The Penultimate Session Of The Descent Into The Rotting Heart

One more session of Heart: The City Beneath behind us and now we’re down to the last two players of a group that originally had six. One fell by the wayside immediately, before we even began the second session of our worldbuilding game. The second left after she realized this game was not for her and that she needed more time in her weeks. The third left when her character died a single session after the second left and she decided to reclaim some time for herself rather than carry on. The fourth has now stepped aside, one more session later, as his character finished a transformation that has been brewing since that first worldbuilding game. The final two players are both on the cusp of their own ends, each carrying a Zenith move they have either already used and are seeing play out or are saving to use at the right moment, whatever that might look like. Things are coming to a head and every single roll holds the potential to spell the end for each character, as it did for the fourth player’s character. Still, the story holds us all bound and determined to see it through and. at the very latest, in just another week from when this post does up, I will be writing about how it all came to an end.

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Going Off The Rails After Adding Trains

I genuinely did not think that I’d ever look at a game of The Ground Itself that I’m using as a means of doing collaborative worldbuilding for a different game and think “this has clearly gone off the rails,” but that’s what I’ve found myself doing as I review the notes from my Sunday group’s latest session. This isn’t necessarily a bad thing, mind you, just something that has gone far beyond all of my expectations about what we’d accomplish in a session or two (which will soon be three since we once again ran out of time without finishing our game). We’ve wound up more focused on individuals and their places in the area than the game is designed to be, but we’ve also gone from slowly developing an area over time to wildly inventing things. It’s honestly a great energy, even if I worry that we’ve lost the plot a bit. I’ll be able to weave it all into the world we’ve going to play in when we finally get to Heart: The City Beneath, but there’s just so much stuff happening and so many vague characters introduced that I’m not sure how I’m going to be able to include it all in any kind of interesting and meaningful way.

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Recorded and Reposted: Everlasting

The sullen thrum of a distant engine
Rings in the cascading hills
As they rise and fall on the horizon,
Fading into the white haze
Of a humid Wisconsin evening.
A fire burns to cinders in the foreground
And the stars silently conquer the curtain of night,
Pinpricks of sunlight poking through the shroud
That wraps a dying day,
As we cling to the hope
That we are as eternal as this moment.

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There’s an Old Black Train A-Comin’

I’ve rewatched Over The Garden Wall again. This time, I watched it with two of my siblings and got to enjoy the “I hate you but thank you” experience of introducing people to something they wind up loving. It was good to be able to enjoy things with people again, and then talk about it afterwards. I’m still looking for someone who has also listened to the latest season of Friends At The Table as well, so I can talk about trains, death metaphors, and near-death experiences, but I thought I could meet at least part of that need by reflecting on death in literature here.

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Everlasting

To launch the 2021 version of my blog and mark the start of daily updates (more on that tomorrow), have the poem that ends with the text from the title page of my blog that was inspired by my camping trip where I took the picture used as the backdrop of the title page.

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