For Now

I’m not all I want to be.

I do my best to listen and to look
As I follow each hook and crook
And read every single book
While I do my best to cook
Up some kind of understanding.

I don’t think that’s too demanding
A task for me to stick the landing,
But here I am, stuck standing
With nothing more commanding
Than a sense of appreciation.

It fills me with frustration
That I can’t form the foundation
Of a simple proclamation
Because I’m stuck with the realization
That I can only speak for me.

I can’t just let that idea be
So I try my best to truly see
But I think we can all agree
There is no guarantee
I will ever get the words out.

Constant fear and niggling doubt
Cause both a flood and a drought
Of words as I try to write about
A path without knowing the route
It takes from beginning to end.

No matter what I intend,
There is no way for me to bend
My experience so I can pretend
That I have anything to append
To what someone else has said.

At night, while I lie awake in bed,
I dream of a time when my head
Is no longer filled with things unsaid
But, right now, I see instead
That I’m not yet all I want to be.

So, for now, I can only speak for me.

Chasing Down Words

Some days, I just run out of words.
I watch them flee like a flock of birds
Thrown to wing by some hidden fear
As deafening silence draws near.

Some days, I only catch a few.
The rest stay just out of view
As I spend my time hunting down
That one specific hidden noun.

Some days, I catch all I could want.
I walk away feeling nonchalant
Only to eventually find
The empty pen they left behind.

Some days, I build elaborate traps.
I make complex plans and draw maps
So I can make sure I get my fill
Even if they’re mostly swill.

Some days, I catch words with ease.
I can have as many as I please
Because they cluster around me
As if they just want some company.

Some days, there are too many to stand.
They tug and pull and angrily demand
Everything I have to give,
Like they don’t care if I die or live.

Chasing down words is a lot of work.
Even if I choose to wait and lurk
Instead of constantly giving chase
I always wind up in a race.

Eventually, I have to make do
With whatever words I could accrue
In my day’s painstaking labor.
Some days, I just run short.

At End of Day

When the day is done and the fire’s stoked,
When the night is fresh and the world is cloaked
In star-soft mantle of darkening blue
I still have one last job to do.
I compile the words I have found,
Feeling out their shape and sound
As I sort them into categories
In preparation for all the stories
I haven’t had the chance to tell,
Until the fire’s down to a sullen swell
And the first glimmers of morning sun
Tell me that my work is done.

Auto-Complete

These words
           have been made by people
           who were born with their own lives.
My words
           are not the same as the words
           that other people have made.
Using their words
           is not the right thing for me to do,
           but I’m still trying to find my own.
I write
           a lot on the subject, but I’m
           not sure how to make it any easier.
My stories
           come from a different place than I do,
           but I’ve always thought
           it would work
           out.
Borrowing these words
           only means I can’t afford
           to use my own.
Filling in the blanks
           was my original
           goal, but I’m still not sure I understand
           what this means.
Someday
           I might make my own words to say
           Something
           I want you to hear,
But I think
           you should know
           that this was made
           from someone else’s
           words.

Captured in Words

Once, I wanted to try to find
The words to say how I felt.

All I found were little phrases
That didn’t serve my needs
And quiet thoughts that lived
Past the edge of speaking.

I would have liked to continue,
Trying as hard as I could,
Just to see,
If I could have ever figured it out.

I never could find a way
To talk about the wonder
I felt when I looked at you.

I wouldn’t have minded
Spending the rest of my life looking.

Now, all I have left are memories
Of what I once wanted
And echoes of a feeling
I once felt resonate.

Maybe, if I can capture this in words,
I can stop feeling it
And finally let it go.

What Do You Think Would Happen?

What do you think would happen
If I stopped restraining my tongue
And voiced my inner thoughts aloud:
­             If I put aside all the careful filters
             And ignored all sensible precaution,
             Telling everyone who can hear
             What I felt or thought
             Instead of what I knew
             Was the correct thing to say?

Would people know the difference
Or am I the only one who spends
Most of my time in silence,
­­             
Weighing every little word
­­             
On a set of scales
­­             
I’ve spent my life constructing
­             
To be fair and just to all?

Would anyone but me even care
Beyond the initial shock
Of a direct response
In a culture that values
Hidden agendas and vague
References to minutiae?

If I told you what first ran through my mind
When you told me your story,
Would you have listened to me?
­             
Or would I still have to spend time
­             
Learning to phrase things so your mind listens
­             
Even when your ears refuse to?

If I spoke more truthfully of my mind,
Would you value my silence less
And decide to come to me for more
Than just the slice of my truth you need
­             
Or would you learn to value my truth less
­             
Because I was dispensing it
­             
To anyone who was near enough to take it?

If I stopped restraining my tongue
And voiced my inner thoughts aloud,
­             
Would people finally hear me
­­­­             Instead of just the words I say?

 

Lost for Words

What do you do when you’re a writer and you’re lost for words?
What do you do when every word feels empty and flat:
When your lexicon fails to provide
And your tongue hangs in your mouth, empty, sluggish, and fat?

What do you do when you’re a writer and no word fits?
What do you do when you have a hole in your heart:
When you can’t fill the space
And every single page, paragraph and sentence falls apart?

What do you do when you’re a writer and you can’t explain?
What do you do when you can’t seem to speak:
When the air hangs empty
And yet full enough to make even the strongest person weak?

What do you do when you’re a writer and your tongue is tied?
What do you do when the words are there but cannot escape:
When you know what to say
And yet the words hide inside and refuse to take shape?

What do you do when you’re a writer and you want to quit?
What do you do when the words stop coming:
When you want to work
And thoughts in your head will not stop running?

So what do you do when you’re a writer and you’re lost for words?
When the words are stuck, do you start writing?
Do you stare down an empty page
And, with words that feel like drops of your own blood, keep fighting?

Love or Idolatry

One of my favorite songs from Steven Universe is the end credits song, “Love Like You.” Throughout the show, it is played in short snippets as the credits roll and it takes almost two entire seasons to go through the entire song. The song’s creator, who also created the show, has gone on the record in recent years, to talk about it. When the soundtrack of the show came out, compiling most of the show’s songs up to that point, Rebecca Sugar said that, initially, the song was about an alien who wanted to be able to love the Human she was in relationship with the way he loved her. She wanted to feel how he felt and surmised that if she could return his feelings, then maybe she would no longer feel like she falls short of how he sees her.

The lyrics paint a picture of someone who doesn’t understand the idea of love, except in the context of the way it makes the singer’s partner act around her or see her. The singer doesn’t think very highly of herself and is constantly measuring herself up against the way her partner sees her and, in her eyes, falling short. It’s almost heartbreaking. “I wish that I knew what makes you think I’m so special.” It gets me any time I actually listen to the song instead of just letting it play in the background. As someone with self-esteem issues and a history of difficulty making meaningful, lasting connections with people, the song resonates rather strongly.

After spending the evening with my girlfriend, this song came on the radio (well, my iPod was plugged into my car radio and the playlist eventually cycled to it) and it made me think about the nature of love, the way we think people see us, and how we see ourselves. Love can be great because it can show us how we look to someone and, sometimes, even let us catch a glimpse of the person our partner sees us as. At the same time, if we feel like our partner is not actually seeing us but some false version of us or they gloss over any problems, it can be discouraging to constantly be compared to this version of ourselves that we feel isn’t grounded in reality. That could easily make self-esteem or self-value problems worse.

A while after giving the initial interview about “Love Like You,” Rebecca Sugar has said she now views the song as being more about her relationship with all of the Steven Universe fans she has met as the show grows in popularity. Because she has created this show and so many people feel so strongly about it, they transfer some of that attention and love to her, the show’s creator. She said that she feels like she can’t measure up to the sort of almost worshipful adulation they heap on her and that the song now speaks more to the way she wishes she could return all that love but can’t figure out how to.

From what I’ve read, a lot of popular creators feel like this, but particularly the ones who spend a lot of time meeting fans, such as show creators, voice actors, writers, and so on. I wouldn’t be surprised if musicians felt this way as well. It can probably be rather alienating, to be worshiped by almost everyone you meet. To be loved so strongly and so enthusiastically by someone who doesn’t actually know you that you can’t help but feel the weight of their expectations settle more heavily on your shoulders with each new person who gushes about how much they love you.

I think I can sometimes have that effect on people. And not just celebrities or creators I admire. People in my day-to-day life. As I’ve mentioned in the past few days, I have a tendency to invest completely and quickly in relationships. I think that can probably be overwhelming for a lot of people because they start to feel like I’m loving the person they act like they are rather than the person they see themselves as. I think some of my past relationships fell apart for exactly this reason, even if other reasons were given. I mean, how can you communicate honestly with someone who you feel doesn’t really understand you?

I’m pretty sure I do that to my girlfriend sometimes, too. We often have a communication issue where we use different words to say the same thing and get frustrated because we can’t seem to make the other person understand what we mean or it seems like they’re being intentionally obstinate. We usually figure it out pretty quickly, thankfully, but it can be discombobulating when it happens multiple times in a conversation.

I like to think that I look for the best in people and try to appreciate them for who they try to be or who they want to be. I like looking for the good in people and trying to look for the positive aspects of people’s lives. I don’t like being negative when I can avoid it, since I have a tendency to be gloomy and melancholic at the drop of a hat, but I think I can understand how this would be frustrating to people I’m close to. Sometimes, you don’t want people to always see the light in you. Sometimes you want someone to acknowledge the darkness. Not because you want them to fix it, but because you want them understand and love all of you, not just the golden idol they seem to worship.

Which isn’t to say that I’m worshiping some perfect form of my girlfriend. As I said, I only THINK I do it SOMETIMES. This was just what I thought about during my meditation when I woke up in the middle of the night thanks to a leg cramp and had to spend half an hour stretching my muscles and drinking water. Personally, I don’t think I worship perfect versions of people, I just love strongly and love people as they are. But I know exactly what I mean when I say things and I know the intentions behind my every action. I’m not always that great at letting other people know those things right away. I have a tendency toward muted reactions, very little emoting, and not making myself clear when I speak because I get my thoughts jumbled up and miss the important bits that would have made it all sensible.

I want people to see themselves the way I see them. I want to see myself the way I see other people. But I think that, when it comes to other people, all that comes across is the love and not enough of the projection of how I see them. When it comes to myself, all I get is the projection of how I see myself and not enough of the love. I need to work on letting people see my emotions a little more and doing a better job of communicating my feelings in their entirety, rather than just the snippet conveyed by the words coming out of my mouth.

I don’t know if you’ve put together the pieces from past blog entries or, I don’t know, the title of my blog, but I have a hard time getting the right words out when it comes to talking. Or, at least, I feel like I do. This is going to be hard, but I think it’ll be worth it if I ever figure it out.

Too bad I can’t just write everything I want to say to people and have them treat it like I just spoke it to them… It works fine until someone needs a response right away. Writing it correctly takes time and effort away from a conversation. It isn’t exactly plausible if you’re trying to communicate with a partner or a close friend when something is going down.

At least trying something is better than silence. I always try to express myself rather than sit in silence. I’ll give myself that much credit. Sometimes, though, it feels like silence would have been better. It can be difficult to tell.

The Man in the Golden Hat

While my favorite Terry Pratchett stories are those following the Night Watch and Sir Samuel Vimes in particular (because of the themes they explore and the cast of characters in each of them), my favorite Pratchett character is Moist Von Lipwig. This unfortunately named man is introduced in his first story, Going Postal, as he sits on death row. The narrator reveals that he was a swindler and crook who defrauded banks, cheated people, and convinced himself that he wasn’t doing anything wrong because everyone chose to be swindled (for common street swindles like the shell game) or because they tried to cheat him (by buying a ring supposedly worth a lot of money for a tiny amount and then selling it to a jeweler only to find out it wasn’t even worth what they paid for it).

Eventually, of course, he was caught and sentenced to die for all of the money he stole and hid. Of course, nothing is that simple in Ankh-Morpork, the city most of Pratchett’s stories revolve around. Lord Vetenari, the current tyrant, decides to spare Moist on the condition that he take a job as the postmaster of the city’s failing post office. As is his modus operandi, Lord Vetenari leaves out just enough information to make Moist Von Lipwig’s life interesting.

Moist wisely takes the job and the arc of each of his three books is set. Vetenari gives him a difficult, nigh-impossible task and he rises to the task, not only figuring out how to restore public faith in his assigned institution, but often taking care of several other problems for Vetenari. The plot of Going Postal isn’t just about restoring the postal service, but about fighting against the corruption plaguing the rapid-communication towers. These semaphore towers were bought out by a group of greedy men who wanted to milk them for all the money they’re worth, regardless of what it costs in people and reputation to do so.

Moist, of course, rises to the occasion, taking on the administrative challenge of the post office and the inter-personal challenge of facing down the head of the company that owns the semaphore towers. He puts his silver-tongue to good use, selling the entire city on the idea of a functioning post office and his new invention, stamps. The people of Ankh-Morpork are easily entertained, as Pratchett likes to point out, and Moist is a master showman. He gets a golden suit (with matching hat) in order to stand out, he constantly makes bigger and bigger claims, and he constantly steps up every challenge he’s given. When he manages to somehow squeak through as a result of sheer luck or some audacious plan, the people reward him with their belief in the dreams he weaves.

That is why he is my favorite. He talks big and never feels more alive than when he is taking some insane risk. He wants to be challenged and to risk everything on the power of his tongue and the ideas he can sell people. He talks his way out of almost every corner he’s in and then somehow manages to deliver on everything he promised. He feels like a fraud and knows that he’s selling an impossible dream to people all too willing to believe him because he makes them want his dream. All while wearing a flashy golden suit.

In his subsequent books, Making Money and Raising Steam, he finds himself in a few more tight corners and needs to put in a bit more effort to get himself out, but he always manages it somehow. Despite the fact that he was a con artist for most of his life, he has become one of the most beloved people in all of Ankh-Morpork. He gets his kicks taking insane risks for the good of the public and constantly helps pull society forward by, as he likes to say, “selling them the sizzle” because a sausage always smells better than it tastes.

He’s one of the few heroes in Discworld whose power lies in his words. Some of Pratchett’s protagonists have magic. Some have luck. Some have a keen detective instinct or impeachable ethics. Some are strong. But only two rule through the power of their words and only Moist Von Lipwig has more than one book. William De Worde, the editor and first reporter for the Ankh-Morpork Times, does similar things in a different way, but his power lies more in his access to printing things in a paper than the words themselves, so I prefer Moist Von Lipwig.

I don’t really identify with him or anything like that, I just like the idea of a hero who abhors violence and wins using the strength of his words. The ability to spin a tale so well that you can talk yourself into or out of anything is a power I’d love to have. More than any other power, honestly.

Saturday Morning Musing

There’s a part of me, deep down inside me, that worries I’ll eventually run out of words. Not in a “be unable to write or talk because I can no longer use words” sort of way, because even I do not have enough senseless anxiety to worry about that. This part of me is specifically afraid of running out of Things to Say. It worries that I’ll eventually say everything I have to say of any consequence and I’ll no longer be able to convince myself that I should be writing.

I don’t remember who it was, which irks me greatly, but I saw someone on Twitter post that to be a writer, you need a bit of an overly large ego. The whole idea of being a writer is predicated on believing that you have something to say that people want to hear. You can’t really write a story or a newspaper column or even a tweet without believe that what you are writing is something that someone wants to read. Sure, a lot of tweets are pretty dang meaningless and don’t have much thought put into them, but there’s also a lot of rather casual arrogance out there about writing.

Just like when you talk to a friend, writing a message includes the implicit belief that they care about what you have to say. Tweeting includes believing that the people who follow you care about what you have to say and that random strangers could potentially care about it. Writing a blog says that I think you, whoever you are, care about what I have to say. Writing a book says that I think a bunch of strangers will care about my thoughts or stories. No matter what I do, I have to believe that what I have to say is something that someone wants to hear.

I know it might just be a result of my OCD and the particular ways my brain words, but that thought feels like a vortex it’d be really easy to get stuck in. I struggle regularly with the belief that I don’t have anything worth saying. I don’t really posses an ego large enough to simply brush past that doubt, so I often wind up trying–and failing–to justifying writing something. And it isn’t just blog posts. It is everything from text messages to Facebook or Twitter replies. I can’t tell you the number of messages/comments/replies that I’ve typed up and then deleted instead of sending. For today alone, my best guess would be at least two dozen.

Some people say that anyone can be a writer and that is definitely true. What people often fail to take into account is that, like any other trade or art, it takes a lot of work to actually be decent at it. People go whole careers without ever being good at it and even fewer ever wind up being considered great. Writing gets treated as an after thought in a lot of work places and by a lot of people, but our increasingly electronic world depends more and more on writing. Thanks to the internet, the main way we interact with people is through writing. Video chat may entirely replace text-based communication on the internet eventually, but I think it’ll be a while before then since video still uses a lot of cellular data and that can still be very expensive for a lot of people (myself included).

Yet here I am, struggling to keep up with my daily blog posts because I feel like I don’t have anything worth saying. I find myself circling back to previously picked-apart topics and thinking I don’t have anything worth adding. I can’t find any thought or idea worth writing a poem about. I can’t think of any story worth telling here. That nothing I have to say is worth posting about.

It took me a while to realize that in order to consider whether or not something is worth saying, I actually need to have something to say. There’s little reason to shout down something as worthless if there’s nothing actually there and one thing I know for a fact about myself is that I’m not going to shut myself down over nothing. There’s always something at the core, even if I can’t seem to find it. Every thought spiral, every depressive episode, every single needling anxiety. There’s always something there, beneath the emotional/mental turmoil.

While it felt like a huge epiphany at the time, I’ve got to say that it really hasn’t changed much. I still wonder if everything is worth posting or writing or even considering long enough to see if I have enough there to write about. Hell, I wrote most of this out and then nearly trashed it since I don’t have much of a conclusion or anything thought-provoking to say. Mostly, I just wanted to say this so maybe someone else thinking the same thing would know they’re not the only one wondering if their words are worth it.

I’m pretty sure they are. Probably. You never know until you try?