Yesterday, while writing about The Stanley Parable, I kind of did a small lie-by-omission type thing. I left out that I’d just recently played through Davey Wreden’s other game, The Beginner’s Guide, and that playing that game gave me a lot to think about in regards to the first game. I’ll be straight with you: this post is going to contain “spoilers” for The Beginner’s Guide, but that’s also a bit of a weird game, so the word “spoilers” feels like it implies more than it does. After all, while undeniably a game, The Beginner’s Guide doesn’t really have the sort of narrative play or inversion that The Stanley Parable did. It’s basically just a straight-forward story that you’re walking your way through a bit at a time. Except it’s not really straight-forward. There’s a bit of a twist to the story you’re being told. Your first hints of it arrive pretty early on. There’s only a scattered few, but with the rise of social media discourse being what it has been, I feel like modern audiences are maybe a bit more keyed into what’s going on underneath the narrator’s story. The rest, though, arrive in a torrent later on and fully reveal the twist if you haven’t figured it out already. It’s an interesting story to hear through the layers, from hearing what the in-game “Davey Wreden” says to you, to reading what the object of the “Davey Wreden’s” parasocial affection is writing to “Davey,” to thinking about what all of this might have meant to the out-of-game Davey Wreden, to finally thinking about what it means to me as a person who played Davey’s games and really likes to dig into this stuff with a critical and analytical lens.