Saving My Inspiration For Later

It has been a long time since I was last struck by inspiration. Most of the time, when an idea “comes to me,” it’s the result of me chewing something over in the back of my mind for a long time before coming up with whatever thought or idea will form the center of what thing I’m going to produce. Poetry, short stories, a novel draft, all these blog posts… None of them are the result of inspiration even if I’ve often claimed to have been “inspired” by something. Even those times, I came up with an idea after thinking about some media or idea for a while. Which might sound a lot like inspiration, but I would define inspiration as something external that plops a fully-formed idea into your head. All of my “inspired by” ideas are a result of my internal processing coming up with an idea based on thinking about something else. It feels like quite a thin hair to split, which is why I haven’t written about this before and am somewhat hesitant to write about it not (mostly because it doesn’t much matter to me which side of the split hair you’re on since it’s all a part of the writing process and the only person the precise definition of this stuff matters to is the person doing the defining as a part of their process). Still, this feeling of actual, true inspiration is rare enough that I feel compelled to say something about it now that I’ve been on the receiving end of it for the first time since I set up an online D&D campaign back in 2019.

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Why I’m Still Struggling Along In Final Fantasy 7: Rebirth

I’ve been steadily chipping away at Final Fantasy 7: Rebirth again and was planning to keep my thoughts to myself until I got further in the game (apparently ending the open world sections of chapter 9 just launches you into an open world section in chapter 10, unlike every other open-world section that got to have a break for some fun story time before heading back to the open world stuff again, which made me so frustrated that I turned my PlayStation off and stared at my ceiling in discontent for fifteen minutes). Instead, I’m writing this post because I saw someone writing about Final Fantasy 7: Rebirth by saying that there might never be another game like it. This was meant as praise and had me wondering if the writer of that post had played the same game I did. As I chewed on this opinion, I realized I’d never really looked at reviews for the game, as it released or in the months since then, because I’d wanted to avoid being spoiled while I finished up some other games before diving into FF7: Rebirth. Uncertain, now, if my opinion was just me being curmudgeonly and unwilling to allow myself to appreciate the game, I decided to spend some time looking at reviews and discussions of the game. Which pretty much all broke down into people either loving or hating the open-world segments of the game, for good and bad reasons on both sides, and doing nothing but shouting down the people who disagreed with them. So, today, as I complained about the game to a friend, I decided I should actually talk about WHY this game doesn’t work for me, why I continue to push myself to play it, and why I feel so emotionally invested in all of this that I’m writing about it multiple times without even finishing it.

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Starting Up Playthrough 3 of Baldur’s Gate 3

There will be some spoilers for the Dark Urge endings of a Baldur’s Gate 3 character in the latter half of paragraph 3 (this is paragraph 0 and the one below this is paragraph 1).

One of the questions I repeatedly asked myself while ordering the parts for and building my PC was what game I was going to play first. As a bit of a joke, I tossed Stardew Valley and Valheim into the hat for consideration, but the real choice was between Baldur’s Gate 3, the last new and intense game I’d played on my PC that had possibly shortened the life span of my PC by pushing it harder than it could reliably handle, and Cyberpunk 2077, the first game I wanted to play but couldn’t because the major update they did in 2023 changed the minimum specifics into something my computer couldn’t handle anymore. Rather than really try to choose, I opted to play both. Technically Cyberpunk 2077 first, but since all I was doing was making a character in both games, I technically played Baldur’s Gate 3 first since that was the one that I played beyond my first chance to save and quit after completing character creation.

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Introducing A Prologue Into My New Dungeons & Dragons Game

As I promised last week, I’ve now run Session 0 for my new Sunday Dungeons and Dragons campaign (which I do not have a name for, yet). The group has talked through a little bit of what we’re interested in doing and while I still got the same caveats I had last week, the things I expected to fly under the radar have flown under the radar. It’s not that I’m hiding that the whole world of this game is a metaphor for climate change and any stories that take place within it must necessarily grapple with that world-defining thing, I just didn’t explicitly say it. I did talk a bit about the state of the world and how things will likely go in it, but I forgot to mention that this world isn’t really something that can be fixed as many high fantasy D&D games might expect. There’s no going back, only forward. The players might improve things for a lot of people or find a way to prevent things from getting too much worse, but the tipping point has been passed and all that remains to be see is how long it takes for the rubble to settle and who gets taken down with it. And to continue living, connecting, and building community all the while.

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Here I Go Running Dungeons & Dragons Again

As I can snatch a couple minutes here or there, I’ve been spending my spare time and brain power on gearing up for another Dungeons and dragons campaign. Apparently, that’s all anyone–aside from one of my players, anyway–wants to play these days and as much as I want to play different games, I’d rather play D&D than nothing. It’s not like I can’t enjoy this, after all. I’m here for the stories. I just wish I had the opportunity to tell different stories and to play with a group of people more interested in the broad range of stories I want to tell. I already need to keep this one a little more limited than I’d like, focused on story elements that aren’t analogous to problems we face in the real world since one of my players has specifically requested that, along with no more fighting the personification of abstract and awful concepts, like capitalism. Not because it didn’t work out the last time I did it, but because this friend doesn’t want to encounter a real-world problem we can’t actually fight in the real world. Which is a huge limitation since there’s tons of interesting story ideas that allow people in a D&D game to fight something we, in the real world, can’t fight. I get this player’s meaning, though, so I’ll do what I can to comply, but there will be some amount of real-world issues involved because I can’t imagine running a game for very long that DOESN’T have some kind of real-world analog.

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The Descent Into The Rotting Heart Ends With A Slow Fade

Last night, after several months, many delays, and little bit of ad hoc scheduling, my remaining two players and I wrapped up our campaign of Heart: The City Beneath. Both remaining players hit their zeniths, we wrapped up the last trailing bits of story, and then did a post mortem since the player whose character had died/zenithed-out last session was around and available. It was a long night for all of us since we moved back our planned start time an hour, used up the the entire hour and a half of game time we’d set aside, and then wound up talking through the end of the game and what we’re going to do next for another hour. I was thoroughly exhausted by the end of all that and still am a full day later. Still, I’m glad we got to do it and I’m looking forward to a relatively quiet weekend without needing to run any games (though I will be playing in one, most likely, and doing some preparations to play in yet another game). I could use a bit of a break this weekend, after the last few weeks I’ve had, especially because I’ve got a new game to start preparing.

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Concluding The Second Arc of The Leeching Wastes

After five sessions, which feels like both more and less time than I expected, we’ve wrapped up the second arc of my The Leeching Wastes campaign. The first arc involved fleeing from a home that was directly in the path of a horrible monster in hope of finding a new, safer place to call home and the second arc has been all about settling into this new home while dealing with some of the consequences of people’s actions as that integration occurred. In the last session, one of the player characters was brought under the influence of the monster sealed within the heart of the tree that made up the center of The Grove and given the command to free it. The party failed to stop her despite the emotional price they were paying in their attempts, but the unnamed goddess (connected to her by a bargain said goddess made with the player character’s former lover who had sacrificed herself to save the player character) had one last trick up her sleeve that she’d been holding off since it could easily kill that player character. In order to save everyone, the player character risked her life and ultimately survived, but only just barely. The session ended with the remaining members of the party–two NPC allies in tow–settling down to rest while they waited for their tied-up friend to regain consciousness so they could figure out what the hell had just happened. It was a very draining session that lasted less than an hour and a half and quite a place to pick back up from this week as we went through the arc’s denouement and moved forward in time.

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Want To Be A Better GM Or Player? Play Widely.

One of the best pieces of advice to give someone who wants to improve their writing skills is to read widely. The idea is that you will be exposed to more and more writing in a wider variety of forms, including those outside of whatever genres you might choose to focus on, all of which is useful to you as a writer because it will give you more tools to use in your own creative work. After all, the various writing tricks authors use, their various stylistic quirks and so on, aren’t limited to a genre. If you see something cool and interesting in a science fiction story, you can figure out how to incorporate it into a fantasy story. Or if you find a particularly interesting way of phrasing an idea in a piece of nonfiction, you can find ways to do similar things in your own fictional works. The more you’re exposed to, the more you’ve learned and can incorporate consciously and unconsciously. Which is also true of running tabletop games (and storytelling as a whole, but you can pretty much extend any of this advice into any type of storytelling with enough abstract thinking, so I’m going to stay focused). The more games you play or run, the better you are. This is fairly self-evident to most people since that tends to fall under the “experience makes you better at things” bit of wisdom. I’d suggest taking it a step further, though, and suggest that you play a wide variety of games rather than just sticking to the ones your prefer.

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The Penultimate Session Of The Descent Into The Rotting Heart

One more session of Heart: The City Beneath behind us and now we’re down to the last two players of a group that originally had six. One fell by the wayside immediately, before we even began the second session of our worldbuilding game. The second left after she realized this game was not for her and that she needed more time in her weeks. The third left when her character died a single session after the second left and she decided to reclaim some time for herself rather than carry on. The fourth has now stepped aside, one more session later, as his character finished a transformation that has been brewing since that first worldbuilding game. The final two players are both on the cusp of their own ends, each carrying a Zenith move they have either already used and are seeing play out or are saving to use at the right moment, whatever that might look like. Things are coming to a head and every single roll holds the potential to spell the end for each character, as it did for the fourth player’s character. Still, the story holds us all bound and determined to see it through and. at the very latest, in just another week from when this post does up, I will be writing about how it all came to an end.

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A Situation So Bad It’s Good In The Leeching Wastes

My now-Wednesday group, currently playing The Leeching Wastes, has now met four times in a row! What a record! This time, what was supposed to be a short ritual turned into a whole-session activity that was incredibly emotionally fraught. The cliff-hanger from last time, an abysmal saving throw result, wound up snowballing first into a bit of confusion about the reason the party was there at all, grew further into a bit of inter-party misdirection, and then finally landed as a combat encounter that I didn’t expect to go as poorly as it did. I mean, I know I say this a lot, but I really don’t expect quite so many unlikely things to happen in the tabletop games I’m running despite apparently being a magnet for this kind of improbability. Nothing useful for winning the lottery or having a fortunate life. No. I just attract incredibly unlikely but still possible outcomes but only in tabletop games I’m running. I’m going to avoid speculating about how that’s reflected in my life (I already talk to my therapist about that more than enough), but it really was staggering how a part of the session I expected would take half an hour wound up taking the full hour and forty-five minutes we played (we got another later start since I was finishing up dinner and we were still chitchatting for the first half an hour). I was absolutely mechanically prepared for things to go horribly wrong since a game like this needs stakes for the victories to mean as much as they do, but I was not emotionally prepared. I was not mentally prepared. I had to pause quite a few times to figure out how to proceed or, at the very least, where to find my notes about how to proceed since we have once again taken something I expected to come up later and dropped it onto third level characters.

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