Book

Getting Lost in a Wake of Vultures

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I’ve mentioned previously that I’m trying to get into the Twitter Writer scene. As a part of that, I’ve started following a bunch of authors and trying to absorb what I can from them. One of my favorite people to follow is Delilah Dawson. I learned about her as a result of my first foray into the new Star Wars extended universe. I was admittedly rather angry that they threw out everything that was written before Disney purchased the franchise, but I’m excited to see where the new stories go now that I’ve had some time to get over what felt like a rather personal attack on some of my favorite memories

Delilah Dawson wrote the Captain Phasma book (titled “Phasma”) and did an amazing job adding to a rather underserved character in the films. Since I enjoyed that book, I followed Delilah on Twitter and have enjoyed the positive, affirming energy she brings to her Twitter account. At one point, she mentioned that the next book in a series she wrote under a pen name was about to have its release date announced. I had already started collecting her other books (mostly in online wish lists so I’d have stuff to look for during my quarterly visits to the local book store), but I hadn’t heard of this series. Turns out, she was writing an entire series under another name and I’d missed it because I never went to her website or her Wikipedia page.

Then I read a description of this series she posted and I knew I had to read it. There was no way I couldn’t. I’ll be the first to admit that I have a tendency to pick up books by mostly male authors featuring mostly male characters, so this book by a female writer about a trans man of color seemed like a really enjoyable way to step away from my typical milieu. As both a reader and writer, there’s always something to be gained when I read anything, but reading stuff outside of my experience shows me more. Not always in a quantifiable “Here’s what I learned today!” kind of way, but in more of a subtle, “change the way I think without always being entirely aware of it” way. Which is really the best way, in my opinion.

Wake of Vultures is an amazing Fantasy novel set in the fantastical Old West. It has saloons, cattle rustlers, cowboys, vampires, monsters out of every tradition, and some amazing characters. There’s romance, personal awakenings, shootouts, and tense moments of near disaster. There were rough scenes that were hard for me to read. Things that made me put down the book for a little bit because I got so sucked in and the pain and desperation I felt in the characters was too real to handle all at once. I read the whole book in a day because I couldn’t stop to do anything else once I’d gotten started.

I sat in my chair in the little library we’ve got, under the same late-night light that helped me through the sympathy pain I felt while reading John Green’s Turtles All the Way Down, and powered through scenes that are outside my personal experience, but whose pain resonated with my own. Feelings of powerlessness, feelings of being trapped in something someone else chose and you had no ability to resist or prevent. I made it through the book just fine, but it was amazing, wonderful, and difficult read. A lot of the best books are difficult and the intensity of the emotions I felt while reading this one convinced me to move the rest of the series to the top of my “to buy” list.

I would really love to dig into specifics, but I feel like so much of the novel and my own interpretations of it was instrumental in forming what I eventually got out of the story. I don’t want to influence your experience beyond encouraging you to have it. The characters are wonderful, the writing is beautiful, the plot is twisty, the foreshadowing is clever, and the world rides that perfect line of being familiar enough to not need much information about it while still being foreign enough to be super interesting. Go read Wake of Vultures by “Lila Bowen” and learn for yourself what amazing story this is.

Oathbringer is Breaking the Pattern.

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I really enjoy Brandon Sanderson’s writing. I haven’t yet read even half of what he’s written, but I discovered him through his completion of the Wheel of Time series and have been a fan ever since. While my enjoyment of his writing hasn’t quite reached the level of my love for Terry Pratchett or Patrick Rothfuss, I would still rank him among my favorite authors. My love of Pratchett and Rothfuss comes as a result of their craft and their characters while my love of Sanderson’s writing comes from the interesting and different worlds he has created. When I first started reading his Stormlight Archive series, I was instantly hooked on the way his world differed from our own. All of the creatures and the lands were different because of the enormous storms that visited most of the world, so everything either had some kind of rocky shell or carapace to protect it from the storms and weather.

While he doesn’t do as much world-building as he did in the first book, I’m still enjoying his series. The latest, Oathbringer, was just as exciting as the previous two, following a few main characters as they try to deal with the horrible storm that sprang up at the end of the previous book. Despite the early warnings coming from the protagonists’ group, most of the world doesn’t believe them and is thus caught unaware when all the shelters they have built to protect them from the normal storms fail to protect them from a storm coming from the opposite direction. While a lot of the previous novels was a mixture of action, character development, and political intrigue, this novel saves a lot of the action and character development for the end. Instead, most of the novel is a little on the dryer side, covering lots of history, some new perspectives and characters, some character development focused on one person in particular, and tons of politics.

Initially, I was surprised by the amount of people in my various social media feeds commenting that Oathbringer was rather slow and not as fun as the previous two books. After reading the book, I can kind of understand. I don’t agree, but I recognize that this book is a bit of a departure from his usual constant world-building with action to move the scenes along. I think that this book is important proof that Sanderson is going to be able make this potentially ten-book series a success. Plus, he’s managed to do it very well, mixing in plenty of interesting information that, while somewhat predictable in terms of plot and outcomes, does an amazing job of fleshing out people and the world. I really enjoy the sense of history this book has added to the series. It answered so many questions that I’d had since the start of the series and even threw in a couple twists I did not see coming at all. They caught me entirely off-guard and that was wonderful.

While the book’s major plot twist was unexpected, it was also kind of expectedly unexpected. Sanderson intentionally paints the characters into the corner, making it seem like they have no choice but to give in or surrender to the bad guys, because making something happen. Most of the time, it is only unexpected because it adds some new world mechanic or gives us some rule or information we didn’t have previously. There’s always some foreshadowing to pick out in retrospect and he always does a good job of laying the groundwork so whatever happens never feels entirely like a Deus Ex Machina, but there are a few close calls during some of the big moments (and that’s not just restricted to this book). I don’t mind it too much, but it can feel a bit annoying to have all this build up of a dramatic moment happening while you’re just reading along calmly because you know they’re going to magically get out of the tight spot using some brand new power or mechanic that develops right then. The best thing I can say in Sanderson’s defense is that he literally built that mechanic, the spontaneous power-up and new power moments, into this series.

I definitely recommend the book and the series as a whole because they’re honestly just so much fun to read. They move along well, are easy to read, and there’s just so much interesting stuff happening that they’re hard to put down.

 

One Goblin to Rule Them All

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One of my friends has this annoying (but not really) habit of suggesting really great books for me to read. She’s single-handedly responsible for introducing me to some of my favorite recent (published in the last decade or so) books and authors. The Dresden Files, The Kingkiller Chronicles, finally convincing me to read Terry Pratchett, and so many others. A lot of the time, I’ve heard of the books she recommends and never got around to buying them. Interestingly, the books she gives me as gifts are almost always books I’ve never heard of that I wind up loving. My current favorite of these books is “The Goblin Emperor” by Katherine Addison (the pseudonym of Sarah Monette).

The book follows the story of a young member of the ruling family of an Elven empire as he, Maia, is suddenly thrust from obscurity directly into the throne when everyone in line before him was killed in an explosion. Complicating his ascension is the fact that his mother was a Goblin princess who married the Elven emperor as part of a peace agreement with the Goblin King. Maia faced the rejection of his father who fulfilled the terms of his political marriage in only the strictest sense before sending them both into exile in the countryside and then by a cousin who abused him since the politically ambitious cousin was forced to act as the guardian of a politically unimportant half-goblin. You can probably see the beginnings of the themes in the book.

I love intrigue and character novels. Anything that explores people, the ways in which they build relationships, and how people come to understand or wield power can be incredibly interesting if written well. The Goblin Emperor does an amazing job of exploring political intrigue and the burden of power in a very complex world filled with people who, for the most part, just want to do their jobs. Despite the fact that there are no Humans in the story, everyone feels incredibly Human and real. Even the villains grow from caricatures into full characters with both positive and negative qualities as the reader is shown more of them, mirroring Maia’s understanding. Even the tone of the writing changes as Maia becomes more confident and knowledgeable, constantly reflecting his developing sense of the people around him.

While he is growing and just learning to function in the court, Maia has to face off against a few savvy political opponents who are trying to usurp his power in one way or another. The wife of the deceased heir and the lord chancellor both test him, doing small things to grow their personal power, but he manages to keep ahead of them. Most of the time, he figures out the right move to make using practical wisdom born of being a social outcast or by relying on the people around him who simply want to do their jobs as best as they can rather than get tangled up in political upheavals. A lot of the time, it is these less “important” people, who just want to do their best to support the kingdom, who make the difference in Maia’s life. Even as she shows them being subservient and deferential, Addison does them justice as fully “human” people in their own rights.

Despite being a mixture of Goblin and Elven blood, the only person who truly complicates Maia’s life for not being fully Elven is Maia himself. That isn’t to say there isn’t some degree of racism going on, as most of the political opponents he faces would likely not have been so clearly mutinous if he was wholly Elven. Addison shows it most clearly in the social and societal roles held by Goblins in the Elflands. Goblins who are accepted into royal service in the Elflands are often somewhat separated from their culture and heritage, and most of them are poor or doing menial work. They are shown as being rather drab and superfluous by many of the Elves who also encourage Maia to avoid exploring his Goblin heritage beyond what his mother taught him before she died. Eventually, Maia meets members his family from the Goblin kingdom and gets a clearer picture of their culture, along with many promises for more information on his heritage and family in the future. Since it furthers the peaceful coexistence of these two large nations, everyone switches to genuinely supporting Maia’s desire to learn more about Goblin culture and, most importantly, Maia begins to embrace his identity as a Goblin and an Elf more fully.

I don’t want to go into too much more of what goes on in the book because I’m already certain I’ve said too much. There’s so much I love about this book that it’s hard to hold back from gushing about it. If you read it and like it (I think you should and I hope you do), you should message me about it so we can discuss and dissect it.

Soonish: Fun Science and Funny Pictures

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“Soonish: Ten Emerging Technologies That’ll Improve and/or Ruin Everything” by Kelly and Zach Weinersmith (a scientist and a writer/cartoonist, respectively) is probably one of the best books on the market for the casual sci-fi/tech nerd who wants a break from fiction. The basic premise is exactly what the title states, focusing on ten different technologies we can see on the horizon. It breaks them down into where we currently are, where we’re going, what the technology could mean, and then how it could ruin everything. A liberal dose of background information, interviews, jokes, and short comics is sprinkled throughout, keeping the science-sections from getting too dense.

Probably the coolest part of the book, for me at least, was how they were able to take turn some incredibly difficult science into an informative book that people would be able to understand and enjoy. The metaphors for the more complex bits of physics when they wrote about space elevators are clear and fun. The examples used to illustrate (literally and metaphorically) their points about space travel are easily grasped and, from what I understand, surprisingly accurate. Even the comics sprinkled throughout add to the reader’s understanding in addition to delivering quick jokes.

The biggest downside was how hard it is to read in large chunks. There’s so much interesting information packed into each Chapter that I haven’t actually read more than one a chapter in a single sitting. I usually wind up taking a break so I can digest what I’m learning and let it get comfortable in my brain before I start reading the next chapter. Which isn’t to say it’s poorly written. The Weinersmiths did a great job of making the entire book a delight to read and I’m excited to read each and every chapter. I just wound up reading only one chapter a day and starting another, much simpler, book to read after my daily chapter.

The other side of the problem is that I have a lot more interesting conversation topics now that I’ve learned so much about space elevators, interstellar mining, and programmable matter. While these things don’t come up very much in my typical day-to-day conversation, I’ve now got a lot of excellent ammunition for the next time my friends and I decide to drink and talk about how cool the future could be. I’ve already used some of what I’ve learned to start a discussion at work, during a meeting, since one of my coworkers used to work for an elevator company and a few others just love talking about future technology over lunch. This book is easily worth getting just for the conversations it starts.

My favorite part of the book, and what I consider to be the reason the book is so delightful to read, is the sheer enthusiasm the Weinersmiths pumped into Soonish. Even after a few years of research, writing, revising, and editing, you can still feel just how excited they must have been to learn about everything they covered in the book and there are even a few panels of comics in the book that show it plainly. If you follow Zach Weinersmith’s comic, SMBC, you can see a bunch of comics he wrote about it, scattered throughout the past year, showing just how enthusiastic he and his wife were. Reading a work of passion is always a much better experience than reading something someone felt forced to write.

I suggest picking up a copy of the book for your coffee table or library. It is on sale pretty much everywhere, right now, so I suggest getting it now while its cheap. Or later, when it’s less cheap. This book is easily worth thirty bucks.

Review: Stop Dragon My Chair Around

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I honestly can’t believe I didn’t hear of The Dragonbone Chair by Tad Williams until just last year. Well, I should say that I wasn’t really aware of it until last year. I’m pretty sure I’d heard mention of it before, I just didn’t really register it as something I should read, which is surprising. This book (and the subsequent two books in the trilogy) is actually quite famous in a lot of fantasy circles as it was one of the main inspirations for famous authors such as Patrick Rothfuss and George R.R. Martin, urging them to go ahead and write their own fantasy stories. A product of the late 70s and 80s, it followed on the tail of the Tolkien craze but took a firm step in a different direction.

While Tolkien’s works were an attempt to create a mythology for England, inspired by the Nordic cultures around England, The Dragonbone Chair is an adaption of the Arthurian tale mixed with a few popular and more-modern elements, such as politics, character development, and more swords. Everything is better with more swords, generally speaking. Armories, wars, training regimens, the list goes on and this book has them all!

The protagonist of the Dragonbone Chair is a simple kitchen scullion, Simon (or Seoman if you’re using his formal name) as he explores his castle home, rises to become the assistant to a doctor, and then is launched into the wider world by events beyond his control. Throughout it all, he acts exactly like the teenaged city boy he is. He loses track of time and has difficulties with his studies because he is too busy day-dreaming and trying to learn about great battles or magic. He struggles to survive in the wilderness as you’d expect, even though he has some basic survival skills. He is clumsy, but genuinely kind and manages to hold onto that quality as the story progresses and he encounters trouble after trouble.

Simon, and the other characters, are easily my favorite parts of this book. Simon is human, but so is everyone else in the story–even the non-humans. There is a wonderfully diverse cast–mostly in attitude as there are few female characters in this series (I’m pretty sure this book wouldn’t pass the Bechdel test). The main female character, Princess Mirimelle, is introduced later in the book, though she features rather heavily from there on. Mirimelle may make rash decisions just as Simon does, but she is much more deliberate in her choices. Her composure under pressure and in unfamiliar situations provides a calmer contrast to Simon’s more emotionally-driven actions.

All of the characters are wonderful, from the scholars to the soldiers, to the royalty. Every single one of them has their own motivations and goals, but the story does a wonderful job of weaving them all together despite that. Because most of the story is told from the perspective of a younger person, the first half has a pervasive sense that everyone but the protagonist knows exactly what they are doing. Thankfully, this illusion is swiftly dispelled as soon as you start to read chapters or sections from the perspective of other characters, not too far past the halfway point. All of them have their struggles, their failings, and their moments of doubt or weakness.

The biggest problem I had with the story was the pacing. There were a lot of wonderful characters to read about and a lot of very interesting information to take in, but it was actually difficult to sit down and read sometimes. Not because it wasn’t a fun or interesting story, but because there was just so much information imparted in the first third of the book. As short as the book is compared to the final volume in the trilogy, it felt like a much longer read because the pacing and information overload made me want to put it down after an hour so I could rest a bit.

There’s so much to discuss about the book that I’ve had to re-write this review four times to make sure I actually focused on reviewing it rather than geeking out over the mythology and how this story has influenced other stories that I love. I’d rather do that in person, over a beer or a cup of coffee, anyway. I suggest reading the book and then convincing other people you know to read it so you’ve got someone to discuss it with.

Song in the Silence: A Loud Endorsement

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“Song in the Silence” is the debut novel of Elizabeth Kerner, published in 1997, and the first novel in what eventually became a trilogy. There is a wonderful story captured in the pages, just waiting to be explored once you’ve managed to make your way past the stereotypically nineties cover art. I don’t know if I can say it was a unique story because my knowledge of female writers of fantasy from the nineties is sorely lacking (something I’m trying to change), but I can definitely say it had a much different tone from most other fantasy novels I’d read.

While the world doesn’t have the same kind of almost-human characterization some other fantasy novels go for, it still conveys a sense of breadth and depth to the readers. The bits of historical information Kerner provides to make the world feel real are worked into the flow of the story and they never feel like exposition or an information dump aside from one or two moments where a major historical event is shared with the protagonist so she understands the enormity of what’s going on. Even those moments feel a lot more natural than they otherwise might because they’re almost always delivered in the form of smaller stories told by one character to another. Though only a small portion of the world is shown through the course of the story, the introductory narration and the traveling the protagonist does firmly establishes a much larger world that you can feel hovering around the edges of the story as you read through it.

The mythology, which sets the stage for the main conflict of the novel and of the trilogy, is not entirely new though Kerner does a great job of breathing new life into it. The mythology plays into the trope of Dragons as beings of order and demons as beings of chaos, informing the ways the two groups interact with not only each other, but with the neutral humans who can, of course, pick either chaos or order. Which, in this story, means that humans can be good or evil, relying heavily on the cliché of order being good and chaos being evil. There is no way to avoid clichés entirely, nor is it necessary to do so, but this particular one has always felt like too much of an oversimplification to me. That being said,  I would call this particular cliche more of a pet-peeve than an actual issue in this case. Kerner’s story may lean heavily on the “human ability to be good or evil” idea, but the idea is used as less of a crutch and as more of a support beam. It is incorporated into the story as an important aspect of the story itself rather than used to prop up a weak philosophical concept a character is espousing. It turns from “chaos is evil and order is good” into “this person is evil and uses the power of chaos to act against order and good separately, in pursuit of their selfish goals.”

One of my favorite parts of the book is that every character in the novel could be you, your friends, or someone you’d meet at work. Unlike most fantasy characters, who I would not want to meet because they’d be insufferable, I would actually love to hang out with the people from this book. Maybe get a drink or a late brunch. They all have their flaws and they all tend to keep running into trouble as a result of them, but never in the same way. Some characters learn of others’ flaws and exploit them, young people are inexperienced and rather stupid, and the powerful are somewhat impulsive as a result of overconfidence. The protagonist, a young woman, falls into a few traps over the course of the novel because she is naive. She struggles with how to relate to some of the other characters because she learns of these huge gaps between her experience and theirs. The villain almost cackles over a steaming cauldron, but it is strongly implied that he’s gone insane at that point, as a result of all of the demon magic he uses. It feels a lot more natural because you can also imagine him cackling over a bowl of oatmeal or as he goes for a pleasant afternoon hike.

In direct opposition to the humanity of the characters (including the non-human ones), there was a rather heavy-handed romance subplot in this book. The protagonist and her love interest wind up in a relationship and loving each other not because they’ve gotten to know each other well and developed a relationship, but because they lay eyes on each other and begin to fall in love. There are prophecies mentioned here and there, as a part of the prophecies driving the major plot points of the trilogy, that make it seem like they were destined to love each other. After they’ve confessed their love for each other and had a soul-bonding moment, the relationship gets significantly more normal if you pretend they actually took their time getting to that point. I like the later depictions of the romance and their relationship better because it more closely matches the more human way most relationships in our world work.

I would recommend reading “Song in the Silence” if you want a book with interesting and real characters, a well-developed world that fits nicely into the “high fantasy” genre, an entire race of intelligent and rather “human” dragons, and don’t mind one of the major plot points being a Disney princess style romance that feels a bit shoehorned into the rest of the story. It is a rather quick read, though I recommend taking the time to pace yourself rather than attempting to devour it in one day. Though quick, it is still a bit too meaty for a single sitting.

 

NaNoWriMo Day 11 (11/11)

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I didn’t get much done last night. All of my effort and pushing caught up with me. Despite a steady influx of caffeine and a manageable but still significant amount of productive anxiety, I struggled to finish my cleaning chores. I had a lot, since I had been putting off cleaning my room for a very long time (a few weeks, at least), and I had piles of new books that needed to be sorted and shelved. Not to mention all the laundry and bird-dust that had accumulated. Cockatiels are lovely birds and can be quite companionable, but they don’t shed feathers so much as they just generate heavy dust and fluff. In only a few short weeks, they can coat any near surface in mausoleum-grade dust.

I did some writing though. Prepped my prompts, inspiration, and tips. Wrote a few hundred words. I’m still super far behind, though. I’m pretty sure that, by the end of the weekend, I’m supposed to be at 20,000 words. I’m at a little under 30% of that. If I did nothing but write for these two days, I could get there. But I’ve got plans. More D&D (and I actually get to PLAY this weekend! Not just run the game) and a Saturday just chock full of social engagements. At least, it’ll be full from some time in the afternoon onward. My plans are still rather loose at the moment.

I don’t mind that I’m going to have to work my ass off to finish in time. As I said during my book club meeting at work (and this is totally stolen from The Oatmeal’s “How to be Perfectly Unhappy”), I don’t need to be happy or feeling good. I need to feel challenged and fulfilled at the end of a project. I don’t do this because I enjoy every moment of the process. I’m exhausted. I’m not sleeping enough and my neck is just one giant rock of tense muscle. I definitely don’t enjoy the feelings of nagging obligation that keep me from my bed on cold, peaceful nights. I don’t do this because its fun, I do it because it makes me feel fulfilled.

It was nice to talk about my vocation at work today, to talk about what I care about more than almost anything and why I care about it. I was fully myself today with my coworkers, no longer the quite but steadfast worker who chimed in with a contribution every time the discussion began to stymie, but someone who had a commanding presence and spoke at length with a great deal of passion. It was also received very positively. I had a coworker remark that if I wrote nearly as well as I spoke, he was looking forward to the day that he’d be able to buy a copy of my book.

Throw in the blog comment I got yesterday (I love getting comments and talking to readers) and a comment I got from one of people in my support community and I’ll be riding this feeling of fulfillment for a week at least. As tired as I am, I feel more fired up and excited to write than I have since I came up with the idea for the support community.

 

Daily Prompt

One of the best ways to extol or even just show the features of a character is to set them up with a foil. If you’re not certain, a foil is a character that contrasts with another character and thus emphasizes particular characters or qualities. If your story has a solo protagonist, a good foil can be rival or a villain with whom they have a strong relationship or history. If you have multiple protagonists, a good foil would be another protagonist contrasting with them as a result of the situation they’re in together. Today, pick one of those types of foils (or both, if you’re feeling particularly ambitions) and write a scene that emphasizes your character.

 

Sharing Inspiration

Every so often, someone does something wonderful, weird, and down-right inspirational on the internet. One of my favorite instances of something like this is the YouTube video titled “Wazer Wifle!” It is a rap with accompanying music video made using footage and mods from a Fallout game about a gun from the same game.  It is super catchy, right up my weird and nerdy alley, and it shows that someone once cared enough about a game I like to make a music video and entire rap about it. It always reminds me that if someone could make something as popular as this, maybe I can as well.

 

Helpful Tips

Don’t be afraid to experiment with your set up if you’re struggling to stay focused or get through your daily word count. Once I figured out that candles help me focus (as a result of the fact that I used to use them in my meditation), I started buying large, unscented pillar candles so I can set them all over my room when I can’t focus. Then, I can turn off all the other lights and just exist in a warm cocoon of flickering light that matches the current f.lux setting of my monitors. There are other ways to experiment as well. Hemingway once said to “write drunk, edit sober” and, while I wouldn’t recommend doing that, I am also aware that I write my fastest when I’m half asleep and barely able to focus on the keyboard. Just try different things until you find what modifiers can help you do what.