The Dumbest Part of Breath of the Wild

I’ve been putting off doing the last piece of DLC for Breath of the Wild for a few months now. I wanted to do it in my Hard Mode play-through, since that’s the one I plan to eventually 100% complete and I wanted to have all of the shrines and inventory expansions done before then so I could just saunter my way through the DLC. Having finally done all of that, and having finally sauntered through the DLC aside from a rather long hiccup on a spike-focused shrine on the plateau, I kinda wish I hadn’t.

The extra memories the second major DLC added were wonderful. I loved learning more about each of the champions and seeing different sides of them. I enjoyed reading their journals and talking to people who revered them. Even the most annoying, asshole of a champion, Revali (an egotistical, grandiose Rito who wanted nothing to do with Link and who was convinced he could save the world on his own) was redeemed once I got to know him a little more. His behavior and bravado made sense and his frustration with Link became clear.

The shrines were a ton of fun, aside from the aforementioned spike shrine. I died more times in that shrine than I did during the rest of the game put together. Being reduced to a quarter of a heart and then forced to run through a maze full of spikes that kill you if you so much as miss-step even once. There were a few weird moments where Link did the Assassin’s Creed style of pathing: he refused to just go straight and instead followed a different game mechanic to do some weird jump off to the side and away from where you’re going in such a way that you cannot recover without basically starting over again. There was a thing I should have been able to just climb up that Link not only failed to climb up five times in a row, but ran along it in such a way that he immediately fell to his death. It was frustrating.

The final boss and the new dungeon were a ton of fun, even if the final boss was annoying on account of its weird mechanics. I managed anyway, because I had an inventory full of weapons and I just kept throwing them at it. My roommate, who had already completed the DLC on his file, gave me a bunch of shit for opting to take the simple, inelegant solution for beating the boss but I was ready to just be done and discover what my reward way.

It was a fucking motorcycle. And not even an amazing motorcycle. Sure, it’s pretty fast, but it turns super slowly, bounces all over the place, loses momentum randomly, and generally sucks as a way to get around a large area. If horses aren’t available, it is definitely faster than walking, but neither horses nor Link’s legs randomly glitch when encountering certain terrain features like mild bumps or stairs. Furthermore, you have to fuel the motorcycle by getting off of it, grabbing a bunch of junk from your inventory, and then placing it into the motorcycle’s tank. Sure, I’ve got enough junk to keep it full no matter how much I use it, but it is rather annoying to need to stop the motorcycle and refuel it seeing as I might be using it to run from a monster or chase down a star fragment.

Honestly, I’m rather frustrated that the reward for all of the shrines and extra content from the DLC was this motorcycle. I doubt I’ll ever use it and now the joy of further information about the champions has been permanently tainted. I would still recommend playing through the DLC to learn about the champions, but make sure to rein in your expectations and don’t expect much for finishing the DLC.

A Breath of Joy and Light in the Dark

In two days from today, on Friday the 30th of June, Nintendo is releasing the first segment of the DLC for their latest smash-hit Legend of Zelda game: Breath of the Wild. This bit of post-release content is going to add quite a few wonderful features to this already amazing game. The one I’m looking forward to the most is the map tracker. Finally, there will be a way to tell which parts of the map I’ve never actually been too. It, and the Korok Mask (that rattles when you near an undiscovered Korok), are what are finally going to let me find the other 100 or so Koroks I need to finish upgrading my inventory.

At a very close second comes Hard Mode. Basically, it’s going to let me replay the entire game with tougher enemies (every enemy has been replaced with a one-tier tougher copy and the maximum tier has been raised) and a few twists. The only twist they really detail is that now there will be little floating platforms with enemies and chests on them. I really can’t wait to see how it all plays out.

Other than those two things, there are some outfits and a challenge mode they call “Trial of the Sword” that will get you a stronger Master Sword. Nintendo has done a pretty good job of outlining the DLC and driving hype for it. I know I can’t wait.

A project I mentioned in a blog post a few months ago, after I finished my initial play-through of the game, will be starting sometime this weekend. I’ve taken to calling it a “Naked and Afraid” run-through. The rules I’ve set include no armor other than hats, a new fire must be lit every 5 minutes or so, as long as there is flammable material around, and I must provide a running monologue of poor Link’s thoughts as he runs from everything, dies ignobly, and does his best to ward off foes in nothing but a hat and his shorts. I intend to stream it via my Twitch channel this weekend. Maybe on Monday, the 3rd, since I have the day off.

I am admittedly very fond of this idea because it juxtaposes quite nicely with the themes of the game. In the game, you are a warrior awakening 100 years after you nearly died, your land in ruins, your people scattered, and the woman you swore to protect the only remaining barrier between the evil scourge you must someday face and the final destruction of the world. So you run around screaming like a small, excited child wearing nothing but a hat and your boxers.

When I first played the game, it was rather depressing. You wander through a world destroyed long ago with a quiet, melancholy sound track fading in and out of the background to selectively emphasize the horror and sadness around you. One of the first places you find is a room that matches the iconic meeting between Link and Zelda in Ocarina of Time. In this game, it lies in ruins. Windows shattered, walls toppled, and serenity destroyed. All that remains of that memory is a quiet thread woven into the game’s theme, a slight change in the melody that plays Zelda’s Lullaby throughout the time you’re in or near it.

I won’t spoil what you find there, but Makar Island was the biggest blow to me. I remember playing Wind Waker and always enjoyed the little Korok named Makar, that you save from evil in your second dungeon and that you assist in bringing back the Master Sword’s power. Makar’s Island lies to the west of Hyrule Castle. I suggest checking it out.

The whole game is full of these moments. Sad little references to past games and people you’ve met throughout the years of playing Legend of Zelda games. All of it placed through this game to drive home that point that, yes, Good will eventually triumph over Evil, but you failed to keep it at bay and now it is impossible to return to the life you knew before. Nothing can ever be the same again.

I know they were working on the game for years, long before the current political climate in the US and most European countries reared its ugly head, but it really feels like the game was meant to come out now, to serve as another reminder that we need to keep fighting so we can salvage whatever we have left, even if we’ve already lost a lot.

That’s a lot of heavy themes for a game. I guess that’s why I want to do my silly play-through. Not to mock the severity and solemnity of the game, but to stick truthfully to my ideal that laughter and joy are our best defenses against this kind of evil and darkness. The DLC hits the internet Friday and my stream will hit it sometime shortly thereafter, so come laugh as I make an idiot of myself and one of my favorite protagonists so we can have some fun and fight off the gloom that threatens to swallow us whole.