The Nightmare Of This Capitalist Dystopia Can Always Get Worse

Every so often, some horrible shit happens and I have to interrupt my blog writing and posting cycle to insert something while it’s still relevant. Today is another such day, even if it feels much smaller in the grand scheme of things than most of the other stuff I’ve disrupted my schedule for. Honestly, I’m only doing this because it’s something that actually impacts my blog as a whole, so it would be incredibly remiss of me to wait a week to talk about it. Yesterday, the website 404media broke a story that the owner of WordPress (.com, specially) and Tumblr was going to start selling their user’s data to a number of LLM companies for use in training their plagiarism machines. That article is paywalled, unfortunately, so I can’t send you there, but The Verge covered the story pretty well and that isn’t paywalled (and believe me, I’d be paying for access to the original article if I wasn’t already overbudget for this month). The short of it is that the parent company, Automattic, has publicly said they’re going to allow people to opt out of having their data sold (all in the name of staying modern when it comes to creating “content” rather than, say, Art or Blogs or even the almost-as-meaninglessly-generic-but-still-less-shitty “Media”) and that there are already some settings to help restrict access to your data, but they can’t do anything to stop any company from taking whatever is publicly available on the internet. They add that “respectable” companies will respect your settings, but I think that’s a load of hogwash since no company running a LITERAL PLAGIARISM MACHINE is anything approaching “respectable” under any definition of the word.

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The Plight of the Modern Artist

My coworkers an incredibly excited about the potential of the various algorithms that many tech companies have been incorrectly calling “artificial intelligences.” I’ve argued with them about the definitions, the massive number of ethical issues involved, the fact that they’re actually useless if you’re trying to create something, and how they’ve essentially become a fad since now anything that needs to be sold to the public is described as somehow using AI or an algorithm even when it doesn’t really make sense. All I’ve gotten for my effort is the official title of team luddite. Apparently no one cares that almost all of these algorithms are built on theft or that they’re already being used to take the jobs of artists. I wouldn’t be surprised to learn that some of them even think that’s a good thing, given how they all seem to be falling into the same side of the issue as every single shitty techbro who thinks that artists are snooty, stuck up, smugly superior, and need to be taken down a peg. I’ve tried to explain to them that capitalism and modern society have been devaluing art and artists for so long that it’s almost impossible for someone to make a consistent living in any art career without more luck than is fair to need for the category of jobs that produces the entirety of popular culture.

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An Angry Rant About Algorithmically Generated Images and Media

Every time I see someone posting photos of themselves that they’re run through the latest in algorithmic art theft and image editing, I find myself screaming in my head “did these people learn NOTHING from the stupid facebook quizzes of the 2010s???” History is cyclical and it is frustrating to watch so many people I know repeatedly make the same mistakes about their digital footprints. It is difficult to fault them, at times, since the entire internet aparatus these days is set up to scrape as much of your personal information as it can, but given that all they have to do is read a EULA or keep up with all the art theft, copyright infringement, and actual damage to the artistic professions that these media-generating algorithms are doing these days, I find myself losing respect rather than feeling a desire to educate.

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Puzzles Are Fun

I’ve always enjoyed puzzles (had a puzzle party when I was 4, because I loved them so much), but they represent a sort of one-and-done amount of entertainment that has made it difficult to justify the cost. The introduction of local programs that allow you to change out your used puzzles for someone else’s used puzzles (usually with a small fee to support the local business coordinating these efforts since you’re not buying a new puzzle, or using a store credit system similar to buying and selling old video games) has made it easier for me to get my hands on new puzzles and they’ve formed the backbone of my non-electric entertainment over the past year.

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Emptiness and Dreams

A sort of empty weight
has clung to my heart for years.
I can’t recall a single date
I wasn’t beset by fears
that this hole would grow
and one day swallow me whole.

Do I patch the well with art
and create a new, safer ground
or do I rest, let the healing start
and no longer let myself be bound
by all the stress and anxiety
I always carry with me?

To patch the world is my dream:
to create a way for all to learn
the words that all souls scream,
to find a way to forever burn
away whatever divides us
so no one feels superfluous.

There is no room for rest
or even compromise
when putting dreams to the test
and aiming for the skies.
Over ground tremulous and patched
I will walk as yet unmatched.

You NEED to Read this Webcomic!

As anyone who has read my blog for long enough can tell, I am a firm proponent of representing the struggles of mental health in stories and media. I try to do it myself and I’m always looking for other media that does it as well. When someone I follow on twitter re-tweeted another comic author/artist and added a comment that this other author/artist did an amazing job representing mental health in her comic, I felt inclined to check it out. As always happens, I wound up not actually doing that for almost a month. I followed the author/artists on twitter and then promptly forget about the comic I was supposed to start reading. That was a huge mistake and I regret it immensely.

Daughter of the Lilies (link to page 1, so don’t worry about spoilers), by Meg Syverud, is an amazing webcomic about self-doubt, depression, anxiety, and religious themes cleverly hidden in a comic about fighting monsters in an epic fantasy world. The religious themes are cleverly-hidden and the mental-health ones are part of the main themes for each chapter as we follow the story of the protagonist, Thistle, when she looks for work with a local mercenary group. There is some gore and some uncomfortable moments the author/artist handles well (with warnings and obfuscated pages that require you to click to see), but the amazing story and excellent characters make it worth it. The religious themes are not yet fully explored and are more along the lines of a more subtle Narnia than the sort of “in-your-face” version seen in most Christian rock. Honestly, unless you read the blog posts under each page or know a lot about Christianity (well, as much as a general practitioner of a Christian faith would know), you might miss the references entirely.

I sat down to just check it out after seeing a few more recent shares on twitter and subsequently forgot about everything else I was going to do that night. It is so good! I came in at the perfect time. Since the beginning of the comic, the protagonist’s face was hidden. There were hints, but the most popular thing for fans to do was to theorize about what she looked like. The day I started reading was the day her face was finally shown. I was able to read through all of the that the author/artist had spent the last few years creating, enjoying the drama of not understanding her identity, before finally seeing it once I’d caught up. I immediately went to support her on Patreon because I want this comic to update daily and storytelling as wonderful as this deserves as much support as I can give it.

This comic has pretty much everything you could want and does such a good job of creating a world that I might be copying some of the stuff I’ve read here for Dungeons and Dragons campaigns. The mercenary leader actually has paperwork to do, to register the protagonist as an official part of his team and it looks just as confusing as tax forms! The logistics of the world are incredible. It is firmly grounded in the typical fantasy world, but it moved the time forward a couple hundred years, so you have more of a “renaissance” feeling instead of a “peasants farming dirt near a castle” feeling. The orcs can be friendly, the racial designs are great, and everything is so colorful! The clothes are probably one of my favorite visual details since almost everyone wears them and they’re so incredible to look at.

I went to go look up some stuff for more to write about and accidentally re-read the entire comic. Whoops. There’s just too much that’s wonderful about this comic for me to try to chop it down into a review. I suggest you read it for yourself. You’ll understand, then.