I’ve mentioned this multiple times now, over the last year or so, but I started putting an effort into expanding my podcast selection from just Actual Play podcasts to include some of my other interests. The ones I mostly settled on, thanks to them being adjacent to my favorite podcast (Friends at the Table) in some way or another, both wound up being media analysis podcasts. I studied English literature and literary criticism in college and found them both incredibly fun, so it makes sense to me that I’d enjoy podcasts that basically do that same thing but with movies or TV shows. Which is how I landed on listening to A More Civilized Age and the subject of today’s post: Media Club Plus. I technically started Media Club Plus first, since I’ve been listening not only since the day the first episode dropped, but from the day they streamed episode 0 as a proof-of-concept in order to get people to drive up their Patreon subscriptions to the tier that would see them spin off the Media Club Patreon episodes into their own podcast. The selling point of the show was that the main cast would feature a few long-time fans of the anime Hunter x Hunter and one person who had not only watched very little anime at all but had never watched Hunter x Hunter and had only expressed an interest in it after listening to their friends talk about it all the time. The stream was an instant hit and while it took a few months to get the show off the ground, it funded in less than a month after the stream, thanks in part to a large number of people increasing their pledges (myself included) to help push the group toward their goal. Since then, not only have they put out twenty episodes of the main podcast (an episode every other week), but they’ve also published three Patreon specials with one more imminently on the horizon [which released between writing this and it getting posted], covering a selection of Dragon Ball and Jojo’s Bizarre Adventure episodes. It has been a genuine delight to listen to the podcast go from a rough concept on a Twitch stream to the absolutely stellar analysis and insight that I make sure to never miss when it drops every other week, time allowing.
Continue readingAnime
Digging Into The Subtext Of Fullmetal Alchemist
Very recently, out of a desire to have something to do that didn’t require any input or attention from me (well, and to continue teaching Crunchyroll what kinds of stuff I liked), I started watching Fullmetal Alchemist Brotherhood. This is easily one of my favorite anime since it is a remake of the Fullmetal Alchemist story that closely adheres to the manga by the same name, which is absolutely my favorite manga series. I am not a fan of the first Fullmetal Alchemist anime since it seems to go in some odd directions pretty much immediately (largely because the anime series was made well before the manga series was finished), but I know plenty of people who watched it and enjoyed it. I’ll admit a level of bias here since I started reading Fullmetal Alchemist as one of my first manga series right as the first two volumes were released in the US and I didn’t miss a new volume until the series concluded. I read through it at a very formative time in my life and the story has stuck with me for years, standing up to scrutiny each time I read through it again and sometimes revealing things I missed the first time. Which is what I’m finding now as I watch the anime and think my way through the bits of the manga that it skips past or trims to fit a different media format. There’s a whole major aspect to this story I never really considered all that deeply despite how integral it is to the setting. Sure, it isn’t something that’s addressed explicitly by the manga or anime, but it’s not only a major aspect of the setting and worldbuilding, but a active backdrop that helps develop every single character in the series. After all, the story wouldn’t be even close to the same if it wasn’t about power struggles and working towards the good of all within a facist, authoritarian state.
Continue readingThe Next Jujutsu Kaisen Arc Is A Birthday Present For Me
At some point this year, I became aware of some new Jujutsu Kaisen episodes. Labeled “Season 2,” I was a little trepidatious about diving into a new season since the titles implied a bit of parallel story-telling rather than a direct continuation of the story that ended with Season 1. Eventually, though, I got over my trepidation, rewatched the entirety of season 1, and then watched the five episodes that exist of season 2. According to what I could find, more is going to start dropping on the thirty-first of this month, which is my birthday. It’s a lot more exciting to be focused on this upcoming release than it is on the unknown number of years it will be before the next bit of Demon Slayer comes out (since all we’ve got is pure conjecture at this point) and while the shows are incredibly different in theming and the episode-to-episode contents of their show, they’re both about slaying horrible monsters and bringing down the organization guiding the upper levels of those horribel monsters. I’m not really in-tune with anime trends enough to tell if this is an emerging trend (or it’s a dwindling one, considering how old Bleach is), but it does seem pretty funny to learn that two hit shows these days are both about slaying monstrous creatures that are varying degrees of intelligent and sapient.
Continue readingDemon Slayer is a Cut Above the Rest
In my on-going quest to actually watch TV shows and movies on my own, rather than wait for the opportunity to watch them with someone, I did a full re-watch of the first two seasons of Demon Slayer and then watched season 3 (called the Swordsmith Village arc). The whole show is visually stunning, and not just in the quality of the animation (which is consistently high, a fact made possible by the lengthy time between each season or arc’s release). Every visual is gorgeous, from the various moves performed by the titular Demon Slayers to the flashy, powerful maneauvers of the more powerful demons. The whole series does a great job of balancing interesting, unique characters, absolutely killer fight scenes, and plot progression, even if the pacing of individual episodes frequently feels off to me. Specifically, some of the episodes hit their mid-episode break with a scene that I feel should have been the end of an episode and sometimes an episode ends at a point where I’d expect to find a quick commercial break. The beat-to-beat pacing is absolutely stellar, though, so I’m not sure there’s much they could do to fix the episode thing and I’m pretty sure it’s just me and my mind’s desire to find patterns in everything.
Continue readingGetting Back Into New Stuff (Anime Edition)
After years of living alone and even more years of borrowing someone else’s Crunchyroll account, I’ve finally started watching new stuff again. Mostly anime right now, since I don’t feel like wading into the intermittent cesspool that is Netflix, Hulu, HBO Max, or whatever else I’ve got out there. So much TV and streaming-centric movie stuff has happened in the last decade and so much of it ran for so long that even thinking about trying to catch up on what I’ve missed or saved for later has me feeling fatigued. In the anime sphere, it’s a bit easier. Most shows feel like they take longer to come out, the overall runtimes/episode counts are shorter, and it’s also a bit easier to get recommendations from my friends since I’ve watched so much less anime than any other type of TV show. I can usually just ask for the top five shows from a few people and watch what comes out of that without needing to worry too much about whether or not my taste aligns with my friends’.
Continue readingTrigun Stampede Feels More In-Line With Its Philosophy Than The Original Did
A while back, I rewatched one of my favorite older animes, Trigun. I had pretty mixed feelings about the depiction of guns in the series, since I had recently done an active-shooter training at my day-job (which went pretty poorly from my perspective, given that none of my coworkers seemed to take the reality of the situation as seriously as I thought they should have). I’ve also dealt with active-shooter preparations in school, a lifetime of anxiety pushing me to consider active shooter situations every time I go to a concert or convention, and life in the US where guns are more respected in the legal and political spheres than women or people like myself. I can’t go a day without hearing about gun violence or from the various pro-gun and pro-violence factions of US politics. It is difficult to be aware of the world around me and then enjoy a show like Trigun that is all about guns despite featuring a character who actively did his best to avoid killing anyone.
Continue readingI Am Glad I Watched Cyberpunk: Edgerunner, Even If I’m Still Dead On My Feet Days Later.
I watched Cyberpunk: Edgerunners with some friends last weekend and I’ve been thinking about it ever since. I feel like I should have something to say about it now, days later, beyond what my friend and I talked about after the show ended, but I’m not sure I do. So far, all that’s really changed since 1am Saturday morning when the final end-credits bit played is the intensity of my feelings about the show, and those haven’t changed in a uniform way. They’ve grown less and more intense seemingly at random, maybe following my ability to give my attention to reflecting on the show. Which is something I haven’t had much of a chance to do between all of my weekend plans, the ceaseless exhaustion following several busy weeks, and the recognition that I have at least two more busy weeks before my first chance to relax for a whole weekend. Now, as I do my best to parcel out my attention and spoons through a work day, I find my mind returning to the show and how I felt about it any time I’m not pushing thoughts of it away. Despite my desire to just focus on stuff like blogging, working on the next Infrared Isolation chapter or just paying attention in meetings.
Continue readingThis One’s About Anime And Guns
Content Warning: Discussion of guns, gun violence, and smoking in the third paragraph and onward.
I’ve been on a bit of an old anime kick lately. Which is probably not what you think it is, given my relative late-coming to the anime scene (college) and my refusal to ever really engage with it beyond a few highly-recommended classics due to my general preference to only watch shows with other people. I mean, a lot of people will recommend a show to you from their childhood or teenage and then refuse to watch it with you because they know it will ruin their nostalgic memories of it. It’s like they know it’s bad, but refuse to tell you that because that would mean admitting the quality of it is contained within the rose-colored glasses of yesteryear and the lower standards of youth. By refusing to watch anything but the stuff people would watch with me, I’ve managed to mostly avoid this pitfall of “shows I loved years ago.”
Continue readingThe Pokémon Anime Is Not As Repetitive As I Thought
I read an article a while back about the way that shows are produced and written for a weekly release (the traditional method) and a full-season release (new to streaming platforms). The article didn’t make claims about quality or superiority, it just clarified why some seasons are longer than others, why some shows have more episodes, and how the pacing, plotting, and character development can change between the two forms. The crux of it was that, by being able to drop an entire season at once, a show wouldn’t need to remind its viewers of important information as frequently as a weekly show would. Because it was meant to be consumed quickly, it could skip over a lot of the “last time on” type information and the “I’m going to remind you of this thing we encountered five episodes ago because it’s actually been four months for us.” Stories take longer to tell if you have to tell them in pieces and can’t reference the old information, or you have to tell stories without as many elements that are reliant on past information. It’s not better or worse, just different.
Continue readingExposition X And X Narration X The X Anime
For those of you who aren’t familiar with the Anime Hunter X Hunter, the title of this blog post is reference to how the show titles all of their episodes. And also a reference to the two biggest parts of the show that might as well be characters. In terms of story, Hunter X Hunter is an adventure show about a young boy joining an elite group of dangerous people called “Hunters” in order to find his father who abandoned him when he was a baby. Gon, the abandoned hero, makes a few friends along the way and constantly impresses people with his superhuman strength and sense until he complete his exam, becomes a hunter, and is introduced to the world his father inhabits, a world filled with people far stronger than him which exists a step removed from the world he used to know. To be specific for those wanting to look up this anime, I’m reviewing the much longer series that premiered in 2011, rather than the earlier and shorter series. That’s the one my roommate introduced me to, the same roommate who introduce me to My Hero Academia, so I’m not entirely sure what to make of his taste in Anime anymore.
Now, to be entirely fair, he didn’t talk Hunter X Hunter up nearly as much as he talked up My Hero Academia. He admitted there are some serious issues with the later episodes and that it isn’t as strong as some of the other ones he’s recommended, but it has held a special place in his heart for a long time and it’s actually pretty fun to watch. It has frequently defied my expectation when it comes to the story and I’ve enjoyed watching a large number of the crazy characters in this show wind up being surprisingly sane. An assassin bonds with his son, a martial arts instructor acts to help a pair of young fighters who are in over their heads, and two incredibly strong children are actually children who play around and get up to trouble between being ridiculously overpowered. It’s very refreshing to see it stray away from a lot of the more frustrating adventure anime tropes and to create an insane world occupied by sane people.
If it weren’t for two things, I’d love this anime. As it is, they are making it difficult to enjoy the show at times. If it weren’t for the constant exposition, often delivered by going over events that just occurred multiple times, and the steadily increasing amount of narration, I’d definitely recommend this anime to everyone who doesn’t mind ridiculous fights, stupidly powerful characters, and a hero whose main weapon is a fishing pole with an apparently unbreakable line.
While the show is rather complex, introducing some really fun concepts like the Hunter organization, a plethora of unique animals who inhabit an incredible dangerous world, magical beasts of all kinds who live in the same step-removed world as the incredible strong people, and some rather complicated and open-ended powers called “Nen,” it gets really bogged down in the details. When Nen is introduced, they just go over it countless times. While initially peppered my roommate with questions about how Nen works and what it means, the Anime answered all of those questions and more. Multiple times. In one episode. There’s literally a point where we watch a fight, get one guy’s ability explained to us in exhaustive detail by his foe as a means of psychological warfare, see the end of the fight, get the other guy’s powers explained in excruciating detail as a flashback aside by a mysterious healer who came to fix him up, and then go over them again as the hero and his friend learn about Nen from the kind man who has taken them under his wing. I was so bored and the flashback felt like it took an entire episode. If this was the first time this had happened, where the show went over ground it had just covered, I’d forgive it, but this is becoming a theme.
In the same vein, the amount of narration is getting tiring. While there is a narratorial voice who sets up and concludes each episode, the show itself does a ton of narration through the characters. In writing, there’s this phrase, “show, don’t tell,” that’s supposed to help people keep in mind that they should show the characters acting rather than just narrate through a scene. This anime does both. It shows and then it tells like it didn’t show you just a minute ago. This is heavily tied to the exposition I mentioned since the worst of it, the flashback exposition, is handled by a character narrating whatever happened. There are much more natural ways to show what happened. Heck, if they’d just gone over the fight as the two young heroes learned from their teacher and explained it all that way, it still would have made sense and then it would have been explained in a place it made sense to talk about what happened. I’ll admit that I just watched this happen a couple of hours before writing this review, so I’m still a little frustrated and steamed with the show.
I’m still going to watch more of it, though. I’m willing to sit through some odious exposition and unnecessary narration in order to find out what happens next. While the characters motivations are fairly basic–finding a father, getting revenge for the death of your family, financing your education so you can become a doctor, and trying to find meaning outside of what you’ve always been told you’re meant to be–the show explores them in a rather novel way. Gon wants to find his father, but he’s not in a hurry and he is very much committed to living his own life even if that means setting aside his quest to find his father for a while. Leorio, the teenager who looks like an adult, is willing to risk his life and harm people in order to become a doctor who can afford to freely give out the medicine that would have saved his childhood friend’s life. The child assassin, Killua, will kill whoever he needs to in order to explore life as a normal kid with friends. Kurapika, the last surviving member of his clan, will sacrifice his own life if it means getting a shot at a member of the band of thieves called the “Phantom Troupe.” Of them all, Kurapika’s story is the most cliché and ordinary, but he’s an angry child trying to take out a group of the strongest people in the world and the show has already proven that it’s not afraid to let the stars get the crap kicked out of them so I have high hopes he’s not just going to “fighting spirit” his way to victory. Not that there’s anything wrong with it, but I’m a little bored of the trope. Just a personal preference thing, but it feels like it’s often used to let a character set up to be weaker than someone else win a fight they shouldn’t be able to.
I’d recommend watching the show for the characters, the interesting world, and the plot, but make sure to keep the remote handy so you can skip forward a bit once the boring exposition and narration shows up. Also maybe don’t watch every episode because I’ve heard the narration gets terrible toward the end. I don’t know for sure yet, since I’ve only watched thirty-four episodes. If the show changes a bunch before I stop watching, I might do a second review. There’s certainly been enough show in the episodes I’ve seen so far to justify doing a second one once I’ve watched more. I barely touched on the Hunter organization, the crazy exam people need to take in order to become Hunters, and the insane people who run it in a surprisingly formal and normal–if deadly–way. Let me know if that sounds interesting to you. I always need more stuff to review.