I don’t know if it’s a common part of most people’s college experiences, but I spent a lot of time reading mythology. I also studied literary criticism, so I’ll admit I’m probably more likely than most to encounter mythology as it was originally written rather than just more recent adaptions. It was one of my favorite things to study because there was a long period were all stories were what we’d now call “fantasy” and we kind of just lump them all into “mythology” because it’s an easy classification. It’s a vast oversimplification of a complex and storied body of literature, but it does make life easier for everyone who doesn’t specialize in pre-modern literature or spend a lot of time reading mythology.
To that end, I think a lot of people would enjoy ancient mythology if we had more complete stories and they were translated into more modern words than most scholars use. I mean, most Norse mythology makes for a great read, but even the translated stuff is a bit dense since almost all ancient mythology we have is from someone writing down a story that had been passed down through a solely oral tradition up to that point. Oral stories tend to have a lot of repetition and they tend to spiral around each plot point for a while to make it easier on the performer. If you could streamline it all, fill in some of the gaps in stuff like The Epic of Gilgamesh, I’m sure more people would get really into it.
Since that doesn’t seem likely to happen, they should read “Dysa of the Nothing” by Arlynn Lake. While Amazon lists it as a “Suspense” or a Children’s Fantasy and Magic eBook, I honestly thing “mythology” would be a better fit. There’s a certain cadence to storytelling that appears in almost all ancient myths and “Dysa of the Nothing” captures that perfectly. It is an easy book to read, but it is anything but simply written. Something that flows through a story and a strange world with this much ease can’t be anything but the result of strong writing and a lot of work on the author’s part. It has the feel of a finely crafted statue, with all of the rough spots smoothed over and everything seamlessly joined together so that every piece of the story feels like a single, unbroken part of a whole.
If you can’t tell, I really enjoyed the writing in this story and that, alone, would make me willing to recommend it. That being said, there’s plenty more amazing stuff to say about this book and I’d be remiss if I didn’t touch on all of the high points, but I also want to stress that this was a really good read. It was engaging, it kept me interested the whole time, and it was short enough that none of it had the time to get boring. In terms of well-craft stories, this is probably one of the best I’ve read this year, right up there with Hank Green’s “An Absolutely Remarkable Thing” (which I’ll be reviewing next week) and John Scalzi’s “Head On.” It’s very different from most of the stuff I read, but it was good enough to be literally the first eBook I’ve ever fully read in an electronic format. I am so bad with most electronic forms of writing and information collection that I literally forget I have an entire (small) library of Nook and Kindle books that I’ve never even read a tenth of (going by page count since I wasn’t kidding when I said I’ve never finished an eBook before). Anyway, back to the stuff most people care about: the story, its characters, and the world.
The world is deceptive in its complexity, with two very different groups of people who might not be that different after all and a long history of conflict with something called “The Nothing.” There’s a sense of long history and traditions maintained over many lifetimes as the story starts and no matter where the story takes us, there’s this sense of so much more just around the corner or hidden over the horizon. The worldbuilding isn’t as heavy or “complete” as it is in most contemporary fantasy, but there’s no need for more. There’s never a moment in the entire story were I was left wondering about some aspect of the world. You’re given exactly as much as you need to enjoy the story and maintain your suspension of disbelief. Arlynn Lake has done an amazing job at one of the most difficult aspects of storytelling (or blog-post writing): taking out what isn’t necessary. I like my fluff as much as the next fantasy fan, but I also really appreciate a good story told succinctly and, as someone who struggles with that, greatly admire an author who can do it well.
The plot itself is fairly straight-forward. There are not many surprises along the way, but the real point of the story is watching the characters progress through the journey that has been laid out for them. While there is some question of how things will turn out, it mostly hinges on how what the characters’ relationships will be once the story has finished rather than how the journey will end. This works well for the story since it is mostly focused on the growth of the characters and they’re the most interesting part of the story by far. I was all set to dislike the main character, a teenager named Andwith, because he’s pretty much set up as this perfect kid who can do anything, but you gradually start to see the Humanity in him, the flaws and fears he hides behind what everyone calls his Four Virtues (which are explained in the first chapter of the book). Despite his gifts and near-perfection, he still has flaws and he still makes mistakes, even if most of them are small. Plus, the story isn’t really about him, it’s about the people around him and what happens because he appears in the world (much like when Enkidu appears to change the life of Gilgamesh, though the similarity pretty much stops there).
I would definitely recommend buying this book. It’ll take a few hours to read, but they’ll be fun hours from beginning to end and the low price of the eBook on Amazon (especially if you have Kindle Unlimited) makes it a no-brainer to buy. You should check it out and enjoy a quick story about having faith in people, trying to help people become the person they want to be, and giving people a chance to be Human, even if they’re not.