden’s Syndrome and its history in greater detail than either of the novels does.
Head On focuses around a sport developed as a result of the ability to destroy a Threep without killer the person inside it, as one of the players in a huge game dies during the match after behaving strangely. A lot comes up during the investigation, including a few nods to current events, but ultimately the story winds up feeling pretty similar to Lock In. Which isn’t a bad thing. Head On doesn’t feel like Lock In repackaged in a new book, but it has a lot of the same qualities and features the same character work and subtle story-building. The investigation is different and you can see some growth in the characters, but it ultimately was made to serve as a stand-alone book featuring the same characters rather than a sequel building off the last book in any significant way.
If you’re looking for some new, fun science fiction to read and like these sort of “cop” books as well, I highly recommend checking out John Scalzi’s new book, Head On and the first book in the series, Lock In. You don’t need to read them in order, but it does help if you do.
Ready Player One: The Book
After writing the review for last week, I sat down and powered through the rest of Ernest Cline’s Ready Player One. I liked it a bit more than the movie in some aspects and a bit less in others. The plots are essentially the same: the game world’s creator passed away and left his vast fortune to whoever completed his puzzle first. There are a series of challenges and puzzles, each set awarding a key and then a gate, at the end of which is the prize: Halliday’s Easter Egg (in this case, an easter egg is something hidden by the developer of a game, usually as a way of leaving their mark on the game they created). The exact challenges are all different, though some are more similar than others, but the basic ideas of the competition are the same.
Overall, I probably liked the movie more, but I think that is a result of the different reference period. In the movie, the cultural references have been expanded to include more modern references in addition to the 80s references. While the movie was super fun to watch because I could look for things I knew, the book felt like it was touting the superiority of 80s culture and implying that there hasn’t really been anything worthwhile since. It wasn’t a huge deal because either I knew enough to understand the references or they were explained well enough by the narrator, but it felt a lot like I was talking to someone who is so convinced that they are correct in their opinions that they refuse to even listen to what you’re saying.
Despite this feeling, I actually liked the characters from the book more. They felt a lot more human and behaved a lot more like every gamer I’ve ever met. They get things wrong, they make mistakes, they’re all hyper-paranoid, success-obsessed dorks who are so focused on their current goal that pretty much everything else fades from view. The protagonist abandons his friend and, to a lesser degree, his quest for the prize, in order to spend time with his romantic interested. As soon as he’s back on the quest, after being rejected by his romantic interest, everything else fades away as he tries to make progress on the next puzzle between him and the next key. At the same time, some of their interactions felt a little off as well. The eventual relationship between the protagonist and his romantic interest feels even weirder than it did in the movie, when she suddenly just gives the lead to him as soon as they meet. The relationships between the other characters who aren’t potentially romantic partners feels a lot more natural, so the contrast makes the fledgling romance stand out even more. There’s also a deus ex machina moment from Ogden Morrow, where he just shows up and fixes something.
That part was probably the most frustrating part of the novel that they thankfully changed for the movie. The protagonist comes up with this ridiculously complicated plan that relies on getting extremely lucky and not only does everything work out as he hoped it would, it all turns out even better than that. Everything just falls into place for him at the end. As soon as crunch time starts, gone is the fallible human character who made mistakes. He gets replaced by a god who is nervous about whether or not his plan will succeed, but who ultimately manages to pull it all off without any major stumbles, thanks to several other lucky occurrences from the past. There was no tension at the end of the book because it was so obvious he would succeed, and not just because I saw the movie. Plans that shouldn’t have worked, work. No one recognizes him or sees through a rather desperate plan. He manages to just have everything he needs to make it work, because he’s a little magpie who collects shiny things that just so happen to always be exactly what he needed later on.
That frustration aside, I think I appreciated the way they overcame the antagonist in the novel a bit more in the movie. It made for a much less tense and showy moment, but I like the critique a little better. The movie says it is easy to hide in a faceless crowd if you are faceless as well, but the book says that relying too much on technology to work for you without having a proper understanding of it allows other people to use it against you.
They also changed some of the points that the game world’s creator makes at the end, but I feel like the movie’s point made a bit better than the books. Even though I enjoyed the book, I felt like it was trying to say a few important things about the world but sort of stopped a few steps short of actually saying them because it just assumes you’ll understand. If you enjoy video games and want a cool book about a virtual reality world that doesn’t wind up asking questions about what is real and does the “real” world matter if we live our lives in the virtual one, you’ll enjoy this book. If you dislike pandering or feeling like someone is saying that nothing cool or worthy was created since the 80s, then you probably won’t like this book.
Soonish: Fun Science and Funny Pictures
“Soonish: Ten Emerging Technologies That’ll Improve and/or Ruin Everything” by Kelly and Zach Weinersmith (a scientist and a writer/cartoonist, respectively) is probably one of the best books on the market for the casual sci-fi/tech nerd who wants a break from fiction. The basic premise is exactly what the title states, focusing on ten different technologies we can see on the horizon. It breaks them down into where we currently are, where we’re going, what the technology could mean, and then how it could ruin everything. A liberal dose of background information, interviews, jokes, and short comics is sprinkled throughout, keeping the science-sections from getting too dense.
Probably the coolest part of the book, for me at least, was how they were able to take turn some incredibly difficult science into an informative book that people would be able to understand and enjoy. The metaphors for the more complex bits of physics when they wrote about space elevators are clear and fun. The examples used to illustrate (literally and metaphorically) their points about space travel are easily grasped and, from what I understand, surprisingly accurate. Even the comics sprinkled throughout add to the reader’s understanding in addition to delivering quick jokes.
The biggest downside was how hard it is to read in large chunks. There’s so much interesting information packed into each Chapter that I haven’t actually read more than one a chapter in a single sitting. I usually wind up taking a break so I can digest what I’m learning and let it get comfortable in my brain before I start reading the next chapter. Which isn’t to say it’s poorly written. The Weinersmiths did a great job of making the entire book a delight to read and I’m excited to read each and every chapter. I just wound up reading only one chapter a day and starting another, much simpler, book to read after my daily chapter.
The other side of the problem is that I have a lot more interesting conversation topics now that I’ve learned so much about space elevators, interstellar mining, and programmable matter. While these things don’t come up very much in my typical day-to-day conversation, I’ve now got a lot of excellent ammunition for the next time my friends and I decide to drink and talk about how cool the future could be. I’ve already used some of what I’ve learned to start a discussion at work, during a meeting, since one of my coworkers used to work for an elevator company and a few others just love talking about future technology over lunch. This book is easily worth getting just for the conversations it starts.
My favorite part of the book, and what I consider to be the reason the book is so delightful to read, is the sheer enthusiasm the Weinersmiths pumped into Soonish. Even after a few years of research, writing, revising, and editing, you can still feel just how excited they must have been to learn about everything they covered in the book and there are even a few panels of comics in the book that show it plainly. If you follow Zach Weinersmith’s comic, SMBC, you can see a bunch of comics he wrote about it, scattered throughout the past year, showing just how enthusiastic he and his wife were. Reading a work of passion is always a much better experience than reading something someone felt forced to write.
I suggest picking up a copy of the book for your coffee table or library. It is on sale pretty much everywhere, right now, so I suggest getting it now while its cheap. Or later, when it’s less cheap. This book is easily worth thirty bucks.