In this latest session of my “The Rotten Labyrinth” Dungeons and Dragons campaign, we kept things pretty short. My players tried to revisit a magical source of treasure, one of the player characters sulked instead, the party continued to roll horribly enough that they blundered into a few traps, they found two new sources of treasure, decided that chopping through a wall was a better idea than looking for secret doors in a move that would eventually be revealed to be much less expedient than they thought it would be, and discovered that sometimes the dungeon giveth danger disguised as magic items. One of my players also joked about keeping track of how much damage they’ve taken after chugging what turned out to be a potion of poison rather than a potion of healing and having their character knocked unconscious for the second time that hour despite starting the hour at full hp. All of which happened in just about two real hours because one of the players had to leave early and, following the interrupted night’s rest (the encounter with the strange memory-stealing ooze), the rest of the party decided to just call it a day after their trapfinder and healer got knocked out twice in maybe an hour of exploration. Which gave me the opportunity to give them their next level-up, courtesy of surviving so many nasty encounters, and now we’re primed to start the next session fully rested and with an unknown group approaching from outside the labyrinth.
Continue readingExploration
The Rotten Labyrinth Reveals It’s Greatest Secret Thus Far: Steve, The (Not So) Little Guy
Sometimes, you build a little something for yourself into one of your games. A silly little thing. Something fun, perhaps even just for you, to keep things interesting and provide the opportunity for some levity. Sometimes that’s a fun little NPC, sometimes it’s a stupid pun you’re building towards, sometimes it’s a situation meant to catch your players off-guard, and sometimes it’s all three of those things at once. In my most-recent session with The Rotten Labyrnith, we talked as a group to get on the same page, in-character and out, about what to do with the player character who had been petrified in the session prior. After that, the party set out to continue exploring the labyrinth keeping in mind their stated hope of finding a cure for their petrified ally and ran into the player’s (potentially temporary) replacement character. Shortly after that, and what felt like an awful lot of distrust for some random guy who ran out of a deeper part of the labyrinth in a panic (distrust they didn’t extend to the wereboar barbarian who showed up, immediately transformed, and attacked them), the party carried on, found some more stuff, and ran into a strange figure crouched in a little, half-hidden corner of the part of the maze they were exploring. Just as things started to progress in talks with this oddly long goblin (who had the most “little guy” energy I could muster), my building’s fire alarm went off and I had to evacuate, cutting the session short and bringing our play to an end without me getting to deliver the joke I’d been building towards. I wound up sending it in the text chat once I was outside and knew what was going on, but it just wasn’t the same.
Continue readingComedy Gold Before Disaster In The Rotten Labyrinth
It took a little while, but we finally had another session of The Rotten Labyrinth. This session included none of the original players from the campaign since they were all busy with other things, but I’m trying to find ways to have these games happen more often than we skip them, so I ran with half the crew and figured that would be good enough. Which it was! I had to tweak a couple encounters a bit to suit the group, but I was able to do that without too much of a problem. It’s much easier than usual, given how many of them have similar defense and hit point values and how even the “weakest” among them is still pretty tough. And they’re all level two now, so I could go a bit harder on them without as much of a concern. Which I should be doing anyway, considering that they opted for the high-risk, high-reward entrance to the labyrinth. So, with just three players, they set out to fill in more of the map, ran into some traps, got some cool loot, literally disarmed a trap, and then fought a single creature that wound up giving them all a rougher time than I expected. Technically, everyone is still alive. At least so far as most people would define “alive” even if there’s some room for interpretation. That said, we all had a lot of fun, were frequently busting up as a joke made it through the entire session while still being funny, and even the unfortunate events of that final fight weren’t enough to dampen the group’s spirits.
Continue readingTurns Out I Wasn’t Burned Out On Final Fantasy 7: Rebirth
After two weeks of struggling to even force myself to play Final Fantasy 7: Rebirth (much less WANT to play it) amidst a burst of burnout, depression, and other pastimes that needed my attention more immediately, I’ve finally figured out why I’ve been avoiding it. In retrospect, I think the main reason it took me this long was because I was up to my waist in denial, and the rest of it is made up of my general patience, my habit of having a podcast to listen to when there’s not much going on in terms of audio, and my genuine love of Final Fantasy 7: Remake. It is difficult to see clearly past all of those blinding or rose-colored filters. But now I have and I can firmly say that the reason I’ve been struggling to play Rebirth is because the open world is boring and empty. Sure, there’s lots of little collectibles, but having junk to pick up doesn’t make the world feel any less empty. It actually makes it feel even more empty most of the time, especially when I have to wander further and further afield to get all of the random junk I need to craft my own items since the people who made the game decided it would be better to fill your inventory with junk than to just give you chests with items in them. And it’s not like you can just keep collecting this stuff so that you never run out. No. You can have ninety-nine of something and then you can’t pick up any more, which sucks because this is your main avenue for collecting potions and items. You have to craft all this crap, mix up weird combo items, and make sure you’re leveling up your item crafter device so you can make level-appropriate items. It’s a whole-ass crafting system created for the sole purpose of filling this empty world and all it has accomplished is to draw attention to the fact that the world is pointlessly massive.
Continue readingBecoming a World Traveler In Dragon’s Dogma
For what feels like a year now, I’ve been working my way through Dragon’s Dogma. I tend to play in bursts, usually doing nothing else for a weekend or for a few week nights in a row, and then moving on to somehting else for a while. Most of the time, I wind up getting distracted by a new game that feels more urgent than the relatively ancient Dragon’s Dogma which doesn’t even have a release year for its sequel. One time, I got frustrated with a bug and losing three quarters of an hour of inventory management, so I set it aside long enough that I forgot what had caused the bug in the first place and promptly ran into it again when I went back. I’d saved more recently, this time, so it was easier to fix the problem, but it did keep me from diving too deeply into the game that round. The past couple weeks, though, as I try to save some of my recently acquired Switch games for my impending trip, I’ve focused more of my time on Dragon’s Dogma and discovered that the real reason I stop playing most days is because it takes so damn long to get anywhere.
Continue readingI’m Tired and Sad, So Let’s Talk About The Legend of Zelda: Episode 20
I cracked the Breath of the Wild open (metaphorically speaking) for the first time in a while. I was at the end of a very tiring day, I was excited about the recently released trailer, and I just wanted to provide myself with a little comfort. I figured at least thinking about Breath of the Wild would be relaxing, since I love to just wander around the world, doing whatever catches my attention. As I loaded my most recent save file, I was reminded that I hadn’t finish my most-recent play-through of Master Mode. I don’t remember why I stopped, though I suspect I just got distracted by another game (since that’s why I usually stop playing something), but I realized I still had a long way to go before I was finished with that run. I closed the game shortly after that. I felt more inclined to start the Master Mode file over than continue it, but I also knew I wasn’t really in the right place to make that decision, then. Playing the game all the way through is a big committment and I needed rest, not another item on my to-do list.
Continue readingI’m Tired and Sad, So Let’s Talk About The Legend of Zelda: Episode 15
Things have been rough lately. I’ve made some personal gains, but it frequently feels like the world is crumbling around us as violence, hatred, and complicit indifference take center stage to the exclusion of mere decency and tolerance. I don’t have a quick answer to those problems, I don’t have the ability to make great change by myself, and I can barely get past my own anger and trauma enough to work on taking what are (in my opinion) the bare minimum steps a decent person can take in response to the world we find ourself in. What I can do, though, is provide a small escape. So today, when I’m tired and sad because of the world we find ourselves in, let’s talk about the power of the horizon in The Legend of Zelda: Breath of the Wild.
Continue readingOpen-World Situation Building In Dungeons & Dragons
After nearly two months, I got to run my Sunday night Dungeons and Dragons campaign again. After side-sessions, many missed sessions, and a whole lot of tumult in everyone’s life, we were able to gather again and return to the dark fantasy and mild horror stylings of the world I’d spent over a year slowly developing. I had fun, my players had fun, there was a lot of lucky rolls, the player characters survived a lot of nasty damage, there were some clutch reactions and actions, and only one player character died in a boss battle they were absolutely unprepared for! That’s the danger of open-world scenarios, you know. You can accidentally wander into the desecrated temple to the not-evil gods right as a priest of what is essentially malicious entropy completes a ritual that temporarily grants him a huge deal of power in a side-realm. All without any of the information that contextualizes any of that so even when you do win, you’re not sure if it matters or not, or even how to do anything as a result.
Continue readingThe Power of Infrastructure!
One of the things I enjoy most about Valheim is the simple truth that infrastructure is the key to the development of society. It might be a wild thing to say about a video game marketed as a viking-esque survival game with combat and a space program, but it’s a simple truth about any world that has location-specific resources. Infrastructure exists on some level in most survival and collection games, but it is usually fairly basic or a natural part of exploration. For instance, most infrastructure in a game like Minecraft is limited to base building, marking places you’ve explored, and creating access points to resource nodes. While a lot of this changes around in larger scale multiplayer scenarios, valheim is so far the only survival game I’ve ever played where creating infrastructure is not required but is incredibly beneficial.
Continue readingUnEpic Was the Opposite of Mundane
Do you like RPGs? Do you like the idea of having a fully customizable character you can turn into a super-specialist or a jack of all trades without having to sacrifice character effectiveness? Do you like Fantasy that is aware of the typical tropes and has a delightful mixture of falling in line with said tropes and standing them on their heads, both in such a way that it makes even the most tired trope feel fun an exciting? Do you like all of those things and side-scroll action, too (AKA, a “Metroidvania” style game)? If you answered yes to all of these questions or found the potential combination of them intriguing, then I have a game for you to try out!
UnEpic is all of those things and more. It is a side-scrolling RPG starring Daniel (at least, that’s the name he gets in the promo materials, you get to name your character when you start the game but that’s mostly for save file reference), a typical video gamer who got transported into the game when he went to the bathroom during one of his first ever tabletop gaming sessions. He finds himself in a castle and, deciding someone must have slipped something into his drink or food, decides that he’s hallucinating so blithely wanderings further into the castle. After a few rooms, he happens upon an evil spirit (AKA Zera) that tries to possess him, but it fails to do anything more than get stuck in his body. As he moves deeper into the castle, slowly becoming convinced he’s not hallucinating, he eventually figures out what he needs to do in order to get home. As he does, there are a number of humorous scenes as he and the dark spirit sharing his body try to trick each other. Daniel wants help navigating the castle and the spirit wants to kill him so it can leave his body and inhabit another that it can actually control. Daniel usually comes out on top since, ultimately, it is up to the player to decide whether or not to follow the Spirit’s advice, and the spirit is initially only trying to get Daniel killed. As the game goes on, the Spirit starts mixing in actual help with the incorrect instructions, making it much more difficult to figure out what is good advice and what isn’t.
As he explores the castle and learns more about what it’s going to take to get him home (and it’s fairly early that he learns he has to defeat the lord of the castle), he find money, items or gear, and magic to help him on his way. A lot of it is fairly typical fantasy fare, stuff like swords, bows, heavy armor, and more specifically named stuff like “Tunic of the Ranger” that makes you better at using bows and even unique stuff like Excalibur and an axe you get for, uh, helping out Goblins during mating season. Did I mention this game requires you to enter your age when you navigate to its page in Steam? Definitely not a game for young children, what with the references to sex, alcohol, and drugs. Fun fact, it’s also on the Switch now and plays even better on the handheld, wide-screen glory that is the Switch than it did on the computer.
Anyway. As Daniel explores the castle, he discovers he needs to defeat the lord of the castle and, in order to do so, must free 8 light spirits from their prisons. From there, it’s all finding keys, exploring secret rooms, trying not to get murdered by traps, and finding the right gear so you can kick as much ass as possible while trying to figure out how to make it through rooms that randomly drop rocks on your head and through dungeons where every door you find is locked by a key that isn’t the one you just picked up. For the most part, in terms of gameplay, it’s nothing special. It’s fun, light-hearted take on dungeon delving is what makes it stand out. There are games with smoother controls, more intuitive interfaces, better layouts, and better levels, but this one hits the “satirizing fantasy” niche better than most similar games I’ve ever played.
The protagonist’s video gamer roots show in the way he tries to address his problems and the game’s mechanics catch him and any similar players off guard when it starts to introduce a lot of rules more commonly associated with tabletop games like Dungeons and Dragons. For instance, skeletons take (slightly) reduced damage from swords and spears, but extra damage from blunter weapons like maces or clubs. Bows require targeting for enemies that aren’t straight in front of you, which can be a little frustrating because you might have to cycle through available targets before getting to the one you want, but the fact that you can miss a slug crawling across the ground when firing straight ahead is the first real evidence you get of the game’s excellent hit-box management. Never will you take a hit you feel you shouldn’t have taken and never will you hit something unless you see your weapon enter into the enemy’s model. It can be incredibly risky to use a close-range melee weapon since that requires getting within striking distance of most of the enemies in the game, but they usually do more damage and have better bonuses or stats than spears and bows.
It’s a fun game with relatively simple mechanics that don’t take long to pick up and really start to flow smoothly once you get used to swapping between items in your shortcut menus and rapidly targeting enemies with ranged attacks while avoiding the enemies closing in on you in melee. It even has a ton of fun little references to other games and media liberally sprinkled throughout. Some of them have been a little obfuscated in the Steam and Switch versions (the only versions I’ve played, but I read a few articles about it while trying to figure out if the spirit’s original name was a reference to something) for copyright reasons, but most of them are still there. There’s even one a few minutes into the game, when you fight your first enemy. I won’t spoil it, but it really sets the tone of the game.
If you’ve got ten bucks (or less, if you get it during a Steam sale event) burning a hole in your pocket and want several hours of relaxing dungeon exploration, I recommend checking out UnEpic. It’s not going to blow your mind, reveal the secrets of the cosmos as they relate to your inner-most heart, or make you acknowledge the secrets hidden deep inside that you won’t even admit you’re hiding to yourself (we’ll leave that to Celeste), but you’ll have a good time as long as you don’t mind a bit of a bratty protagonist who keeps getting shown up by the evil spirit possessing him.