National Novel Writing Month approaches. Well, it technically starts today, but I wrote this a week before you’re reading it, so it both approaches AND is here. I had originally planned to do a bunch of preparation for this month, as part of trying to get my creative energy and focus back, but I’ve fallen a bit short of my goals. I AM writing a blog post almost every day, or at least averaging out to six posts in seven days, but I had hoped to start October by writing an extra five hundred words a day in a book project. Which I haven’t done even once.
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Tabletop Highlight: Figuring Out How Much is too Much
The fun of inventing new societies, creating entire civilizations, and developing cultures is what draws me to storytelling, at least when it comes to what I get the most from. As a result, I really enjoy playing Dungeon Master and one of my favorite parts of running my own Dungeons and Dragons campaigns is the prep work. The thing is, preparation work, especially world building, is one of those things that will take exactly as much time as you’re willing to give it. One of the most important lessons I’ve learned as I’ve practiced storytelling, both as a writer and a dungeon master, is that there’s a fine line between over-preparing and creating a world that doesn’t feel real.
One thing that dungeon masters often need to do is create towns and cities for their players to encounter. If it is a sizable city, chances are good that there are multiple blacksmiths the players could hire to create them some new gear. Some of them might be better than the others, some might have a preference for particular kinds of work, and some might just hate adventurers. They all have names, pasts, business practices unique to their specialties and levels of experience, and they all have opinions about each other and each other’s work. You, as the dungeon master, can figure all of this out or you can spend the time working on the political situation that it is likely the players will encounter instead of the intricacies of business and the people behind said business that will mostly be ignored by the players who only want to know who the best smith is (which is usually easy to figure out). To be entirely fair, some players might be more interested in the business scene than the political one, so maybe that’s the system that’s more important to your next session. Or maybe they won’t be interested in either the business or political situations and will just want to kill some monsters and protect some peasants, so maybe you should spend more time focusing on the environment around the town.
The key to figuring out what you need to prepare the most is in figuring out what your players will want. I’ve never met a player who changed what they were interested in from one session to another aside from one player who was literally just doing it to point out the holes in the world and ruin everyone’s good time. All players, even the aforementioned asshole, tend to be very consistent. Your first few sessions with a new group might need a little more work because you’re not sure what they’re going to care about yet, but once you’ve gotten a feel for them you learn where you need to focus.
The way I view dungeon mastering is that I’m basically creating the world only about as far as the next few steps ahead of the players. There’s always a horizon, major geographical features, and a sense of society behind it all, but the majority of the world is an empty canvas I only fill in as the players move or discover. If you wind up preparing in the wrong direction or keep trying to push your players in the direction you want them to go in, they’re going to wind up walking into all of the blank spots and feel like the world isn’t as solid enough to really believe in. Some players are more willing than others to ignore the empty spots they find, but most of the reason most people play Dungeons and Dragons is for the immersion you can achieve when you set aside the concerns of the primary world and fully embrace the secondary world. These are the people I run for and this is the kind of player I am.
No matter what you do, there will always be hiccups. You can’t have every name ready and planning everything out in excruciating detail so you’ve got the name of every blacksmith and item shop proprietor prepared is a quick recipe for madness and frustration when 99% of it winds up going unused. I’ve even seen dungeon masters get angry with their players for not exploring and caring about the world as much as they did. I’ve even felt it myself, when I took the time during the week leading up to the session to prepare an exciting encounter and a new bit of the world for them to experience and then my players spend two hours dithering about who goes on what errands and what supplies they need down to the last copper.
It can hurt to put in a lot of work and not get to see it come out in your game session, even when you know it’ll come up in the next one or the one after that. It doesn’t hurt much, though, so long as you focus on making sure there’s plenty of world for the players to experience as they dither about and shop for really weird things you’d never have imagined they wanted. Really, it just give you a week off of preparation. If all you can see is all the work you’ve done going unnoticed or un-experienced, you’re going to eventually lose your temper.
Part of the problem is how the line between too much and not enough shifts from group to group and even from session to session. My players care a lot more about the names of the people around them if they know they’re going to be in the same place for a while. They also tend to care less about the actual layout of the town the longer they’re there or the bigger the city is. For over two years, they’ve gone through literally the same town every time they enter a civilized area without ever realizing that they’re all laid out the same. All I’ve had to do is scale it up based on how many people live there. I created my second city just recently because I needed something different for a future adventure they’re probably going to go on. They don’t care what the places look like because they’re more interested in the people and the plot than the exact geography, which works for me since I can create interesting characters with ease and I’ve got a list of random names sorted by race and status so I don’t need to spend any time trying to figure them out when I make up a new NPC for them to befriend/eventually fight.
If you’re trying to figure out where the line is for your group, I recommending starting with more detail and slowly scaling it back. That way, you can avoid subjecting your players to a campaign full of blank spots before you figure it out. Step it down slowly and you should be able to notice when your players start to feel like the world isn’t as real as they’d like. At that point, kick it back up a little bit more than you think you need to and work to achieve a level of effort you can still enjoy. You’re supposed to have fun, too.
Tabletop Highlight: Shout-Out to All the Games I Can Carry in My Pocket
From a deck of playing cards to small sack full of stone tiles, I love games I can stick in my pocket or in the side pouch of my bag. I’m a big fan of being prepared and how can you call your Bastion of Nerdiness (built at a time when I was the only nerdy person where I worked and maintained because it felt really nice to have all that stuff with me at all times) fully prepared if you don’t have a game or games you can play with one or more additional people? Sure, you’ve got a first aid kit, clothing/cosplay repair kit, energy bars, and a basic survival kit, but no games to play? What kind of amateur preparation are you trying to do?
One of the reasons I was so excited to buy Tak through the Kickstarter was because one of the options was a travel pouch and a clothe board for the game. The whole idea was to create a version of the game people could carry around with them. Entire sets were built around the idea of being able to travel to a location and find someone else with a traveling set to play against. In the book world the game is from, it is apparently a common practice to make or purchase your own Tak set to bring to taverns in case you want to get in a quick game while you’re having your drinks. The pieces are so simple, even, that you could probably spend fifteen minutes walking around outside and find enough material to play a quick game with someone. I value my really nice pieces, the wonderful stone set I purchased as an add-on and the sleek, beautiful wooden sets I originally pledged for, but I enjoy the fact that knowledge of the rules is all I need to play a game because I can imagine a board and play using wood chips and flattish stones. I still travel everywhere with my full stone set, though. They’ll hold up better in my bag that the wooden pieces.
I also like to keep two decks of cards in my bag. It used to be three, but I almost never play Magic the Gathering’s standard, 60-card style anymore. I keep my Commander deck (99 unique cards plus a single legendary creature card whose colors dictate what colors I can used in my deck”) plus all the dice I need for a game (a lot, thanks to several counter-dependent plays) in my bag, along with a deck of normal playing cards. The Magic the Gathering cards are mostly for use with my friends since I don’t generally play much and usually only play because they wan to. I’d use one of their decks, but I prefer having my own to tinker with when the mood strikes me. The regular playing cards are great for everything from a friendly game of poker over lunch to a game of solitaire when I’m bored and trying to stay away from phone games that appeal to my addictive nature. There are so many games you can play with playing cards that they can be an almost ceaseless fount of entertainment. As long as you enjoy card games and the basic amount of psychology that goes with playing cards against other people.
Another game I’m going to soon add to my bag is Bananagrams. My girlfriend is a huge fan of the game and I’ve got to say that it is growing on me. It is a lot more fun to play when at least three people are playing, but you really only need two people. You also really need to love words because the whole point of the game is to use all of your letter tiles (like scrabble tiles, but without point values) to create words. If you run out of tiles, you say “peel” and everyone has to take a new tile from the pile in the center. Once all of the tiles who have been used, the person who says “peel” when there aren’t enough tiles for everyone to take one wins the game. It is a very simple game and dependent on your knowledge of spelling and how many words you know. Possibly the best part is that there generally isn’t a clear winner until the end because it is possible that you saying “peel” is going to give one of your opponents the letter they need to win the game while you struggle to figure out what to do with the “x” you just picked.
My life has improved since I started carrying games on me all the time, beyond just the general feeling of confidence that comes from seeing myself as prepared for whatever comes my way. For instance, I like to keep to myself most of the time, not because I actually dislike people, but because I’m so often unsure of what to say or how to act. Keeping games on me allows me to create a framework for longer social interactions and makes it easier to get comfortable enough with people to not feel so anxious about saying or doing the wrong thing. Anything I can do to lessen my anxiety has a positive impact on my life, even if this comes at the cost of adding a few extra pounds to an already heavy bag. My mental health thanks me but my physical health is a still waiting to see how all this plays out over the next few years before it comments.
Got any small games I should check out? I’d love to hear about them!