In one hell of a turn-around that I saw coming thanks to the character creation process for the prologue to my “The Rotten” campaign, my little group of evil player characters killed the entire leadership of the rebellion–and a huge chunk of the town besides–despite having landed in a situation they were incredibly lucky to escape from. You see, they’d decided to take up with the maligned Lord Besk, chief necromancer in charge of maintaining the barriers around this Haven (a city made safe from the undead creatures that walked the fading remnants of the material plane by those very barriers), because he and the city council he had wrapped around his finger were willing to pay them. This turn-around, necessary because their plan to slowly assassinate individual targets one at a time fell apart almost immediately due to bad rolls, was so complete and thorough that it instantly wrapped up our prologue and set the stage for the game that will take place in the shadow of the city they’d destroyed. And, you know, underneath the heel of the Great Lich they’d helped create since that’s what Besk was up to this whole time. That and somehow controlling the massive nightwalkers that had introduced The Rot to the world and were slowly draining everything of its life. Thanks to all that, I get to keep all their PCs around as generals and trusted lieutenants for Great Lich Besk and sprinkle them into the campaign in appropriate places! Sure, I’ve got a ton of work to get them from level one to whatever level the player characters will be ready for that kind of challenge, but there’s no denying how nice it is to have the later parts of the campaign already fleshed out.
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Introducing A Prologue Into My New Dungeons & Dragons Game
As I promised last week, I’ve now run Session 0 for my new Sunday Dungeons and Dragons campaign (which I do not have a name for, yet). The group has talked through a little bit of what we’re interested in doing and while I still got the same caveats I had last week, the things I expected to fly under the radar have flown under the radar. It’s not that I’m hiding that the whole world of this game is a metaphor for climate change and any stories that take place within it must necessarily grapple with that world-defining thing, I just didn’t explicitly say it. I did talk a bit about the state of the world and how things will likely go in it, but I forgot to mention that this world isn’t really something that can be fixed as many high fantasy D&D games might expect. There’s no going back, only forward. The players might improve things for a lot of people or find a way to prevent things from getting too much worse, but the tipping point has been passed and all that remains to be see is how long it takes for the rubble to settle and who gets taken down with it. And to continue living, connecting, and building community all the while.
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