Video Gaming

A Date with Destiny

Chris Leave a comment

After several months of delays, flaking, and people doing that thing were they commit to something but understandably have to bail when their mental health, physical health, or life gets in way, I am finally set up to do the raid on Destiny 2. I’ve literally been waiting to do it with this group of people because this group of six is my clan, they’re the people I want to play this game with. I’m not a hardcore gamer, I don’t really care about having a top-tier character or the best loot, and I don’t really enjoy grinding away (repetitively repeating tasks in order to reap the completion rewards as much as possible) in most games, so I was never going to do this with a group of strangers. I like to play video games with my friends, so I’m fine waiting until they’re all ready. Usually. The past 8 months of waiting have been a bit much, though.

It isn’t only Destiny, either. I’m having trouble getting friends together for almost any of the “old” online games. I used to play Overwatch a minimum of twice a week, but now it’s getting rare for me to play it at all during any given week. People have moved on to other games. Heck, I have as well. I spend more time playing Switch games than I do on playing computer games. I had a brief affair with Borderlands 2 again, and I even got to play it with a few of my friends, but that first week of playing it was all we had. We’re back to doing our own things for now.

Most of the time, that’s okay. It’s perfectly natural to go through cycles of spending more time with friends and then less time with friends. The same of true of bigger games without any real end, like Overwatch and Destiny 2. Something will prompt you to return to a game like that and then you’ll play a lot of it until something else captures your attention. If that was all of it, I wouldn’t mind it that much. I’d be quietly waiting for the cycle to come around again with some other game and then I’d dive right back into it with my friends. For the Destiny raid, though, it’s different.

My roommate, the head of our little clan and the center point for the entire group (since I only know half the guys in the group because of him), has been actively trying to organize a raid for months. Our clan has changed members and he’s even gone so far as to get a new person into the game and leveled all the way up JUST so we have a sixth person to do the raid with. And, you know, cause he’s a really nice dude who wants to share his interests with his friends, but also because of the raid thing. He’s found strategy videos for use to watch, shared diagrams and charts on how to navigate the read, done extensive research into the tricks of the raid, helped everyone optimize their characters, come up with a list of the best gear for each class, helped us all get the gear we want to use, and even managed to make the raid sound like a lot of fun despite the amount of work it sounds like from his pile of diagrams, videos, and charts.

And yet here we are, 6 months after the closest we ever came to doing the raid (we had four people online for it and the remaining two flaked last-minute). We’ve got a time set, we’ve got gear picked, we’ve got characters optimized, we’ve got teams picked, and people have actually started watching the guide videos. But only four of us are firm commitments. One has left some wiggle room in his commitment for last minute cancellation and another has committed, but he’ll be coming back from dog-sitting for his girlfriend and, as often happens when people encounter their significant others, he is liable to be distracted. I wouldn’t hold it against either one if they wound up bailing on us in order to go on a date/prepare food for the week or because they wanted to spend some time with their loved one, but I can see my roommate getting more and more frustrated.

Not only have people been flaking out or ignore his attempts to organize raids in the past, but they start asking if we’re ever going to do a raid after all of the dates my roommate set in the survey has passed by with only him and I responding. Neither of us can nag any of the people into responding to the surveys or queries, and no amount of enthusiasm on our parts has been enough to get four other people to commit to a date and time for a raid. It is incredibly frustrating to try to get people organized, have them ignore us, and then have them start complaining that we’ve never done a raid. I can only imagine how much worse it is for my roommate since he actually wants to have a fully optimized character and all the best loot (which is only possible if you grind through the raid at least once a week).

I mean, if I was in his shoes, I’d have lost my temper with this group and just done it on my own, with a bunch of strangers. There’s even a feature in the game for finding a group willing to random players join them for stuff like the raid, so it’d be easy to do, if somewhat time-consuming. He knows I don’t really care and the only other friend who cares would just do it on his own as well, so the only reason he’s still trying to organize us is because we’re his friends and he wants to play with us.

So I’ve cleared my night. I’ve had a couple of quiet conversations about the importance of honoring commitments. I’ve watched the videos and will do so again before the raid. I’ve responded to the messages and reviewed the charts and pictures. I’m ready enough to back up my roommate and be the second leader he’ll need to make sure everyone stays focused, on-task, and working as a team. I’ll be taking an hour or two before our scheduled time to get ready, including making sure my outfit and accessories are appropriate. Honestly, it feels a lot like preparing for a date that’s been a long time coming, minus the emotional turbulence and anxiety since I don’t need to worry about someone liking me.

I don’t think I want to pursue that metaphor too far. I don’t think I’m ready to make any kind of commitment, not while I’m still hung up on Breath of the Wild… And I know Destiny 2 isn’t the kind of game that will settle for an occasional fling. They’d be fun, but we’d both know that I’m mostly wasting both our times if I don’t make a serious commitment. For now, I’m just going to focus on the raid and we’ll see how it goes from there.

This Mario Game Was Super. What an Odyssey.

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I have a bit of a strange history with Super Mario Odyssey. I got it the day it came out, left work early to play it, and spent my entire afternoon and evening playing it, exploring the mechanics and getting invested in the story. Then I set it down for the night and didn’t pick it up again until last month, at which point I played it for an entire weekend before setting it down and not picking it up again until this past weekend. Which I only did because my roommate started playing it and I wanted to grab a few more power moons since I had fifteen minutes to kill.

This game is simultaneously a ton of fun to play but difficult to pick up. Odyssey takes me back to one of my first major gaming memories, when I tried to get all one hundred twenty power stars in Super Mario 64 on my own, but it feels even more rewarding now since there is no real interruption when going from one power moon to the next. In 64, you got brought out of the level after every power star (except for the 100 coin stars), but Odyssey lets you flow from one power moon to the next with only a small “got moon” cut-scene. The only exception is when you’re altering the map as a result of pursuing one of the ongoing plot points (such as causing an upside-down pyramid to rise into the sky, exposing a sinkhole or beating a mini-boss and returning to the level following the storm that was the backdrop for your battle. The fluidity of the gameplay is important because there are power moons EVERYWHERE, with a wide-range of difficulties associated with them. Some or simply sitting on the top of a tower you need to climb, while others are buried behind quizzes and mini-games or secret doors that are only revealed if you notice every tiny little detail or spend your time attacking literally everything. If there was even the relatively short “get sun” cutscene from collecting a Shine Sprite in Super Mario Sunshine after getting each power moon, it’d be a real drag to collect them since your gameplay would constantly be interrupted.

Mario’s moveset has grown again, which is part of what has made this huge variety of difficulties possible. In addition to his classic air-dives, long jumps, spins, wall-jumping, this game introduces a companion, Cappy, a hat-spirit that replaces Mario’s destroyed hat and gives him all kinds of new abilities a whole range of attacks based around throwing Cappy, like a mid-air jump (by throwing Cappy out and then landing on him), and the ability to take over the bodies of various enemies. This lets you do thinks like turn into a T-Rex, a tank, a Hammer Bro, or do crazy things like create a tower of Goombas that stretches into the sky (my current max stack is 20), all of which is often a requirement to find hidden power moons or progress through the level. In addition to these powers, Mario can also roll around (for the first time in a 3D game) if you hold the crouch button while running, which so far seems like a great way to pick up a little extra speed when going down a hill. It’s a bit silly at times, but it can be super convenient despite the difficulty of steering Mario when he’s on a roll.

These abilities, combined with levels designed as somewhat “open-world,” means that it is entirely possibly to string together move-combos that entirely by-pass the mini-games that allow you to access secret areas or let you avoid lots of obstacles by moving over open-air that you probably shouldn’t be able to cross. If you spend any amount of time looking, you can find tons of creative solutions to the puzzles in the games that bypass using the intended mechanics for something either much faster or something incredibly and ridiculously over-complicated. The inventiveness required to get some of the power moons in the earlier levels does an excellent job challenging the player to think outside of the box when it comes to the usual linear approach to collecting power whatevers in a Mario game. It leads the player to consider the wide variety of options available when it comes to moving through space and then, after the second or third level, just starts dropping power moons everywhere and letting you figure out how you want to get them. The range of difficulties in the puzzles also means that less experienced players can find enough power moons to move the story along while still providing challenges to the more experienced players. It also cleverly helps newer or less exacting players find the more difficult moons by incorporating a hint system and a coin-based system to help you figure out the puzzles. With enough time, any player can find all the power moons.

The biggest downside to me, and the sole reason this game isn’t easy for me to pick up and play is that it almost requires you to play with the Switch on the TV and the two JoyCon in your hands. Because of the huge variety of moves available to Mario, there aren’t enough buttons or button combinations to let the player control Mario with button inputs alone. Some of the moves require specific motions to be made with one or both of the JoyCon. These moves can be reproduced using only inputs, but they are almost always incredibly complicated strings of inputs that combine other moves together to produce a move that can be done by simply shaking the JoyCon. They can also be done using the Pro Controller or the Switch in Handheld mode, but they become incredibly clunky (and create a significant risk of accidentally dropping the controller or system) because the JoyCon are meant to move independently. As someone who primarily uses the Switch as a handheld device, I’m super afraid of trying to perform one of the “controller twist” moves and accidentally flinging the Switch at the wall or the ground, so I only play this game when I’m feeling like lounging on my couch, in front of the TV.

That’s pretty much the only fault of the game, though, and is more on Nintendo for, once again, pushing a frustrating gimmick (I mean, most new games for the 3DS don’t even pretend to have a “3D mode” anymore…). I’d definitely recommend this game to everyone if it was easier to play without the JoyCon separated from the Switch, but I’m only going to recommend it to the TV players. The game is fun, but it’s not so fun that I’m willing to play it with a super frustrating control mechanic.

The Return to Overwatch

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I’ve been taking a break from Overwatch for a while. I got to a point where my favorite teammate, my roommate, wasn’t playing very much, so I was mostly playing solo or with other friends. Unfortunately, most of the time, I got placed with people below my skill level or who weren’t trying to play well, and so I got trounced repeatedly. I’d often wind up with the most kills, the most damage-dealt, the most time on the objectives, and the most kills around the objective, four out of five of the measures of individual player achievement in Overwatch, all despite playing a tank character who is supposed to focus on keeping people alive. One or two out of the possible four (the fifth is healing and all the tanks I’m best with don’t do healing) is not a problem, but consistently getting all four is frustrating, especially when we wind up losing because I’m the only person contesting the objectives or trying to coordinate the team.

I’m no savant. I’m not even an amazing player. I’ve got a good grasp of team strategy, character dynamics, and how to figure out people. I have a few skills I’ve polished very well and I’ve got an excellent sense of timing and battle flow. As a shot-caller, I’m pretty good at figuring out where my team needs to be and what we need to be doing. As a tank, I’m good at being where I need to be. Unfortunately, as I’ve said before but with a different take-away, Overwatch is a team game. I can’t win the match on my own. I can do everything right and still lose. I can call every shot with perfection and lead every charge perfectly, but my strategies are doomed to fail if all the people who were behind me when I started peeled away to do who knows what on their, leaving me to get shredded by an enemy team that stuck together.

It can be incredibly frustrating to lose because my teammates either aren’t trying to win (“it’s just Quickplay, quit trying so hard” is a common refrain when I try to communicate with my team) or everyone is trying to play Call of Duty. I don’t might losing if the other team is just better than we are. It can be incredibly frustrating, just like any loss, but at least I know I lost because they were just better or smarter or faster than my team. Losing because my team is a pile of idiots who pick the worst possible characters or refuse to play healers or tanks doesn’t feel good at all.

A common response to this sort of behavior in matches is to just stop caring. Most of my friends don’t really care or can just shut it off when they started to get bummed by dumb Overwatch matches. They’ll lean into whatever dumb thing the rest of the team is doing and laugh as it inevitably collapses. I can enjoy that. Some of the most fun matches I’ve played have been when we did something dumb that would up working in the silliest way possible, or failing in a huge but hilarious way. The thing is, those matches aren’t super fulfilling to me. The matches I enjoy the most, that I get the most from, are the ones where we execute brilliantly timed plays, where the entire team operates in sync, where we manage to just barely scrape a win because we were slightly better or managed to combine our abilities perfectly. Those feel amazing and they’re the reason I play Overwatch.

I want those games because I feel like I’m learning something new or improving myself. I like forward progress and that’s difficult (if not impossible) to get when you can’t actually play at your current skill level. I don’t like re-treading the same ground again and again because I’m being held back.

I’m sure I’ve screwed up matches for other people. I’m not some poor victim of the twists of randomly assigned teammates, I’m also one of the perpetrators. I can get a little tilted (playing aggressively and unwisely because I’m angry) when I get frustrated. I’m good at keeping my cool and playing consistently, but I occasionally mess up horribly because I’ve misread the situation or made a terrible guess at what the enemy team was going to do. I get that most people aren’t doing it maliciously and I’d probably benefit from trying to help other people play well than lamenting that they play terribly, but there was little incentive for people to actually care during most matches or to try to be a team player beyond winning or losing the match (which people don’t always care about).

That might be different now. Recently, Overwatch added an “endorsements” feature. You can endorse allies for sportsmanship, shot calling, or being a good teammate. You can endorse enemies for sportsmanship. If you get endorsed frequently, you get rewards and a little ranking thing next to your name. It also shows what you get endorsed for by coloring each endorsement differently and showing the percentage via color around the endorsement level in your name. Now, players are rewarded for actually working as a team beyond a win or loss. You can also spot when people just get endorsed because people see no drawback to endorsing as many people as possible after a match. If they are heavily endorsed for sportsmanship and very rarely endorsed for anything else, there’s a really good chance their opponents are just auto-endorsing them at the end of matches. If their teammates like them, there should be a higher percentage of “teammate” or “shot calling” endorsements.

I’m cautiously optimistic (like always), so I’m willing to get back into the game. I’ll give constructive leadership and shot calling a try again. I’ll do my best to make my teams the best we can be, try to reward good teamwork with endorsements, and hope positive reinforcement is going to be enough to change my experience with the game. If I can get back to a year ago, when I just loved playing the game whenever I had the time, I’ll be ecstatic. If I can stop feeling frustrated every time I play, I’ll count this as a rousing success. The internet is aglow with praise for the endorsements feature, so maybe it really will mean a shift in the game’s culture.

Returning to the Borderlands

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Borderlands is one of my favorite game series, second to only the Legend of Zelda series. There’s guns, gnarly explosions, the ability to instantly reduce someone to a red mist and chunks if you do enough damage, stupidly high numbers, an incredible cast of hilarious characters, guns with ridiculous effects, weird missions, plenty of jokes, and some incredibly stirring moments. These games, and the second one in particular, have been responsible for some of the strongest emotions I’ve ever felt as a result of a video game, and they did it all by creating an over-the-top and crazy world with an equally over-the-top and crazy cast that are still entirely real and believable. And they say you can’t really tell an interesting story in a first-person shooter.

Since the second one, Borderlands 2, is my favorite, I’m going to focus on that one. When you start a game these days, you can pick one of six playable characters, each with their own unique back stories, class abilities, and role. Since the game has cooperative play for up to four players, each character tends to fall into one of the roles you find in a typical RPG. Axton, the commando, is the party tank. Maya, the siren, is the party cleric. Zero, the number (assassin), is the rogue. Salvador, the Gunzerker, is the blasty mage. Krieg, the psycho, is the barbarian. Gage, the mechromancer, is the off-tank. Each of the characters has three skill trees that allows you to focus them toward one part of their role over another. Axton, my personal favorite, can focus on hit points, regeneration, and not dying; putting out tons of damage, staying mobile, and tactical damage; or creating a turret that is going to be a huge threat to all of your enemies, thereby diverting their attention away from you.

No matter which character you pick, the story stays pretty much the same, aside from a slight variety in the way the NPCs interact with you and what background information you’re given for your character. Handsome Jack, the owner of mega-corporation Hyperion, wants to dig up a vault and unleash the creature within it upon the planet, removing the bandits and people who live on it in order to turn it into what he considers a more peaceful, happy planet. He’s willing to kill anyone he has to in order to do what he thinks is best, constantly blames the player for forcing his hand, and seems to delight in the violence he gets to personally inflict on the people who defy his tyranny. Your character survives a train wreck and is then recruited by the anti-Hyperion resistance in order to strike back against Handsome Jack in an attempt to gain control of the creature inside the hidden vault first, so you can unleash it upon Hyperion instead.

Needless to say, a lot of crazy stuff happens that severely complicates everything. All the while, as you try to sort out the plot and turn in as many side-quests as you can, you’re collecting guns with crazy effects like shooting in bursts of thirteen that, when shot into a wall, create a low-quality rendition of the oldest cave paintings in the world. Or guns that never run out of ammo, guns that generate their own ammo, guns that explode when you attempt to reload them so that you never have to bother with replacing ammo clips, grenades named after classic D&D spells, and automatic sniper rifles that get more accurate the longer you hold the trigger down. Half the fun of the game is seeing what crazy guns you get and what their crazy effects do and, since the guns are all entirely randomized aside from a few important ones, it is incredibly unlucky that you’ll encounter the same gun twice.

As you move through the missions, gaining levels and collecting loot, you get to unlock new powers and abilities, turning your character into a one-person murder machine whose only weakness is one-shot kill attacks like some of the incredibly powerful enemies have and the fact that you sometimes just run out of bullets. The reason Axton is my favorite is because he not only just gets straight boosts to his damage, he also gets incredible health regeneration. He is my ideal character for a solo game because I don’t need to worry about dying as much and can take my time to line up the head-shots that’ll make each fight a breeze. It is incredibly rewarding to watch the huge numbers pop up as I shoot a bandit or bizarre creature in its weak point. There are ways to get higher numbers with other characters, but that’s contingent on luck and the right combination of guns and abilities.

While some missions can be difficult because of the requirements or that the way the game is designed to accommodate both solo play and cooperative play with your friends, the game is also forgiving. Hit boxes for most enemies and weak points are rather larger than they look and there are ways to bypass any amount of aiming deficiency. Shotguns, for one. Grenades, combat abilities, melee attacks, and stubborn refusal to do anything but work on improving your aim until you can nail a head-shot from across the map also work really well. Your best bet, and the most fun way to experience the game in my opinion, is to play with at least one other friend. The cooperative experience only adds to the game, since it makes it a lot easier to just plow through whatever enemies are blocking your way forward, to a degree. There are usually more enemies as a result of extra players by your side, but a friend can help you get back on your feet if you’ve gone down far more easily than if you need to rely on killing an enemy.

If you don’t mind a little gore on occasion and enjoy first-person shooters, I cannot recommend Borderlands 2 (and the rest of the family) strongly enough. It is incredibly fun and, though the pacing can slow to a crawl at times of heavy side-questing, is never boring. Check it out for the PC (my recommendation) or the re-release put out on PlayStation 4 or Xbox One. You can’t go wrong, no matter how you choose to enjoy it.

This Week’s Theme isn’t Evolving at all!

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In keeping with this week’s unofficial theme, let’s talk about Evolve! Matthew Colville worked for Turtle Rock Studios as a writer on the creative team that designed the world and many of the core aspects of what would eventually become the asymmetrical multiplayer game, Evolve. The world was incredibly interesting and the core concept was novel, so pre-release reactions to the game were very positive. It even sold well when it came out, but it was plagued by a variety of problems that ultimately lead to its demise and the shut-down of its servers a couple of years after release.

The basic plot of the game is that you and your allies are a squad of monster killers that are occasionally called in to protect an at-risk Human colony on a new planet. The planet in question, Shear, seemed like a great place at first, but the colonies were eventually attacked by native inhabitants that showed the ability to quickly evolve in response to whatever defenses the Humans mounted. In each mission, you and your three human allies are tasked with taking out the monster. The monster, another human player, is tasked with killing all of the hunters or completing an objective (destroy a particular part of a facility or something like that). It is possible to play with fewer than 5 human players as you can set up a game with one to four AI players, but the main mode of play is online with a group of humans.

In concept, the game was a lot of fun. The battles were interesting and, though every game I played ended with the hunters winning, it was still a lot of fun to play the monster since there aren’t many games out there that have a similar style. It can be really fun to basically play hide-and-go-seek with a bunch of people online. It can also be incredibly frustrating if they always, unerringly hunt you down before you have a chance to even get established. Or if they seem to always find you as you find a hidey-hole in which to begin the annoyingly slow process of “evolving” so that you’re forced to give up your progress and flee only for it to happen again the next time you think you’re safe. Or if you wind up playing two dozen matches in row as the monster since none of your friends play the game and solo-queuing seems to always mean getting stuck as the monster.

There were a lot of problems once you got past the novelty of the game. You needed a bunch of dumb, negligent players on the hunter side of things for the monster to win and I don’t think I ever won as the monster and won maybe half of the matches I played as a hunter because my fellow hunters seemed to be incapable of working together or rudimentary communication. My hunter teams would almost always start to fall apart as soon as we started losing. Everyone ran off in their own direction, certain they alone knew what to do, and got picked off by the monster who was able to easily take us down when we separated. In short, it was every problem you’ve ever faced with online multiplayer compounded by a higher-than-average frequency of one-sided fights.

All that is without mentioning the various exploits and bugs that showed up every few weeks. The developers didn’t update very frequently (which we eventually learned wasn’t the fault of the developers but the publishing company who wouldn’t put out updates more than once every few months), so a lot of exploits and broken gear/abilities/etc stayed around long enough to make it difficult to play against.

Most of the problems could have been fixed with enough software patches and a better response from the PR team of the publisher, but they seemed very uninterested in trying to please their customers once the game had achieved commercial success. I’m sure there’s most to it than a simple money grab from the studio that published the game, but that’s what it felt like at the time and it is ultimately why I stopped playing the game.

Looking into it now, after I discovered that Matthew Colville was a part of the creation of this game and did some research since the way I felt everything played out didn’t seem to jive with the way he acted in his videos and various online accounts, I’ve learned a lot. Originally, the game team was put together to create an alien world and that’s what they did. Incredible art, different modes of evolution, how species adapt to their environment, and so much more came out of their first years of work. It wasn’t until about two years of this research and development had passed that they learned the game was going to take the form we got: asymmetrical shooter. If it had been an exploration game or a team shooter against only computers, that would have been another thing entirely. I would have loved the shit out of the game if it hadn’t been so heavily dependent on the only PvP multiplayer.

It was nice to learn that the game they poured their hearts into wasn’t the game we got. I can only imagine how disappointed the team was when they learned what all their research and work was going to turn into. From some of Matthew Colville’s posts on the matter, it sounds like they didn’t get much of a choice in the matter since no one at the publisher believed that an exploration or PvE game would sell enough to pay for the development and distribution costs. I’m pretty sure a lot of people who have bought that and the studio would be swimming in all the money they got from it if they’d actually delivered the game the writers and artists had spent two years creating. It would have been like what No Man’s Sky could have been if it hadn’t been hyped so idiotically when it was still clearly far from complete.

Honestly, as the game slowly winds its way to complete shutdown (the servers are being turned off for good in september), I’ve gone back to play it a couple of times. It still isn’t the game I would like it to have been and I’ve spent more time waiting for a match than actually playing it, but I can see the game the development studio wanted to make in the background. Knowing what it could have been makes it a little more fun to play since I’m more focused on that than the outcome of the matches, but it leaves me sad once the match is over because I feel like I’m missing out on what would have been an amazing opportunity.

Until September of 2018, the game is free to play for anyone who downloads it. If you want a glimpse into what is an amazing world and what could have been a game to remember a few decades on, download it and play a few matches, even if it’s just with a bunch of bots. You might be frustrated, but you won’t be disappointed.

Video Games in the Workplace

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Because I work at a super cool place, one of my team’s side projects was to design and build an arcade cabinet shaped like one of the products my company is famous for. Once it was ready, we started using it to work out some of the kinks in the system we had set up to act as the software for our cabinet. It was a desktop computer and a large TV, so it was nothing complicated, but the version of windows was leftover from a computer two company operating system upgrades ago and the computer itself was something basically built out of salvaged parts the company was throwing away. Needless to say, it did not work very well. We had it mostly working for a while, aside from an occasional crash, but someone tried to fix that and it wound up getting bricked.

For a short period of time, though, the entire team competed at Galaga. Mortal Kombat was popular, but almost everyone played Galaga at some point or another. Or at least we tried to get everyone to play it. Whether or not they actually did it has yet to be determined because, after a few weeks, a couple of front-runners emerged.

Galaga isn’t a terribly complicated game. The levels always happen the same way, the mechanics work the same from game to game, and it is possible to win by simply memorizing the game’s patterns. If you know where everything is going to be and how long it will take your bullets to get there, you can easily get your score super high. If you know the trick to get two ships and are confident in your ability to kill everything before it can kill you, it gets even easier to get up there. Unfortunately, new levels kind of kill your ability to remember your way into victory, so your high score tends to increase slowly unless you’ve got amazing instincts. Sure, all the levels are different, but the patterns are similar enough that you shouldn’t be caught entirely unaware.

Myself and two coworkers competed for the top spots. One, Competitive, of them took it very seriously, and the other, Infrequent, only occasionally played. Competitive liked to get me to take turns with him, since our scores were close and we’d trade top spot every week. Infrequent would have been the clear leader if he’d played consistently since he almost doubled our scores the first time he played and then set the leaderboard solidly in the six-digit range. It took me a week to figure out how to get my score that high, but I eventually got there. A week later, Competitive did as well. Infrequent stopped playing at that point, so it was mostly just me and Competitive taking turns.

I have nothing against a healthy rivalry, but it was getting frustrating. Competitive wanted to play every day and he’d just walk up behind me, grab me by the shoulders, and say “How about some Galaga?” or brag about the fact that he held the high score. It got to the point where I didn’t even want to play anymore, despite the game’s comforting repetition and engaging simplicity. Galaga is a lot of fun and I can see why people loved arcade games, now more than ever, but it wasn’t worth the amount of disruption Competitive brought to my daily life, especially when he started wanting to play twice a day.

The entire dynamic felt weird to me. Both Infrequent and Competitive had played Galaga when it first came out. Competitive seemed to just enjoy having someone to play against while Infrequent seemed like he was disappointed in his stellar performance. The first time I played it was in a combo arcade at a pizza place, while my family waited for a seat. I was six or seven, I think. The next time I played it was at work last year. I pick up games quickly, especially ones that rely on repetitive mechanics, and I’m stubborn enough to put in the time it takes to get decent at something. If I’d kept at it, I’m certain I’d have gotten quite good at it.

These days, no one plays. The computer that once held the games was bricked and now the arcade cabinet sits cold and empty. Competitive stays in his office and I need no longer worried about being accosted by a man looking to feed his competitive spirit. I kind of miss it, though. The game wasn’t amazing and the controls kind of sucked, but it was simple, it was fun, and it was a puzzle just waiting for me to figure it out. I hope we get the cabinet fixed again soon. I’d like to get my high scores back.

Return to Celeste Mountain

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One of my go-to unwinding games has been Celeste. I really enjoyed playing through it the first time and, while I can’t recapture the catharsis I felt as I watched Madeline work through her problems for the first time, I still spend some time reflecting on how they still apply to my life as I try to get the additional collectibles or set a personal speed record for a level. That’s why I always start from the beginning of the level and, unless I’m doing a speed run, explore the entirety of each level, including talking to everyone again.

This game has plenty of collectibles and even additional levels if you get certain collectibles. These tapes are called B-sides, and you can find one hidden in every level you play through. The rooms they’re in are usually hidden in some way, requiring you to make a split-second decision to alter your course, thoroughly explore all your options, or to notice that a wall isn’t really a wall but a hidden entrance. Each room has a puzzle involving timing your jumps from one set of blocks to another as they switch which set can be interacted with. They’re not terribly challenging once you figure out your path, but they’re not easy, either. That being said, I found it a lot easier to find the B-sides on almost every level than some of the other collectibles.

The hardest things for me to find where the Crystal Hearts. There’s one hidden in every level, though the ones in the B-sides aren’t really hidden so much as the goal of the level, and I found maybe two of them during my first play-through. When I went back and spent more time meticulously combing through the levels, I found three more. I’ve still got two more to find on the traditional levels and then a bunch of B-sides to complete. The Crystal Hearts are used to unlock the last level of the game, The Core, and I only just got enough of the hearts to start exploring The Core, so I’m looking forward to dedicating the time to getting through that level. I’ve already spent half an hour exploring it and finding almost nothing. I got through the first puzzling bit, but it feels like I haven’t gotten that far yet.

The last collectibles are the Strawberries scattered through all but one of the main levels. Like all of these collectibles, they have almost no impact on the main game since only the Crystal Hearts actually unlock anything, but they give you a reason to start exploring and a reason to keep exploring even after you’ve cleared the level. They’re often quick to get and encourage you to do more than just get through the level. Usually, you can find the Strawberries in hard-to-reach, out-of-the-way places that require you to change how you’re getting through the screen in order to collect them. Unlock the Crystal Hearts and B-sides that just require contact to collect, the trick to the Strawberries is that you have to stand on solid ground after collecting them in order for them to stay collected. If you die before then but after getting the Strawberry, it just pops back to its original place.

Thankfully, you don’t actually need to complete the level again in order to accumulate the collectibles you’ve gathered while re-doing a level. If you want to leave after getting that last Strawberry instead of making your way through the entire level, you still get the Strawberry (and your additional deaths), added to your record for that level. While the death total is interesting to see and compare to other parts of the climb, deaths are definitely not something you want to collect. I haven’t found any kind of negative impact resulting from having a bunch of deaths recorded and I’ve reached four figures in the deaths department, so I expect that I’d have encountered it by now if it existed.

I really enjoy replaying the levels. Sure, I’m only racing against my own timer at this point, but the game is really easy to pick up and put down as my time allows. The whole system is super portable and easy to use for short periods of time, but most of the games I have do not work that well in short periods. If I’m playing for only five minutes, I’ve only just finished loading into my Breath of the Wild file. Or I’ve gotten to the first checkpoint on one of the later levels in Celeste. I really can’t emphasize how great the portability of the Switch is and it feels like Celeste was specifically made for the accessibility and ease of use this platform provides. I can save and resume even in the middle of levels without needing to worry about getting sent back to the nearest checkpoint.

A month and a half after I first finished the game, I’ve gotta recommend it again. The levels are fun, there’s so many reasons to keep playing after you’ve beaten the game, the themes are mature, and the plot actually has something difficult to say. If you read, play or watch nothing else I’ve reviewed, you need to play this.

Dad of War: The Classic Road Trip

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While I never heard the classic line, “Are we there yet,” I did hear almost every single other variation of that thought while taking turns playing through the new God of War game with my roommates. My first experience with a road trip reference was when the game had just finished the opening sequence, as Kratos, the player character, and his son, Atreus, set out from their home. After a hunting trip and a brutal fight between Kratos and the game’s main villain, Kratos and Atreus head out to sprinkle Faye’s, Kratos’ wife and Atreus’ mother, ashes on the highest peak in all the realms of Norse mythology. Barely even a minute’s walk from their cabin, Atreus asks how much further it is until they get there. Classic.

Despite the fact that this game is the latest in a sequence of God of War games characterized by brutal, bloody fights that Kratos hacks his way through, this one takes a much more nuanced tone, in both combat and plot. There are still moments where you must brutalize a swarm of enemies before you can move on, but the swarms are smaller and the combat is focused much more on combos, abilities, and defensive style fighting, such as parries and dodges. Kratos is still every bit the badass he was in the other games, but one of the major themes of this game is Kratos attempting to control the rage that once defined him. He no longer uses the Chaos Blades he is known for, instead wielding the Leviathan Ax that previously belonged to his wife. It is clear that, as part of his move from Greece to the undisclosed parts of the Norse realm, he set aside much of his past in order to build a new life. This is a main part of the story, so saying anything further would be a spoiler. Instead, I’m going to end by saying that you really get an in-depth look into the character of Kratos, the god of war who tried to leave his past behind but now must come to terms with it as it begins to impact his present.

Since Kratos’ entire past is kept a secret beyond such details as the fact that he wasn’t born anywhere near where the game takes place, his son has very little idea of who his father is. Early dialogue and cutscenes show that Kratos clearly loves his son, but keeps him at arm’s length and is not terribly supportive or affectionate with Atreus. When Atreus is upset about his mother’s passing, Kratos does little to comfort him. After Atreus kills his first human, Kratos gives him the direct but not terribly helpful advice to “close your heart to it.” Atreus is a young boy and Kratos is entirely unsure of how to interact with him. Given Kratos’ past–the death of his first wife and son is what set him on the path to eventually become the god of war he is today–it makes a certain amount of sense that he would have trouble connecting with Atreus, at least in a way that Atreus desires given that he is not being raised in the Spartan culture that Kratos was. The very first extended gameplay you get beyond a few action cutscenes and walking bits is Kratos taking Atreus on a hunt for the first time. He starts it out by asking if Atreus was taught to hunt, making it clear he hasn’t been very involved in Atreus’ upbringing.

At the same time, it is made very clear that Kratos loves Atreus dearly, even if he has difficulty showing it. He tries to reach out to his son, to comfort him, but hesitates. He hides the scars on his arms from the world by keeping them wrapped in bandages, so it makes sense that he’d be afraid to touch his son for fear of hurting him since that’s all he’s used his hands for since his first family died. The first time he gives into his once-defining rage is when the main villain has gotten Kratos stuck in a crevice and says that he’s going to go check out what Kratos is hiding in his cabin. The villain doesn’t know it, but Atreus is hiding beneath the floorboards of the house and Kratos absolutely loses it when the villain inadvertently threatens his son. You see it again and again, and he even says it as you walk around the world in the later parts of the game. He would do whatever it took to keep Atreus alive. Throughout the game, as they walk around and go on adventures together, it becomes clear just how much Kratos loves his son and, as they start to get to know each other, how close they will become as they learn to understand each other. This was my favorite part of the game, watching a father and son bond as they traveled for a common purpose.

Speaking of their common purpose, the game sets up the classic God of War arc. It does an excellent job of re-framing the Norse mythology is a way that lends itself well toward the “kill all the gods” pattern of the past God of War games. The Norse gods are, for the most part, depicted as unrepentant assholes who keep stepping on the other races as they do whatever pleases them. Some of them are pretty messed up by their upbringing, like the villain, but most of them are simply jerks. While the game is focused around Kratos and Atreus being hunted down by the main villain for reasons that aren’t made clear until the end–and even then it’s all supposition on the part of Kratos and Atreus–the story makes it clear that there is much more to come. There’s even a secret ending that hints at what the sequel will hold. If the sequels are all as good as this one, I eagerly await them.

If you want a good RPG with a lot of fun fights, excellent character development, a fun plot, and a gorgeous world full of a variety of activities, I definitely suggest picking up God of War. The kicker is that the game was only released on the PS4, so you also need access to one of those. I don’t know that the game is worth buying a PS4, but I think it’s a good enough reason to upgrade to a PS4 if you need a new blu-ray or DVD player as well.

Overwatch Strategy: A Primer

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While the individual maps and various play modes make it difficult to have a general discussion about strategy in Overwatch, there is a common element to most of the normal and competitive game types. Throughout the match, each team is going to attempt to kill everyone on the opposite team. While each team has their own objectives (defend this location, conquer that location, guide a payload, stall a payload, hold on to this location for a certain amount of time), the opposing team stands in the way of achieving those objectives. The best way to get your opponents out of your way in this game, at least in the most basic terms, is to kill them or hurt them so much that they run away.

Beyond the basic terms, strategy splits into two useful levels: professional and amateur. If you really want to nitpick, there are a few more, such as “amateurs who imitate the pros,” “people who have no idea what they’re doing,” and “people who get super salty and play like there’s a berserker mode that makes them harder to kill.” I’m going to stick to pro and amateur for now because there really isn’t a lot of actual strategy that goes into playing those three levels.

Amateur strategy is probably the simplest to discuss because it relies on the same basic principles that professional strategy does, but leans on them almost entirely instead of using them as a trunk from which they can then branch out. In an amateur team fight, your tanks are going to be at the front of the line, the DPS will either be with them or trying to out-maneuver your opponents, your supports should be near the tanks to help keep them alive, and your defense characters should be either pushing the enemy tanks around or preventing your tanks from being pushed around. While it is entirely possibly to play out a team fight without much strategy, relying on the skill of the players as they clash in a giant muddle, it will quickly turn into a horrible grind where either everyone dies or one team just gets completely wiped out.

Because of the variety off characters that people use in the amateur scene, there isn’t really a strict guideline of how to play each level. There are particular strategies that work more often than not, but the deciding factor is often the skill of the individual players. As a result, a good strategy for an amateur match tends to be focused around playing to the strengths of your particular character. DPS should focus on their specialized type of damage (ranged accuracy, flanking, or pure numbers). Tanks should focus on taking or preventing damage using shields, picking out solo targets in mid-range, or living for a really long time despite taking tons of damage. Supports should heal, peal enemies off of tanks, and control the area around where their own team is located. Defense characters often wind up playing to the one of the strengths I’ve already listed, since most of their job consists of either teaming up with the tanks or taking down enemy tanks.

If everyone plays to their strengths and works as a team, then there’s no reason they shouldn’t win unless the other team is just better than they are. If they can communicate well, it is possible for them to play into some of the basic strategies successfully. Without the consistent skill of the pro or high-tier scenes, they aren’t as reliable as just playing well. Dive-composition is relatively easy to do, since it is just a very mobile way of playing and consists of playing characters to their strengths. The “standard” composition of two tanks, two DPS, and two healers is hard to go wrong with. The old “triple-tank” composition doesn’t work as well as it used to, but it has its niches. It requires consistent skill and good communication to pull off, though, so it rarely gets used in the amateur scene.

In the professional scene, at least right now, the overwhelming majority of matches use the dive composition with some slight variation in the second DPS and second healer depending on how the team plans to play after the moment of first contact. Usually a DPS and a tank from Team A will dive in, trying to take out the supports of Team B, and the tanks of Team B will fall back to counter the dive. At that point, if the diving components of Team A are still alive, which they usually are, the other DPS, tank, and one of the supports from Team A will start attacking the back of the tanks of Team B. If Team A’s dive works, then at least one of the supports for team B is dead, the tanks of Team B have taken heavy damage, and Team A is an advantageous position for achieving their objective.

There is some variety that happens in matches, given that a daring shift to a different strategy can upset the balance of a match and start the ball rolling for the team that changed things up. Since the level of skill is relatively level, the deciding factor is often what maneuvers each team tries and when they try them. Good timing and shot-calling is often what decides a match. Individual players can still tip the balance, but generally not in as decisive a manner as they can for amateur matches.

All that being said, there is one style of play that can completely shift everything. Though the basic strategy is the same, putting one of the DPS players on the Widowmaker character can shift the entire game. While having a single-shot, high-damage character means a big grind fight can turn against you, being able to quickly take characters from the opposing team out of the battle means that your team can commit more strongly without as much fear of being countered. Taking out an enemy support instantly means your team can focus on the one other support when you dive and quickly wrap up a fight that would have otherwise been drawn out and slow. Taking out their DPS means you have some room to breathe and take a few risks that would otherwise be way too dangerous to consider.

One of the biggest differences between amateur and pro matches is the way partial teams commit to fights. In a pro match, if they have time and are missing a character due to a snipe kill from a Widowmaker or because someone got trapped and killed quickly, they will simply wait until the full team is there before trying again. If a defending team is getting routed, they will often retreat, give the attacking team their objective, and gather to try to take out the attacking team in a quick counter attack. In amateur matches, generally players stick around until they are killed. This can work out, sometimes, because not all players are skilled enough to quickly kill their opponents in an uneven team fight, but it generally does not because the skill disparity required for this to work out is very high.

Pro players are much more cautious. They tend to back out more readily, take fewer unnecessary risks, and wait for their team before acting unless they’re specifically playing a character who is supposed to act alone. In amateur play, you often see tanks trying to go it alone when they very much should not be. A tank without any DPS or support will die super quickly unless they somehow manage to catch the entire enemy team unaware. Which can, of course, happen. Amateur matches are super inconsistent and anything cam happen in them. A lot of players, myself included, take stupid risks because we know that no one will expect it and the surprise itself is something that can be exploited. One of my best plays as a tank was when I snuck around the side, flanked the enemy team with a charging attack, and got the entire team focused on killing me (which they did), so the rest of my team could close the gap and murder them. I got one kill to make sure it was an even fight and my team would up winning because they knew what I was doing and I managed to shake up the enemy team. I wouldn’t recommend trying it yourself because it was more luck than good shot-calling that made it work out.

One of the most exciting parts of playing and watching Overwatch is that changing the composition of your team and using the element of surprise can tip a match decidedly in your favor. While there is a basic strategy used in almost all competitive matches, one change to the balance of a key hero or the introduction of a new hero can cause the old strategy to no longer work. I am excited to see how professional play evolves once they start incorporating the newest hero, a support character whose skills seem designed to counter the standard dive composition that all professional teams use.

Vermintide 2 is (Sometimes) a Delightful Mess

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As often happens with my friends, one of us found a new multiplayer game and subsequently convinced the rest of us to buy it. My roommate watched some of the promotional videos for Vermintide 2 and decided that he was going to buy it. One evening of play later, he was telling my and our other roommate that we should get it, even going so far as to offer to loan our other roommate (who is slightly more broke than either of us) the money to buy it. Not convinced by his ringing endorsement (he has a tendency to get very excited about things at first, no matter what they are), I decided to sit down and watch him play through a few matches.

It seemed fun enough, while I watched him. Vermintide 2 is a sort of fantasy remake of Left 4 Dead with an extra character and advancement options for your characters as you leveled them up. The gameplay looked solid, the levels looked fun, and all of the people he got matched with online seemed to have a basic amount of decorum so that the voice chat wasn’t completely horrible. After a while, I decided to buy it. It was only $30 and I needed a multiplayer game other than Overwatch since I’ve been getting kind of burned out on it.

Once I bought it and started downloading, I ran into the first hurdle. Part of downloading the game on Steam is automatically downloading the Test Server version of the game. It is at least the same size as the full game but it doesn’t tell you while you’re picking your download location that you’re downloading two things. You just get notified that the download will take up approximately 65GB of space and that it will take X hours based on your internet. Once you make peace with giving up that much space for this game and pick a location, the download screen on steam lists two separate items. While it is relatively easy to stop the download of the test server client and prevent it from trying to install every time you open Steam (right-click it in your library and pick the uninstall option), it is still super annoying that it starts it by default. If you’re like my roommates, just starting the download and walking away, you won’t even know you’re wasting 30+ GB of space for a version of the game you’re never going to use.

After the download was done, I loaded up the game, started playing, and ran into the second hurdle, one which I continuously run into. At the end of a mission, my game has crashed all but two times. First it plays really terribly synth music as the mission-end stat screen displays itself and then it eventually just shuts down, notifying me that an error report has been sent to the developer. As of today, nothing I’ve tried to fix the problem (based on message board posts and comments from the developer on Steam) has worked. Almost every mission I play ends with the game crashing and me loading up the game again for the next mission.

Aside from that, the game really is a lot of fun. The characters are excellent, each with their own voice and general style of combat. Within the characters, the carious class options and abilities are different enough that each feels different and refreshing. All together, it allows you to create a party that can fit almost any mission type using the same four characters every time. The weapon varieties are fun and easy to understand, so you’re never left wondering what is the difference between two types of bow or two types of polearms. Probably the best part is that, even with the class variation and unlockable abilities, the individual skill of the player counts for a lot. Sure, being higher leveled is a huge advantage in terms of damage output and survivability, but no amount of gear of levels is going to save you on even the beginner missions if you’re terrible at the game.

The plot is rather forgettable (you gotta destroy some kind of hoard of vermin?) and the world is basically a giant crater you spend your time wandering through, but the strength of the game lies in your group’s ability to just murder hundreds of rat creatures as you make your way from point A to point B. All of the fun is in running through these relatively quick missions, killing tons of enemies, and seeing if you can get cool loot for picking up handicaps throughout the level (things that fill your health restoration slot or that lower your total HP significantly).

While that is tons of fun to do, I find myself struggling to enjoy spending time playing the game since I have to restart it every mission and wait for the horrible, screechy synth music to stop (I’m not joking when I call it music. It has a rhythm and a beat to it that I could really get into if it wasn’t make entirely of metallic screeches and feedback noise). If I can figure out what is wrong or the developers patch the game so it no longer crashes all the time, I could really get into it. Until then, I’m mostly going to save it for when I get frustrated with Overwatch or we want to play with my roommate who doesn’t really play Overwatch anymore.

Ultimately, I can’t really recommend buying it right now because of how often it crashes, but I’d put it on your wishlist and wait for the recent reviews to pick up before actually buying it.