As I’ve slowly gotten my players working on their characters, gods, and religions for our upcoming session zero, I’ve watched as every single one of them has turned to exclusively Ancient Greek Mythology for their frame of reference. Some have even just pulled from it directly. This isn’t a criticism, mind you. Given my own familiarity with ancient Greek mythology, the touchstone of the Percy Jackson series, and the sort of cultural space that ancient Greek mythology holds in the US, it really makes sense that people would gravitate towards this as their first point of reference. A few of them are taking it further, of course, starting at an ancient Greek god or an idea inspired by an ancient Greek god and then departing from that point of commonality, but not a single one of them even went with a known Dungeons and Dragons god of any pantheon (which also includes the ancient Greek gods, I believe, but that doesn’t count). Again, I’m not super surprised this happened, but I am now left facing the problem of how to continue developing this pantheon and world without getting too caught in the various trappings of ancient Greek mythology. I mean, that’s fecund ground to work from, but there’s a little too much rape and misery for the kind of game I’m hoping to run. I want things to be taken seriously, I want threats to have meaning, and I want my players to struggle with the power balance of the world they’re in, but I don’t want to do that by relying on the horrible yet pervasive tropes present in most of ancient Greek (and Roman) mythology.
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The Rotten Labyrinth Reveals It’s Greatest Secret Thus Far: Steve, The (Not So) Little Guy
Sometimes, you build a little something for yourself into one of your games. A silly little thing. Something fun, perhaps even just for you, to keep things interesting and provide the opportunity for some levity. Sometimes that’s a fun little NPC, sometimes it’s a stupid pun you’re building towards, sometimes it’s a situation meant to catch your players off-guard, and sometimes it’s all three of those things at once. In my most-recent session with The Rotten Labyrnith, we talked as a group to get on the same page, in-character and out, about what to do with the player character who had been petrified in the session prior. After that, the party set out to continue exploring the labyrinth keeping in mind their stated hope of finding a cure for their petrified ally and ran into the player’s (potentially temporary) replacement character. Shortly after that, and what felt like an awful lot of distrust for some random guy who ran out of a deeper part of the labyrinth in a panic (distrust they didn’t extend to the wereboar barbarian who showed up, immediately transformed, and attacked them), the party carried on, found some more stuff, and ran into a strange figure crouched in a little, half-hidden corner of the part of the maze they were exploring. Just as things started to progress in talks with this oddly long goblin (who had the most “little guy” energy I could muster), my building’s fire alarm went off and I had to evacuate, cutting the session short and bringing our play to an end without me getting to deliver the joke I’d been building towards. I wound up sending it in the text chat once I was outside and knew what was going on, but it just wasn’t the same.
Continue readingDeveloping Touchstones For Something New
One of the strongest aspects of the campaign I’m starting up to run in place of The Magical Millennium (which I wrote about yesterday) is the feeling of it I had in my head. Sure, I could talk about the core themes and how I imagined the general story of such a game might play out, but it’s a lot easier to build a set of touchstones I can refer to in order to indicate specific things about the game. These often come up in tabletop games, at the individual campaign level or at the ruleset level for games that are seeking to convey a particular feeling no matter the specifics of the game. For instance, one of my favorite games that I’ve never played (though I hope to change that eventually) is Beam Saber and the rulebook starts out with a bunch of references to various mecha anime to use as a touchstone. The general purpose of a list of touchstones like this is to get as many people as possible some idea of what the game being played should feel like. Beam Saber is a game about struggling to live during a massive galactic war that you can’t hope to influence, with an emphasis on either coming together or doing what you must to eventually get out alive, so all of the anime the referenced point in that general direction. It’s a good way for specific genre games to indicate what part of the genre the game is emulating. At the campaign level, it tends to get more specific about aspects of the particular continuity of a game that you’re playing through. Typically, I tend to start out with strong ideas that don’t necessarily need touchstones, images to help paint a picture of the world, some music if I’ve had the time to figure it out, and also some of my own writing if I’ve had the time and energy to put towards it.
Continue readingStarting Something New: The Magical Millennium Is On Hiatus
After a hiatus following the departure of a player (though not caused by the departure of said player), four of the remaining five of us met up to play and quickly discovered we did not have it in us to play our usual game. Live’s been a chaotic mess for all of us and we lost quite a bit of momentum because of when our break arrived. It cut us off from any opportunity to build energy or establish story because we spent the previous full session going through a time skip and our last partial session doing some maintenance and upkeep, so there weren’t any existing strands of story or character to use to pull us into the game again. Additionally, due to some decisions I made while creating this game and building out the world, I’ve been struggling to feel excited about this part of the game we’re in. Some of the NPCs I’d made had begun to take up too much space in my mind because their real-world analogues have become dramatically more prominent in my mind as a result of how the world has changed in the year or so since I spun the bones of this story up. It stopped being fun for me to explore the ideas associated with them and while there was still space for me to shift things and make changes in order to avoid building the association any more than I already had, I was also struggling with how close the world was to our own. Which, it turns out, was also a bit of a struggle for some of my players as well. It’s difficult to enjoy fantasy escapism when we’re not actually departing from the world we are already familiar with. So, as our chatter peetered out and it looked like we’d be just departing rather than pushing ourselves to play a game we weren’t in the mood to play, I pitched an idea for a game I’d had just the day before.
Continue readingComedy Gold Before Disaster In The Rotten Labyrinth
It took a little while, but we finally had another session of The Rotten Labyrinth. This session included none of the original players from the campaign since they were all busy with other things, but I’m trying to find ways to have these games happen more often than we skip them, so I ran with half the crew and figured that would be good enough. Which it was! I had to tweak a couple encounters a bit to suit the group, but I was able to do that without too much of a problem. It’s much easier than usual, given how many of them have similar defense and hit point values and how even the “weakest” among them is still pretty tough. And they’re all level two now, so I could go a bit harder on them without as much of a concern. Which I should be doing anyway, considering that they opted for the high-risk, high-reward entrance to the labyrinth. So, with just three players, they set out to fill in more of the map, ran into some traps, got some cool loot, literally disarmed a trap, and then fought a single creature that wound up giving them all a rougher time than I expected. Technically, everyone is still alive. At least so far as most people would define “alive” even if there’s some room for interpretation. That said, we all had a lot of fun, were frequently busting up as a joke made it through the entire session while still being funny, and even the unfortunate events of that final fight weren’t enough to dampen the group’s spirits.
Continue readingChoosing Joy While Listening To NADDPod
One of the podcasts I listen to regularly, NADDPod (AKA, Not Another D&D Podcast), recently started their fourth season (or main campaign, I guess? Though they have talked about changing up the format to do fewer long campaigns and more shorter ones, which really kind of muddies the waters). After all these years of games–main campaigns, side games, mini-arcs, and one-shots–the final member of the group has taken the lead and run not just a one-shot or a mini-arc like most of the others have, but stepped up to run the next main campaign for group. The one guy in the group who hasn’t technically sworn to never run a campaign but has expressed extreme trepidation about it and about not knowing the game well enough to run things has finally stepped out from behind the character sheet and taken a seat behind the GM’s screen. This guy, Jake Herwitz, has always been funny and a great performer (and is, in fact, one of the original founders of the podcast company that NADDPod is a part of), but I was a bit nervous at the thought of him taking over. After all, I hadn’t really seen any of his independent creative work, or anything he’d done outside of the podcast. I had no idea what it was that he would bring to the show that the others didn’t do just as well if not better. Having listened to a few episodes, though, I am happy to say that all of my fears were completely wrong and he’s doing a better job than I ever imagined he could. He might even wind up being my favorite GM for this group, in fact, if he manages to stay the course for his entire run.
Continue readingTaking A Day Of Rest From The Magical Millennium
Skipping a session is a pretty common occurrence in both of the tabletop games I’m running these days, but rarely do we still meet up only for met to cancel the session half an hour in. The exhaustion I’ve been dealing with hasn’t diminished much and the advent of Daylight Saving Time has teamed up with it to render me constantly exhausted. So much so that, during the first day of their teamwork, I was fighting the urge to doze off WHILE running the session, mid-sentence! In my own defence, it was going to be an abbreviated session since one of the players was out sick and another one had, just that day, told the rest of the group about their decision to withdraw from the campaign due to scheduling conflicts. I just planned to do a bit more work fleshing out some details, maybe give my players the chance to expand a little bit on the time skip we’d spent the previous section abbreviating, but I ran out of steam after doing some magic item work and answering a few questions that came up in the time between sessions. It was rough, admitting that I didn’t have it in me to even do what I’d said I wanted to just half an hour earlier, but all my players are very considerate and I was more frustrated with how tired I felt than self-conscious about needing to bring up my inability to run the game.
Continue readingRandom Encounters And Slightly Less Random Treasure In The Rotten Labyrinth
Another week, another Tabletop RPG session! Last weekend, we got five of the six players together for The Rotting Labyrinth and started diving deeper into said labyrinth. We talked quickly through what was going to be the format for the group now that we’ve got so many players, caught the players who’d missed the last session up on who everyone was, and then I sent them on their way, deeper into the labyrinthine depths, in search of more treasure. After they spent a little time figuring out what direction to explore next, they eventually worked their way through three different little events. In one, they find a Non-Magical?/Magical? Tent Kit, in another they find a pair of curiosities with small tidbits of information about the purpose of the labyrinth and what might be at its center, and in the final one they find some kind of fake treasure that was supposed to distract them from the secret room–which they also found immediately–so that the undead spellcaster inside could bust out, trap people on the other sides of the door, and force everyone to fight some kind of ghostie creatures in close quarters. The party’s bad luck with rolls continued, but the monsters in this fight also had terrible luck so the fight dragged on for quite a while as both parties occasionally chipped away at each other. All of which made for a very full day of adventuring.
Continue readingFlashing Forward With The Magical Millennium
FINALLY, after nearly a year of actual real-world time, we’ve made it to our first time jump. We wrapped up the lingering moments of the previous session’s lock-in, tackled through what a time skip would mean for the player characters, and then started skipping forward. We tackled about what everyone got up to during the four weeks we skipped, who they spent their time with, and dipped into little scenes here or there as we went, taking up almost the entire session’s allotted time even with only four of the group’s normal set of five players. It was a lot of fun even if it did really drive home the point that we’re never going to do anything quickly with this group. That’s not a bad thing, of course. I love my roleplayers and how enthusiastic they are to talk to each other and play in the world we’ve made. I just really need to work on pacing and plotting on my side of things so I can meeting my players where they’re at. I don’t think I’ve ever once accurately guessed how long something was going to take to start, wrap up, or do in its entirety. I’ve been so far off every single time that I might just give up trying to figure out how much stuff I need to have prepped for every session and just make sure I’m enough steps ahead that I can’t run out. Which probably won’t ever be a problem given that we have only ever taken more time than I expected, not less.
Continue readingIt’s Party Time In The Rotten’s Labyrinth
After a month away, mostly due to burnout on my part (our last session was scheduled for the weekend I wound up working and I just did NOT have it in me to run a game), The Rotten finally met again and we got to introduce three new players, their characters, and a pair of NPC siblings. Unfortunately, only one of the original players could make it and he wasn’t the talkative one in the group, so I wound up doing a lot of talking to myself when introducing the core party to the group of two new PCs and their NPC companions. When it came time to introduce the final PC, she rolled really poorly on her “phase of the moon check” and the resulting lucky/unlucky check, ultimately revealing her lycanthropy in the one and only party of the labyrinth that has access to the night sky during what turned out to be the full moon. Thankfully, despite being tossed to the extremely-not-literal wolves (this character is a wereboar rather than a werewolf, after all), the party was able to subdue the lycanthrope enough that she was able to recover her senses, retreat from the moonlight, and take some precautions against potentially losing control of herself for the remainder of the night. After that, this group of now eight people talked about how to handle the fact that they’d wound up in one of the most dangerous parts of the first floor of the labyrinth while still exploring for treasure and came up with a plan that will allow players to come and go more easily from one session to the next as our rather large group of players deals with people who aren’t available to play every time. All-in-all, it was a successful session even if there wasn’t much forward progress made.
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