We’ve officially had session 0 for my new Dungeons and Dragons campaign. Demigods and Dragons? Dungeons and Demigods? Anachronistic Mythology? I don’t know what I’m going to call it yet [I figured it out by the time of publication and it’s in the title of this post now], but it’ll have the word “Demigods” in the title because that’s an integral part of the concept. Probably, anyway. The longer I think about it, the more ideas I come up that don’t use the word, but I’ll definitely keeping tagging the posts I write about this campaign with the word, so at least I’ll be organized still. I thought for a while about doing something with “Scattered Divinity” or “Inherited Divinity” to emphasive how everyone was playing children of gods, but then one of my players wanted to play a mortal raised to demigodhood, so I had to toss out most of those titles since that character doesn’t really fit with that theme and it is important not to misrepresent something as important as the source of everyone’s powers. That’s kind of a big deal, you know? All of the campaign ideas I’ve got for this general concept involve that in the later stages at the very least. For some, it’s an important part of every major arc of the campaign. I still need to solidify what direction I want to go in, though, so that clarity will come in the future. For now, it is enough that everyone has a divine parent or patron, character concepts and connections, and a rough draft of their character sheet. That’s what I needed most of all during our session 0 and I managed to get through it all by the two-hour mark when one of the players had to leave.
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The Draw Of Greek Mythology In My “Demigods” Campaign
As I’ve slowly gotten my players working on their characters, gods, and religions for our upcoming session zero, I’ve watched as every single one of them has turned to exclusively Ancient Greek Mythology for their frame of reference. Some have even just pulled from it directly. This isn’t a criticism, mind you. Given my own familiarity with ancient Greek mythology, the touchstone of the Percy Jackson series, and the sort of cultural space that ancient Greek mythology holds in the US, it really makes sense that people would gravitate towards this as their first point of reference. A few of them are taking it further, of course, starting at an ancient Greek god or an idea inspired by an ancient Greek god and then departing from that point of commonality, but not a single one of them even went with a known Dungeons and Dragons god of any pantheon (which also includes the ancient Greek gods, I believe, but that doesn’t count). Again, I’m not super surprised this happened, but I am now left facing the problem of how to continue developing this pantheon and world without getting too caught in the various trappings of ancient Greek mythology. I mean, that’s fecund ground to work from, but there’s a little too much rape and misery for the kind of game I’m hoping to run. I want things to be taken seriously, I want threats to have meaning, and I want my players to struggle with the power balance of the world they’re in, but I don’t want to do that by relying on the horrible yet pervasive tropes present in most of ancient Greek (and Roman) mythology.
Continue readingDeveloping Touchstones For Something New
One of the strongest aspects of the campaign I’m starting up to run in place of The Magical Millennium (which I wrote about yesterday) is the feeling of it I had in my head. Sure, I could talk about the core themes and how I imagined the general story of such a game might play out, but it’s a lot easier to build a set of touchstones I can refer to in order to indicate specific things about the game. These often come up in tabletop games, at the individual campaign level or at the ruleset level for games that are seeking to convey a particular feeling no matter the specifics of the game. For instance, one of my favorite games that I’ve never played (though I hope to change that eventually) is Beam Saber and the rulebook starts out with a bunch of references to various mecha anime to use as a touchstone. The general purpose of a list of touchstones like this is to get as many people as possible some idea of what the game being played should feel like. Beam Saber is a game about struggling to live during a massive galactic war that you can’t hope to influence, with an emphasis on either coming together or doing what you must to eventually get out alive, so all of the anime the referenced point in that general direction. It’s a good way for specific genre games to indicate what part of the genre the game is emulating. At the campaign level, it tends to get more specific about aspects of the particular continuity of a game that you’re playing through. Typically, I tend to start out with strong ideas that don’t necessarily need touchstones, images to help paint a picture of the world, some music if I’ve had the time to figure it out, and also some of my own writing if I’ve had the time and energy to put towards it.
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