I’ve always been interested in the way stories change as they are adapted from one form of media to another. For most of my life, the only examples I had were books to movies. I didn’t follow comics closely enough to really consider how comicbook characters were represented in superhero movies and TV shows, and I knew that most comicbooks had such varied, ever-renewed stories that adaptation was fairly open-ended. When the Lord of the Rings movies came out, I was given my first real chance to evaluate something I was familiar with as it moved from books to movies. I didn’t have the skills required to do it in a good, critical way when the first movie came out, but the movies remained a part of my life for long enough that I was still thinking about them and the books when I finally had the skills to do a thorough critical analysis.
Continue readingCritical
There’s an Old Black Train A-Comin’
I’ve rewatched Over The Garden Wall again. This time, I watched it with two of my siblings and got to enjoy the “I hate you but thank you” experience of introducing people to something they wind up loving. It was good to be able to enjoy things with people again, and then talk about it afterwards. I’m still looking for someone who has also listened to the latest season of Friends At The Table as well, so I can talk about trains, death metaphors, and near-death experiences, but I thought I could meet at least part of that need by reflecting on death in literature here.
Continue readingSaturday Morning Musing
I saw Avengers: Infinity War recently, with my girlfriend and my two roommates, and I’ve gotta say that my least favorite part of the movie was talking about it before and afterwards. Trying to actually engage in a debate about the timeline, what was likely to happen, what the movie’s actual events would mean in the long run, and how this all fit into the greater Marvel universe (which was the dumbest part of the discussion because the cinematic universe is 100% not the same uni/multiverse as the comics) was completely useless.
That isn’t to say that anyone was being stubborn, intransigent, or deliberately abstruse. No one was trying to be difficult and it was mostly just spirited debate for the most part. There were some difficulties, as there often are, because we all have very different ways of expressing our opinions that can sometimes make even the same opinion seem opposed to each other The main issue is that I can point out the problems of a movie or book without it impacting my ability to like or enjoy it.
I studied literary criticism in college, which means I have a hard time turning of the “critique” part of my brain, but it also means I was quite literally trained to be able to look at the flaws of a story and still be able to evaluate it without letting one or two faults cloud my judgment. I’d like to say that’s the only difference, but I know people who were in my classes who never quite figured out how to do that.
When I said there were problems with the timeline that the Marvel Cinematic Universe has previously released as a result of the movies they released after the timeline, one of my roommates immediately leapt to defend the MCU despite the fact that, as we eventually figured out, he agreed with me. To him, my statement implied that the timeline issues of the MCU made the whole series of movies problematic. In my mind, it meant exactly the words I said. It took us a couple of minutes to figure out that he’d added implications that I hadn’t intended and to settle into an uneasy moment of agreement following a couple minutes of disagreement, but this is a situation I’ve been in so many times I feel like I should start to expect it any time I have something critical to say about any popular book or movie.
I could provide a long list of the things that got messed up or where unnecessarily changed in the Lord of the Rings movies and let’s not even get me started on the pile of steaming issues that was the second and third movies in the Hobbit trilogy. There’s also a few issues I spotted in the Harry Potter books over the course of the last few years, as I’ve re-read them a couple of times. Hell, I can even find problematic things in even my favorite books. Any time I start to talk about them with most people, though, they immediately get defensive or start bashing whatever we’re talking about.
It starts to feel, sometimes, like people can only love or hate something and that, when they do this or react strangely to me pointing out issues in something I love, people are telling me I can only love or hate something. I dislike being told what to do or put inside a box at the best of times, but this whole thing grinds my gears because emotions and preferences are so much more complex than that. I can love something that I believe pointlessly frustrates me. I can dislike something that has elements I enjoy. Like the everything else in the world, appreciation for stories is made of shades of grey rather than just black and white.
The only thing that frustrates me more than this is people telling me I can’t like something because they think its dumb or people acting like their opinion means something definite. I have a person in my life who does this a lot and I have a hard time expressing my frustration about it because I get so annoyed when it happens that my response is almost always too extreme for the infraction. I know I should say something, but it’s really hard to be polite and have an earnest discussion about what someone likely doesn’t see as problematic when you’re fighting down the urge to be angry about it.
Tabletop Highlight: Critical Fails
Critical failures are some of my favorite parts of Dungeons & Dragons as a Dungeon Master. I don’t particularly enjoy my players failing at something because I generally want them to succeed, but it certainly opens the moment for some interesting improvisation on my part. A healthy dose of random interjection keeps even the mundane parts of a campaign from growing stale.
I’ve introduced new enemies, added a whole layer of complexity to my world, and even killed someone else instead of the person who just rolled three 1’s in a row. People really ought to be more careful when they’re shooting into melee combat, really. They also need to stop accidentally summoning Outsiders to the material plane, thereby ushering in the eventual collapse of the universe because Outsiders are pure entropy and cannot be killed because entropy can’t be killed without breaking every law of the universe. And then you have bigger issues than entropy.
Aside from attack rolls, there are a few other critical fails that can be a lot of fun. Catching something or throwing something is a stat check using dexterity. If a player rolls a critical fail on a toss or a catch, it can be a lot of fun to describe what got broken by the fumbled throw. My personal favorite strength check failure was the giant, manly barbarian getting a splinter from the door he was trying to break down and being unable to do anything until he got it removed. A close second was the drinking contest. The Dwarf was trying to bond with the half-goliath barkeeper and decided drinking copious amounts of alcohol was the best bet. The dwarf lost, of course, but the fun was in describing how he got blindingly drunk and accidentally drank the barwoman’s dishwater. He burped bubbles for forty-eight hours because he didn’t even fish the bar of soap out of it first.
For saving throw’s, the fails are often a little more catastrophic. Just last night, one of my players turned into a water-breathing creature so he could avoid drowning in the swamp (a crocodile had tried to drown him and failed). Since it was a bunch of still, disgusting water that he spent a while swimming around in without doing anything about his open wounds, I had rolled a secret save versus disease, just to see what would happen. He rolled a 1 and thus caught an ingested disease because he kept accidentally swallowing swamp water while trying to breathe it. Good times. Waking up blind is always a great way to start the day.
In less extreme circumstances, critical failures just make for great flavor. Have someone critically fail their save versus a magical attack like a fireball? Throw in a comedic moment where they miscalculate and take cover behind something that’s just going to make the explosion worse, like a source of tinder or something easily flammable. Crit failing their Reflex save to avoid a trap? Have them dive the wrong way or have them just leap straight up in the air. Crit failing their Will save to see through illusion? Have them enthusiastically participate in the illusion. The possibilities are endless if you’re quick on your feet.
Past experience has taught me that there’s an important line to walk as a DM between throwing in extra penalties for critical failures and just adding flavor. If the moment is super tense and everything rides on this moment, be wary of adding flavor. If everyone is caught up, they likely have their own mental images of what is going on, so you want generic details that will meld with whatever they’re seeing. Penalties make this easier as you’re adding a new aspect to the image rather than changing something existing, and you can always add flavor on top of a penalty. If someone just failed something very routine, penalties can cause the session to drag, so extra flavor is usually the way to go unless you have something important hinging on this routine task.
The great thing about being a DM is realizing that all rules are situational and that you are the ultimate arbiter of what is right when you’re running a session. Figure out how you like to use critical fails and hope you get enough opportunities to put them to use. All that really matters at the end of the day is that everyone is having fun, whatever form that takes.