Intrigue

Oathbringer is Breaking the Pattern.

Chris Leave a comment

I really enjoy Brandon Sanderson’s writing. I haven’t yet read even half of what he’s written, but I discovered him through his completion of the Wheel of Time series and have been a fan ever since. While my enjoyment of his writing hasn’t quite reached the level of my love for Terry Pratchett or Patrick Rothfuss, I would still rank him among my favorite authors. My love of Pratchett and Rothfuss comes as a result of their craft and their characters while my love of Sanderson’s writing comes from the interesting and different worlds he has created. When I first started reading his Stormlight Archive series, I was instantly hooked on the way his world differed from our own. All of the creatures and the lands were different because of the enormous storms that visited most of the world, so everything either had some kind of rocky shell or carapace to protect it from the storms and weather.

While he doesn’t do as much world-building as he did in the first book, I’m still enjoying his series. The latest, Oathbringer, was just as exciting as the previous two, following a few main characters as they try to deal with the horrible storm that sprang up at the end of the previous book. Despite the early warnings coming from the protagonists’ group, most of the world doesn’t believe them and is thus caught unaware when all the shelters they have built to protect them from the normal storms fail to protect them from a storm coming from the opposite direction. While a lot of the previous novels was a mixture of action, character development, and political intrigue, this novel saves a lot of the action and character development for the end. Instead, most of the novel is a little on the dryer side, covering lots of history, some new perspectives and characters, some character development focused on one person in particular, and tons of politics.

Initially, I was surprised by the amount of people in my various social media feeds commenting that Oathbringer was rather slow and not as fun as the previous two books. After reading the book, I can kind of understand. I don’t agree, but I recognize that this book is a bit of a departure from his usual constant world-building with action to move the scenes along. I think that this book is important proof that Sanderson is going to be able make this potentially ten-book series a success. Plus, he’s managed to do it very well, mixing in plenty of interesting information that, while somewhat predictable in terms of plot and outcomes, does an amazing job of fleshing out people and the world. I really enjoy the sense of history this book has added to the series. It answered so many questions that I’d had since the start of the series and even threw in a couple twists I did not see coming at all. They caught me entirely off-guard and that was wonderful.

While the book’s major plot twist was unexpected, it was also kind of expectedly unexpected. Sanderson intentionally paints the characters into the corner, making it seem like they have no choice but to give in or surrender to the bad guys, because making something happen. Most of the time, it is only unexpected because it adds some new world mechanic or gives us some rule or information we didn’t have previously. There’s always some foreshadowing to pick out in retrospect and he always does a good job of laying the groundwork so whatever happens never feels entirely like a Deus Ex Machina, but there are a few close calls during some of the big moments (and that’s not just restricted to this book). I don’t mind it too much, but it can feel a bit annoying to have all this build up of a dramatic moment happening while you’re just reading along calmly because you know they’re going to magically get out of the tight spot using some brand new power or mechanic that develops right then. The best thing I can say in Sanderson’s defense is that he literally built that mechanic, the spontaneous power-up and new power moments, into this series.

I definitely recommend the book and the series as a whole because they’re honestly just so much fun to read. They move along well, are easy to read, and there’s just so much interesting stuff happening that they’re hard to put down.

 

One Goblin to Rule Them All

Chris Leave a comment

One of my friends has this annoying (but not really) habit of suggesting really great books for me to read. She’s single-handedly responsible for introducing me to some of my favorite recent (published in the last decade or so) books and authors. The Dresden Files, The Kingkiller Chronicles, finally convincing me to read Terry Pratchett, and so many others. A lot of the time, I’ve heard of the books she recommends and never got around to buying them. Interestingly, the books she gives me as gifts are almost always books I’ve never heard of that I wind up loving. My current favorite of these books is “The Goblin Emperor” by Katherine Addison (the pseudonym of Sarah Monette).

The book follows the story of a young member of the ruling family of an Elven empire as he, Maia, is suddenly thrust from obscurity directly into the throne when everyone in line before him was killed in an explosion. Complicating his ascension is the fact that his mother was a Goblin princess who married the Elven emperor as part of a peace agreement with the Goblin King. Maia faced the rejection of his father who fulfilled the terms of his political marriage in only the strictest sense before sending them both into exile in the countryside and then by a cousin who abused him since the politically ambitious cousin was forced to act as the guardian of a politically unimportant half-goblin. You can probably see the beginnings of the themes in the book.

I love intrigue and character novels. Anything that explores people, the ways in which they build relationships, and how people come to understand or wield power can be incredibly interesting if written well. The Goblin Emperor does an amazing job of exploring political intrigue and the burden of power in a very complex world filled with people who, for the most part, just want to do their jobs. Despite the fact that there are no Humans in the story, everyone feels incredibly Human and real. Even the villains grow from caricatures into full characters with both positive and negative qualities as the reader is shown more of them, mirroring Maia’s understanding. Even the tone of the writing changes as Maia becomes more confident and knowledgeable, constantly reflecting his developing sense of the people around him.

While he is growing and just learning to function in the court, Maia has to face off against a few savvy political opponents who are trying to usurp his power in one way or another. The wife of the deceased heir and the lord chancellor both test him, doing small things to grow their personal power, but he manages to keep ahead of them. Most of the time, he figures out the right move to make using practical wisdom born of being a social outcast or by relying on the people around him who simply want to do their jobs as best as they can rather than get tangled up in political upheavals. A lot of the time, it is these less “important” people, who just want to do their best to support the kingdom, who make the difference in Maia’s life. Even as she shows them being subservient and deferential, Addison does them justice as fully “human” people in their own rights.

Despite being a mixture of Goblin and Elven blood, the only person who truly complicates Maia’s life for not being fully Elven is Maia himself. That isn’t to say there isn’t some degree of racism going on, as most of the political opponents he faces would likely not have been so clearly mutinous if he was wholly Elven. Addison shows it most clearly in the social and societal roles held by Goblins in the Elflands. Goblins who are accepted into royal service in the Elflands are often somewhat separated from their culture and heritage, and most of them are poor or doing menial work. They are shown as being rather drab and superfluous by many of the Elves who also encourage Maia to avoid exploring his Goblin heritage beyond what his mother taught him before she died. Eventually, Maia meets members his family from the Goblin kingdom and gets a clearer picture of their culture, along with many promises for more information on his heritage and family in the future. Since it furthers the peaceful coexistence of these two large nations, everyone switches to genuinely supporting Maia’s desire to learn more about Goblin culture and, most importantly, Maia begins to embrace his identity as a Goblin and an Elf more fully.

I don’t want to go into too much more of what goes on in the book because I’m already certain I’ve said too much. There’s so much I love about this book that it’s hard to hold back from gushing about it. If you read it and like it (I think you should and I hope you do), you should message me about it so we can discuss and dissect it.