The Mightiest Creatures Wandering Dragon Age: Inquisition Were No Match For My Blade

In the almost-week since my last Dragon Age: Inquisition post, I’ve put in a significant number of hours, made exactly one step forward in plot, gotten swamped by the newly available huge maps, chosen a mage specialization, and killed six dragons, two of them almost single-handedly. It’s been a wild few days of gaming and I have to say that, while I’m definitely still struggling to feel like I’m having fun with the world exploration stuff, I am absolutely loving combat as I’ve locked into a fun build that, as it turns out, is VERY popular on the internet due to its huge damage and nigh-invincibility. Sure, there’s a necromancer build that CAN do more damage, according to the forums and posts I’ve looked at, but playing a Knight-Enchanter Mage with gear that grants my character, Echo, guard on each hit means that I’m pretty much always invincible. I can count on one hand the number of times I’ve taken actual HP damage (excluding the times I’ve jumped off of something I shouldn’t have because I was too impatient to walk around after fast-traveling) since I locked in my build on Sunday (nine days ago as you’re reading this), and I’ve beaten down two dragons that were three levels higher than my Inquisitor after the entire rest of my party stood in an AOE and instantly died. Sure, they were grueling and lengthy fights, especially the one against a dragon that had a huge amount of resistance to the damage type of Echo’s staff, but I was able to work my way through the entire dragon, including one that kept giving itself a full bar of guard, without ever one taking a hit to my Hit Points. It was exhilarating to discover that I could do this and then pretty boring to just keep up the same sequence of abilities for the next twenty minutes. The other four dragon fights, though, where most of my party survived or didn’t fall until the end of a grueling fight, were a lot more fun.

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Rolling With The Unexpected As A GM

During a recent D&D game I got to play in (it’s the wrap-up of another campaign that some of my friends used to play in years ago that needed another player to round things out as they try to bring it to an end this year), things went a little off the rails. I’ll claim some responsibility in starting the process since I decided to act in a situation that the other players didn’t seem inclined to and wound up preventing a bad guy from magically escaping. Sure, this meant that we got to show the entire city that they were being ruled by a terrifying Adult Red Dragon, but that also meant that we were stuck in a room with an angry Adult Red Dragon and a ton of bystanders who had no hope of surviving an attack from him. It was rough, seeing half of those people die as the party of intrepid adventurers tried to intervene against some of the named and known unsavory NPCs at the ball we were all attending, but we forced a dragon (the leader and ally of the aforementioned NPCs) to reveal himself and set up an interesting situation that we’d need to flee. Only, when it came time to run, the battle immediately turned sideways. This sudden shift was only made possible by a series of moments that, individually, seemed largely unremarkable, but ultimately ended with one of our group knocking the dragon unconscious before a Contingency spell zipped him away from us. Which, needless to say, really knocked the plot and session plans (current and future) asunder. I wound up talking to the DM afterwards (he is one of my dearest friends and a brother to me, along with being my longest-running tabletop game player), about how these kinds of things happen, the choices we make as GMs, and how to live with what happens after the fact (we wound up branching pretty far in our conversation, as we often do, since he’s also been around pretty much every time something similar happened to me).

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NaNoWriMo Day 25 (11/25)

Well, I actually got a lot done yesterday. Not as much as I toyed with doing (I seriously considered throwing caution to the wind and trying to finish the entire 50,000 this weekend by doing about 10,000 a day), but still a comfortable amount. I’ve got to repeat it again today and then again tomorrow if I want to be caught up, but I think I can manage it since I spent a lot of time taking breaks yesterday and didn’t really get started until after 2pm. I’ve got a busy middle of my day today, with a few social engagements, but my morning and my evening are clear, so I should be able to get my writing done in good time.

It feels really great to have a taste of what my life might be like if I were a full-time writer. If I got paid for my novels and brought it enough to make ends meet so that I didn’t need another job, I’d probably be able to get 6,000 to 10,000 words written a day one writing days and then maybe about three to six times that done on editing days, depending on the depth of the editing and how much re-writing needs to get done. That would be amazing. I would love to live like that. Maybe, just maybe, I’ll be able to do that sometime in the next decade. Nothing would make me happier.

That isn’t to say there aren’t other things I want out of life, but none of them mutually exclusive. Teaching writing would be fun, but I don’t know if I’ve got it in me to do that every day for the rest of my working life. It’d be more fun to do a workshop or two every so often. A strong, long-term relationship would also be wonderful, but that shouldn’t impact my day-to-day work if I can actually support a life with my writing. A nice house would only make it easier since I wouldn’t need to have so many distractions in my room, where I’m trying to work. Travel would get in the way from time to time, but everyone needs a vacation.

The future can be fun to think about, but it looks so different my present that it can be hard to imagine the path that connects the two. There are a lot of little compromises in life and, despite what a lot of art, stories, and movies tell us, not all compromises are bad ones. I wouldn’t mind giving up the imaginary future office in my imaginary future house for one rented in an office park. I wouldn’t mind giving up the imaginary future travel for a leaner lifestyle if I don’t make enough from my books. There’s a lot I’m willing to make changes to as long as I get to write. That’s all I really need. I don’t even need to support myself on that so long as my job provides me enough income to spend my free time writing. I want to tell stories. As long as I can do that, I’ll be fulfilled.

 

Daily Prompt

While we like to believe our characters are the main actors in their lives, sometimes they get swept up in events. It can be a lot of fun for them or something really awful. Getting swept up in a parade can be fun, as can being swept up in a group of fun people going bar-hopping, but getting swept up in a drug bust or a riot is a lot less fun. Additionally, instead of being swept up in crowds or groups, they can get swept in events. Maybe they were a witness to a crime and wind up getting carried along in what happens or maybe someone throws them a party and they wind up being carried along by someone else’s plan. Heck, maybe they literally get picked up and carried along by people celebrating them or they get kidnapped. For today, write at scene in which your character gets carried along with something.

 

Sharing Inspiration

Today’s inspiration is my favorite movie, How to Train Your Dragon. While the adaption from the original texts is not even close to accurate, I feel like the movie nevertheless possesses its own unique charm and should be considered separately from the children’s books. The movie has an amazing score that I love to turn on while I write and all of the characters feel so human. Even the titular dragon feels so incredibly well-developed and human despite being modeled after a cat. All the dragons were modeled after cats. Its amazing. They’re all large, scaly, winged cats that just wanna be your friend if you’d just stop trying to kill them. The development of the protagonist from a scrawny weakling with a large brain to a scrawny weakling with a large brain and leadership qualities isn’t super novel or unique, but the movie definitely makes you feel good about yourself and about things in general as a result of that development. I’d say it’s definitely worth a watch or two. It’s easily one of DreamWorks’ better movies of the past decade.

 

Helpful Tips

Like yesterday’s tip, today’s has to do with marathon writing sessions. If you aren’t very good at sticking to a time schedule because of restlessness or you’ve got things you need to do during your day beyond just writing all day, try using word amounts to set your breaks instead of times. This only works if your to-do list doesn’t have specific times associated with its tasks, but it can be a lot easier to manage because you won’t be constantly checking the time. It can also help you feel less like you’re wasting time because a mini-break that winds up taking half an hour doesn’t change your big break time. If your mini break is every 100 words, then you’ve still got another few hundred to go until your big break.

I like to break mine into 1,000 word segments. If I’m just trying to 1,000 words out instead of focusing on time, I can usually get 1,000 words written in about half an hour if I actually stay on task rather than get distracted during my quick 250 word breaks. Otherwise, it takes about 45 minutes. And I use my bigger breaks for things like getting a new cup of tea or filling my water bottle or having my early evening energy drink. It works really well if you have a concrete goal, can count-down your progress, can’t “make progress” by accidentally wasting time, and have a reward you genuinely want at the end of the road. This is my preferred method for writing marathons.